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COMPOSERHANDEL, GEORGE FRIDERIC
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PERFORMERLe Consort, Zaicik
Royal Handel / Eva Zaicik, Le Consort
- Alpha
- January 8, 2021
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RELEASE DATEJanuary 08, 2021
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UPC3760014196621
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CATALOG NUMBERALPHA662
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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Flavio, re di Longobardi, HWV 16, Act II: Rompo i lacci, e frango i dardi
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Caio Marzio Coriolano: Sagri numi
Composer: Attilio Ariosti
Ensemble: Le Consort
Performer: Eva Zaïcik
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Admeto, HWV 22, Act II: Gelosia spietata Aletto
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Act III: Son stanco, ingiusti Numi
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Act III: Deggio morire, o stelle
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Inumano fratel
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Stille amare
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Floridante, HWV 14, Act I: Ma pria vedro le stelle
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Giulio Cesare in Egitto, HWV 17, Act II: L'aura che spira
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Ottone, re di Germania, HWV 15, Act II: Ah! tu non sai quant'il mio cor sospira
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Caio Marzio Coriolano: E' pur il gran piacer
Composer: Attilio Ariosti
Ensemble: Le Consort
Performer: Eva Zaïcik
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Crispo: Strazio, scempio, furia e morte
Composer: Giovanni Bononcini
Ensemble: Le Consort
Performer: Eva Zaïcik
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Radamisto, HWV 12, Act II: Ombra cara di mia sposa
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
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Riccardo Primo, HWV 23, Act I: Agitato da fiere tempeste
Composer: George Frideric Handel
Ensemble: Le Consort
Performer: Eva Zaïcik
Featuring ⌄
Product Details ⌄
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London, February 1719: the birth of the Royal Academy of Music. George Frideric Handel was appointed musical director. German-born Handel, having spent four years in Italy, wanted to make London the new capital of opera. The only language to be sung on the stage of the King’s Theatre was to be Italian, and two other composers, Attilio Ariosti and Giovanni Battista Bononcini, were imported from the Italian peninsula. Both men were string players and contributed a new instrumental sweep to the company. Public enthusiasm reached considerable heights: thirty-four operas- more than 460 performances in all- were given at the Royal Academy over a period of nine years. Handel premiered his masterpieces Giulio Cesare in Egitto, Ottone and Radamisto. Ariosti and Bononcini also enjoyed great success between 1720 and 1723, notably with Coriolano (Ariosti) from which the sublime aria ‘Sagri numi’ is taken. ‘Royal Handel’ is a musical portrait of the first Royal Academy of Music. Eva Zaicik and her partners in Le Consort celebrate the prodigious variety of the Handelian genius and introduce us to previously unrecorded arias by Ariosti and Bononcini: ‘We are captivated by the ghostly sonorities of ‘Stille amare,’ the engulfing fury of “Agitato da fiere tempeste,” the virtuosity of ‘Gelosia, spietata Aletto,’ the swirling excitement of ‘L’aure che spira,’ the ascetic counterpoint of ‘Ombra cara’ and the poignancy of ‘Deggio morire’.’
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