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COMPOSERRESPIGHI, OTTORINO
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ORCHESTRA / ENSEMBLEBuffalo Philharmonic
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PERFORMERFalletta
Respighi: Roman Trilogy / Falletta, Buffalo Philharmonic
- Naxos
- February 8, 2019
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RELEASE DATEFebruary 08, 2019
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UPC747313401376
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CATALOG NUMBER8574013
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Circenses
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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II. Il Giubileo
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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III. L'Ottobrata
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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IV. La Befana
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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I. La fontana di Valle Giulia all'alba
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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II. La fontana del Tritone al mattino
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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III. La fontana di Trevi al meriggio
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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IV. La fontana di Villa Medici al tramonto
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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I. I pini di Villa Borghese
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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II. Pini presso una catacomba
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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III. I pini del Gianicolo
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
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IV. I pini della via Appia
Composer: Ottorino Respighi
Ensemble: Buffalo Philharmonic Orchestra
Conductor: JoAnn Falletta
Featuring ⌄
Product Details ⌄
Works ⌄
Roman Festivals is the noisiest of the three works, and some would say the least musically interesting. Falletta tears into the piece with unashamed glee. The opening crowd scene, with its roaring lions and violent climaxes is cataclysmic, while the closing “La Befana” has color and chaos without degenerating into total cacophony. The Fountains of Rome nearly always comes off well. The only risk is in taking its outer sections too slowly, which Falletta does not. It’s a beautifully flowing performance. The Pines of Rome’s first three sections are all well characterized and sensitively done, but let’s face it: no one cares if the final march doesn’t come off. Here, it does, with pulverizing force. A terrific disc.
– ClassicsToday (David Hurwitz)
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