Rossini's penultimate opera, premiered in 1828 at the Op�ra National de Paris, is a musical comedy about a love triangle set during the Crusades. At the Op�ra Comique it's plot is transported to the time of the works' creation with France's military expeditions to Algeria. It is staged by a first-rate creative team: Stage director Denis Podalyd�s and costume designer Christian Lacroix provide stunning visuals, whilst conductor Louis Langr�e leads the Orchestre des Champs-�lys�es, the Ch�ur Les �l�ments and a stellar cast of soloists in this delightful fool's game. Mezzo-soprano Ga�lle Arquez shines with her "superlative technique" (Le Monde) and Julie Fuchs's Ad�le performance elicits "more than just admiration, namely enthusiasm in the etymological sense of the word: inspired by the divine" (Le Monde). "A masterpiece!" (T�l�rama), "Pure pleasure!" (Les �chos). Le Comte Ory at the Op�ra Comique is "a true musical and theatrical celebration where everything sparkles!" (Bachtrack)