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COMPOSERROSE, MICHAEL ALEC
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ORCHESTRA / ENSEMBLEKreutzer Quartet
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PERFORMERSkaerved, Trandafilovski, Heyde, Meerloo, Lake, Longbow
Rose: Chamber & Solo Works For Strings & Horn / Longbow
- Toccata
- July 30, 2013
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RELEASE DATEJuly 30, 2013
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UPC5060113441720
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CATALOG NUMBERTOCC0172
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Air
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved
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I. Garage Lights
Composer: Michael Alec Rose
Ensemble: Kreutzer Quartet
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II. Standard
Composer: Michael Alec Rose
Ensemble: Kreutzer Quartet
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III. Gas
Composer: Michael Alec Rose
Ensemble: Kreutzer Quartet
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I. Spring
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Mihailo Trandafilovski
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II. Summer
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Mihailo Trandafilovski
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III. Fall
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Mihailo Trandafilovski
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IV. Winter
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Mihailo Trandafilovski
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No. 1. Farchadat
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved
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No. 2. Feroce
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved
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No. 3. Interlude
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved
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An Arch Never Sleeps
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Rachel Meerloo
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Palimpsest
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved
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Dr. Johnson and Mr. Savage: Pantomime
Composer: Michael Alec Rose
Performer: Peter Sheppard Skærved, Neil Heyde
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All'arme
Composer: Michael Alec Rose
Performer: Carly Lake
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Hopeful Monsters
Composer: Michael Alec Rose
Ensemble: Longbow
Performer: Peter Sheppard Skærved
Featuring ⌄
Product Details ⌄
Works ⌄
This CD documents a ten-year productive friendship between a composer and a performer. Many of Matthews’ quartets were written for the Kreutzer Quartet, and they’ve recorded two previous CDs of his complete cycle of music. This release features all world premiere recordings.
REVIEW:
Finally, there comes Hopeful Monsters of 2011 for string orchestra (the orchestra includes the members of the Quartet). Commemorating the 75th anniversary of the Battle of Cable Street (a day in 1936 when, in East London, crowds gathered to protest against fascism), it is a fascinating canvas that includes references to Jewish music in its faster section. The title is borrowed from Nicholas Mosley and refers to biological mutations that hover on extinction. Lee Hallman’s exemplary booklet notes suggest this is reflected in Rose’s use of harmony, with its clear tonal references that it just as often seeks to negate—or at least toy with.
All pieces here receive their first recordings, and the disc was made in the presence of the composer. Unhesitatingly recommended.
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