Rzewski: The People United Will Never Be Defeated & Four Hands / Oppens, Lowenthal
Details
- Composer
- RZEWSKI, FREDERIC
- Artist
- Oppens, Lowenthal
- Format
- CD
- Label
- Cedille
- Released
- Sep 11, 2015
- Catalog #
- CDR 158
- UPC
- 735131915823
About
New-music icon Ursula Oppens, who commissioned, premiered, and made the first recording of maverick American composer Frederic Rzewski’s The People United Will Never Be Defeated!, a remarkable, monumental set of solo piano variations, has rerecorded that landmark 1975 work to mark its 40th anniversary. This riveting, audience-pleasing tour-de-force is a nearly hour-long set of 36 variations on a popular Chilean protest song from the era of Augusto Pinochet’s repressive rightwing military dictatorship. A bonus is the world-premiere recording of a new Rzewski work, Four Hands, a duet commissioned by and written for Oppens and pianist Jerome Lowenthal, her duet partner on the recording. Fiercely challenging to perform, it leaves the listener “… absorbed and exhilarated…” (New York Times) Oppens’s Cedille Records discography includes two Grammy nominees, Oppens plays Carter and Winging It: Piano Music of John Corigliano, as well as a recording of duo-piano music by Messiaen and Debussy, again with Jerome Lowenthal.
REVIEW:
Frederic Rzewski wrote his monumental variation set based on Sergio Ortega’s Chilean resistance anthem song “El pueblo unido jamas sera vencido” for pianist Ursula Oppens, who premiered it in 1976 and made its first recording a few years later. It’s a fine performance in and of itself, yet Oppens’ stupendous new 2014 recording for Cedille surpasses the earlier version in every respect.
The opening theme, for starters, is more impassioned at its loud peaks, while the first six variations gain energy and character through Oppens’ heightened sense of voice leading. The dissonant grace note effect of Variation 7’s two-against-three rhythmic patterns is clearer than what many pianists make of it, while Variation 9’s counterpoint benefits from Oppens’ drier, more cogently contoured rethinking.
Variation 10’s splattered, Boulez-like gestures and zigzagging glissandos may not transpire so “recklessly” as the composer indicates, yet the inner logic of his meticulous dynamic markings comes out in Oppens’ faithful rendition. Variation 15’s improvisatory, folk-song-like quality spills over into more elaborate territory in Variation 16. Most pianists (Rzewski included) sustain a similar mood and tone between these two variations. Not Oppens, whose feathery pianissimos and una corda pedal deployment at No. 16’s outset create a magical tonal shift that accurately reflects what’s marked in the score.
Variation 19’s jagged motives, so often pounded out on the same dynamic and emotional level, convey a playful, conversational repartée. Young speed demons who insanely blur their way through Variation 21’s relentless finger twisters have no clue of the wonderful harmonic content that Oppens’ “sanely” fast fingers bring out. However, one can argue that Oppens’ faster and lighter treatment of Variations 26 and 28 plays down the music’s grim, march-like gravitas in contrast to Rzewski’s slower, sharper-edged interpretation. Just before the theme returns, Rzewski gives pianists the option to improvise a cadenza; Oppens’ first recording didn’t include one. Here, the pianist’s short, lyrical, and absolutely lovely improvisation incorporates ideas from Variation 25.
Overall, Oppens’ virtuosity, musicality, and insightful inspiration add up to the most gratifying People United on disc, alongside Rzewski’s own 1986 HatArt label recording (out-of-print on CD, but available as a download). The recorded premiere of Rzewski’s more recent and delightfully inventive Four Hands features Oppens and Jerome Lowenthal relishing the music’s tricky rhythmic hockets, airy contrapuntal traps, fleeting allusions to Romantic fare, and jazzy final fugue with masterful glee. No lover of 20th- and 21st-century piano music should miss this important release.
-- Jed Distler, ClassicsToday.com
Tracklist 43 tracks
-
1 Theme: With determination 01:20
- Track
- 1
- Title
- Theme: With determination
- Duration
- 01:20
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
2 Variation 1: Weaving: delicate but firm 00:50
- Track
- 2
- Title
- Variation 1: Weaving: delicate but firm
- Duration
- 00:50
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
3 Variation 2: With firmness 00:52
- Track
- 3
- Title
- Variation 2: With firmness
- Duration
- 00:52
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
4 Variation 3: Slightly slower, with expressive nuances (quarter note = ca. 88) 01:09
- Track
- 4
- Title
- Variation 3: Slightly slower, with expressive nuances (quarter note = ca. 88)
- Duration
- 01:09
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
5 Variation 4: Marcato - With determination 00:59
- Track
- 5
- Title
- Variation 4: Marcato - With determination
- Duration
- 00:59
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
6 Variation 5: Dreamlike, frozen 01:02
- Track
- 6
- Title
- Variation 5: Dreamlike, frozen
- Duration
- 01:02
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
7 Variation 6: Same tempo as beginning 01:07
- Track
- 7
- Title
- Variation 6: Same tempo as beginning
- Duration
- 01:07
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
8 Variation 7: Tempo (Lightly, impatiently) 00:58
- Track
- 8
- Title
- Variation 7: Tempo (Lightly, impatiently)
- Duration
- 00:58
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
9 Variation 8: With agility; not too much pedal; crisp 01:08
- Track
- 9
- Title
- Variation 8: With agility; not too much pedal; crisp
- Duration
- 01:08
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
10 Variation 9: half note = 48, Evenly 01:00
- Track
- 10
- Title
- Variation 9: half note = 48, Evenly
- Duration
- 01:00
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
11 Variation 10: Comodo, recklessly (quarter note = 96) 01:00
- Track
- 11
- Title
- Variation 10: Comodo, recklessly (quarter note = 96)
- Duration
- 01:00
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
12 Variation 11: Tempo I (quarter note = 106) 00:58
- Track
- 12
- Title
- Variation 11: Tempo I (quarter note = 106)
- Duration
- 00:58
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
13 Variation 12 01:09
- Track
- 13
- Title
- Variation 12
- Duration
- 01:09
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
14 Variation 13: quarter note = 72 or slightly faster 01:34
- Track
- 14
- Title
- Variation 13: quarter note = 72 or slightly faster
- Duration
- 01:34
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
15 Variation 14: A bit faster, optimistically 01:34
- Track
- 15
- Title
- Variation 14: A bit faster, optimistically
- Duration
- 01:34
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
16 Variation 15: Flexible, like an improvisation 01:14
- Track
- 16
- Title
- Variation 15: Flexible, like an improvisation
- Duration
- 01:14
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
17 Variation 16 01:21
- Track
- 17
- Title
- Variation 16
- Duration
- 01:21
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
18 Variation 17: L.H. strictly half note = 36, R.H. freely, roughly as in space 01:00
- Track
- 18
- Title
- Variation 17: L.H. strictly half note = 36, R.H. freely, roughly as in space
- Duration
- 01:00
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
19 Variation 18: quarter note = 72 01:26
- Track
- 19
- Title
- Variation 18: quarter note = 72
- Duration
- 01:26
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
20 Variation 19: dotted quarter note = 144, With energy 00:37
- Track
- 20
- Title
- Variation 19: dotted quarter note = 144, With energy
- Duration
- 00:37
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
21 Variation 20: Crisp, precise, quarter note = 144 00:35
- Track
- 21
- Title
- Variation 20: Crisp, precise, quarter note = 144
- Duration
- 00:35
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
22 Variation 21: quarter note = 108, Relentless, uncompromising 00:53
- Track
- 22
- Title
- Variation 21: quarter note = 108, Relentless, uncompromising
- Duration
- 00:53
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
23 Variation 22: quarter note = 132 00:48
- Track
- 23
- Title
- Variation 22: quarter note = 132
- Duration
- 00:48
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
24 Variation 23: As fast as possible, with some rubato 00:28
- Track
- 24
- Title
- Variation 23: As fast as possible, with some rubato
- Duration
- 00:28
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
25 Variation 24: quarter note = 72 02:00
- Track
- 25
- Title
- Variation 24: quarter note = 72
- Duration
- 02:00
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
26 Variation 25: quarter note = ca. 84, with fluctuations 01:55
- Track
- 26
- Title
- Variation 25: quarter note = ca. 84, with fluctuations
- Duration
- 01:55
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
27 Variation 26: quarter note = 168, In a militant manner 01:09
- Track
- 27
- Title
- Variation 26: quarter note = 168, In a militant manner
- Duration
- 01:09
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
28 Variation 27: (quarter note = 72) Tenderly, and with a hopeful expression 04:46
- Track
- 28
- Title
- Variation 27: (quarter note = 72) Tenderly, and with a hopeful expression
- Duration
- 04:46
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
29 Variation 28: quarter note = 160 01:22
- Track
- 29
- Title
- Variation 28: quarter note = 160
- Duration
- 01:22
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
30 Variation 29: quarter note = 144-152 00:32
- Track
- 30
- Title
- Variation 29: quarter note = 144-152
- Duration
- 00:32
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
31 Variation 30: (quarter note = 84) 02:18
- Track
- 31
- Title
- Variation 30: (quarter note = 84)
- Duration
- 02:18
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
32 Variation 31: (quarter note = 106) 00:55
- Track
- 32
- Title
- Variation 31: (quarter note = 106)
- Duration
- 00:55
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
33 Variation 32 00:57
- Track
- 33
- Title
- Variation 32
- Duration
- 00:57
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
34 Variation 33 00:58
- Track
- 34
- Title
- Variation 33
- Duration
- 00:58
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
35 Variation 34 01:02
- Track
- 35
- Title
- Variation 34
- Duration
- 01:02
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
36 Variation 35 01:03
- Track
- 36
- Title
- Variation 35
- Duration
- 01:03
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
37 Variation 36 01:22
- Track
- 37
- Title
- Variation 36
- Duration
- 01:22
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
38 Cadenza 02:38
- Track
- 38
- Title
- Cadenza
- Duration
- 02:38
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
39 Thema: Tempo I 02:40
- Track
- 39
- Title
- Thema: Tempo I
- Duration
- 02:40
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens
-
40 I. quarter note = 96-104 06:06
- Track
- 40
- Title
- I. quarter note = 96-104
- Duration
- 06:06
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens, Jerome Lowenthal
-
41 II. senza misura (ca. 30 seconds per line) 03:14
- Track
- 41
- Title
- II. senza misura (ca. 30 seconds per line)
- Duration
- 03:14
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens, Jerome Lowenthal
-
42 III. quarter note = 72 01:28
- Track
- 42
- Title
- III. quarter note = 72
- Duration
- 01:28
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens, Jerome Lowenthal
-
43 IV. quarter note = 96 05:05
- Track
- 43
- Title
- IV. quarter note = 96
- Duration
- 05:05
- Composer
- Frederic Rzewski
- Performer
- Ursula Oppens, Jerome Lowenthal