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COMPOSERROSSINI, GIOACHINO
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PERFORMERFranklin, Priante, Samsonova, Zanfardino, Mastrototaro, Wija, Ermolli
Rossini: La Cambiale Di Matrimonio / Franklin, Priante, Samsonova, Zanfardino, Mastrototaro
Regular price
$13.99
Sale price
$19.99
Unit price
per
- Naxos
- June 28, 2011
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RELEASE DATEJune 28, 2011
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UPC730099030274
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CATALOG NUMBER8660302
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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Sinfonia
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 1: Introduzione: Non c'e il vecchio sussurrone (Clarina, Norton)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Francesca Russo Ermolli, Tomasz Wija, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 2: Cavatina: Chi mai trova il dritto, il fondo (Mill)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 2: Stretta dell'introduzione: Ecco una lettera per voi, signore (Norton, Clarina, Mill)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Tomasz Wija, Francesca Russo Ermolli, Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 2: Recitativo: Ma, signore, questa lettera (Norton, Mill, Clarina)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Tomasz Wija, Vito Priante, Francesca Russo Ermolli, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 3: Duetto: Tornami a dir che m'ami (Edoardo, Fanny)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Daniele Zanfardino, Julija Samsonova, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 3: Recitativo: Si, cara mia, speriam: fra pochi giorni (Edoardo, Fanny) - Scene 4: Avete voi veduto (Norton, Fanny) - Scene 5: Presto, presto (Mill, Fanny, Edoardo)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Daniele Zanfardino, Julija Samsonova, Tomasz Wija, Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 6: Cavatina: Grazie … grazie … (Slook, Fanny, Clarina, Edoardo, Mill)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Giulio Mastrototaro, Julija Samsonova, Francesca Russo Ermolli, Daniele Zanfardino, Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 6: Recitativo: Sicche dunque istruitemi (Slook, Fanny, Mill, Edoardo, Norton) - Scene 7: Servo! (Slook, Fanny)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Giulio Mastrototaro, Julija Samsonova, Daniele Zanfardino, Vito Priante, Tomasz Wija, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 7: Duetto: Darei per si bel fondo (Slook, Fanny)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Giulio Mastrototaro, Julija Samsonova, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 8: Terzetto: Quell'amabile visino (Edoardo, Slook, Fanny)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Daniele Zanfardino, Giulio Mastrototaro, Julija Samsonova, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 9: Recitativo: Non si fara (Norton, Clarina)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Tomasz Wija, Francesca Russo Ermolli, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 9: Aria: Anch'io son giovine (Clarina)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Francesca Russo Ermolli, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 10: Recitativo: Eccolo appunto: pare pensieroso (Norton, Slook) - Scene 11: Ipotecato! (Slook, Mill)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Tomasz Wija, Giulio Mastrototaro, Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 11: Dite presto, dove sta (Mill, Slook)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Vito Priante, Giulio Mastrototaro, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 12: Recitativo: Venite, sono andati (Clarina, Fanny, Edoardo) - Scene 13: Bravi! (Slook, Fanny, Edoardo)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Francesca Russo Ermolli, Julija Samsonova, Daniele Zanfardino, Giulio Mastrototaro, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 13: Aria: Come tacer, come frenare i moti (Fanny)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Julija Samsonova, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 13: Recitativo: Eppur lo cred'anch'io (Slook) - Scene 14: Metti la tutto (Mill)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Giulio Mastrototaro, Vito Priante, Massimiliano Tanzini
Conductor: Christopher Franklin
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Scene 14: Finale: Portero così il cappello (Mill, Slook) - Scene 15: Qual ira, oh ciel, v'accende (Fanny, Mill, Clarina, Slook)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Vito Priante, Giulio Mastrototaro, Julija Samsonova, Francesca Russo Ermolli, Massimiliano Tanzini
Conductor: Christopher Franklin
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Final Scene: Vi prego (Edoardo, Mill, Slook, Clarina, Fanny, Norton)
Composer: Gioachino Rossini
Ensemble: Württembergische Philharmonie Reutlingen
Performer: Daniele Zanfardino, Vito Priante, Giulio Mastrototaro, Francesca Russo Ermolli, Julija Samsonova, Tomasz Wija, Massimiliano Tanzini
Conductor: Christopher Franklin
Featuring ⌄
Product Details ⌄
Works ⌄
Lively and involving … a fine addition to the expanding list of Rossini operas on Naxos.
Rossini’s La cambiale di matrimonio was his first opera to be performed, premiered in 1810 at the Teatro San Moise in Venice. It ran for thirteen performances, which was not bad in the fast-paced Italian opera business. At the time Rossini was still a student at the Bologna Conservatory and in fact La cambiale di matrimonio was his second opera; Demetro e Polibio, written for another opera company was not premiered until 1812.
The libretto to La cambiale was by the experienced hand of Gaetano Rossi, who wrote the librettos for Tancredi and Semiramide. La cambiale isn’t quite in that class; it is based on a five-act comedy from 1790 which owes a lot to the comedies of Goldoni. The plot concerns the English merchant, Tobia Mill (Vita Priante), who desires to wed his daughter to a Canadian business contact Slook (Giulio Mastrototaro) very much as a business transaction. The daughter Fanny (Julija Samsonova) is in love with Eduardo Milfort (Daniele Zanfardino). The plot is helped along by Mill’s clerk Norton (Tomasz Wija) and the maid Clarina (Francesca Russo Ermolli). Needless to say all ends happily with Slook returning home disappointed.
La cambiale di matrimonio has not been that frequently on disc; not that the work is lacking in the necessary qualities but probably more because of the extensive dialogue – there is a great deal of it. In fact, in another composer’s hands it could have become little more than a comic play with songs. Instead Rossini creates a series of brilliant ensembles which certainly make the piece worth hearing.
This performance was recorded live at the Rossini in Wildbad festival with a cast which included four native Italians. This shows: the recording is vivid and entrancing, capturing the lively performance with dialogue rattling along at quite a rate of knots; there is also a bit of stage noise. The drawback is that Naxos provide only a detailed synopsis; you can download an Italian libretto but there doesn’t seem to be an English one which might put people off.
There are only four solo numbers - arias for Fanny and Clarina, entrance Cavatinas for Mill and for Slook. As was to become his wont in his serious operas, Rossini drives the plot through a series of duets, trios and ensembles with the first of his famous multi-part, dramatic finales.
The cast are perhaps not perfect, but their performances are all infectious. Priante and Mastrototaro are both a delight as the pair of buffo basses, making light of the fact that the tessitura of the parts seems to go rather high. They throw off Rossini’s roulades with a degree of abandon. Samsonova does not sing Fanny with quite the right amount of entrancing ripeness, at times her tone becomes a bit slender above the stave. Her account of the duet with Slook - where she has to repeatedly tell him that she will never be his - is inclined to be untidy, but this might also be the effect of the dramatic moment. These are not serious problems, she fits into the ensemble nicely. Zanfardino’s Milfort does not get an aria, though he duets with Samsonova; Zanfardino has a nicely slim lyric voice.
Wija and Russo Ermolli provide strong support in the important roles of Clarina and Norton. Russo Ermolli impresses in her aria. This Clarina is a young woman not a blowsy old maid and Russo Ermolli captures this nicely.
Under the lively direction of Christopher Franklin the Württemberg Philharmonic Orchestra acquits itself well, providing vivid support. They use a harpsichord for continuo.
This is a lively and involving account of Rossini’s first opera. Whilst not perfect, it does bring out the comic drama of the piece and is certainly a fine addition to the expanding list of Rossini operas on Naxos.
-- Robert Hugill, MusicWeb International
Rossini’s La cambiale di matrimonio was his first opera to be performed, premiered in 1810 at the Teatro San Moise in Venice. It ran for thirteen performances, which was not bad in the fast-paced Italian opera business. At the time Rossini was still a student at the Bologna Conservatory and in fact La cambiale di matrimonio was his second opera; Demetro e Polibio, written for another opera company was not premiered until 1812.
The libretto to La cambiale was by the experienced hand of Gaetano Rossi, who wrote the librettos for Tancredi and Semiramide. La cambiale isn’t quite in that class; it is based on a five-act comedy from 1790 which owes a lot to the comedies of Goldoni. The plot concerns the English merchant, Tobia Mill (Vita Priante), who desires to wed his daughter to a Canadian business contact Slook (Giulio Mastrototaro) very much as a business transaction. The daughter Fanny (Julija Samsonova) is in love with Eduardo Milfort (Daniele Zanfardino). The plot is helped along by Mill’s clerk Norton (Tomasz Wija) and the maid Clarina (Francesca Russo Ermolli). Needless to say all ends happily with Slook returning home disappointed.
La cambiale di matrimonio has not been that frequently on disc; not that the work is lacking in the necessary qualities but probably more because of the extensive dialogue – there is a great deal of it. In fact, in another composer’s hands it could have become little more than a comic play with songs. Instead Rossini creates a series of brilliant ensembles which certainly make the piece worth hearing.
This performance was recorded live at the Rossini in Wildbad festival with a cast which included four native Italians. This shows: the recording is vivid and entrancing, capturing the lively performance with dialogue rattling along at quite a rate of knots; there is also a bit of stage noise. The drawback is that Naxos provide only a detailed synopsis; you can download an Italian libretto but there doesn’t seem to be an English one which might put people off.
There are only four solo numbers - arias for Fanny and Clarina, entrance Cavatinas for Mill and for Slook. As was to become his wont in his serious operas, Rossini drives the plot through a series of duets, trios and ensembles with the first of his famous multi-part, dramatic finales.
The cast are perhaps not perfect, but their performances are all infectious. Priante and Mastrototaro are both a delight as the pair of buffo basses, making light of the fact that the tessitura of the parts seems to go rather high. They throw off Rossini’s roulades with a degree of abandon. Samsonova does not sing Fanny with quite the right amount of entrancing ripeness, at times her tone becomes a bit slender above the stave. Her account of the duet with Slook - where she has to repeatedly tell him that she will never be his - is inclined to be untidy, but this might also be the effect of the dramatic moment. These are not serious problems, she fits into the ensemble nicely. Zanfardino’s Milfort does not get an aria, though he duets with Samsonova; Zanfardino has a nicely slim lyric voice.
Wija and Russo Ermolli provide strong support in the important roles of Clarina and Norton. Russo Ermolli impresses in her aria. This Clarina is a young woman not a blowsy old maid and Russo Ermolli captures this nicely.
Under the lively direction of Christopher Franklin the Württemberg Philharmonic Orchestra acquits itself well, providing vivid support. They use a harpsichord for continuo.
This is a lively and involving account of Rossini’s first opera. Whilst not perfect, it does bring out the comic drama of the piece and is certainly a fine addition to the expanding list of Rossini operas on Naxos.
-- Robert Hugill, MusicWeb International
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