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COMPOSERVarious
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PERFORMERMilos Milivojevic, Simon Callaghan
Saint-Saëns, Vol. 4: Harmonium Duos on Accordion & Piano / Milivojević, Callaghan
- Nimbus
- February 3, 2023
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RELEASE DATEFebruary 03, 2023
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UPC0710357811128
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CATALOG NUMBERNI8111
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LABELNimbus
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NUMBER OF DISCS1
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GENRE
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Scherzo capriccioso, Op. 36
Composer: Alexandre Guilmant
Performer: Miloš Milivojević, Simon Callaghan
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Pastorale, Op. 26
Composer: Alexandre Guilmant
Performer: Miloš Milivojević, Simon Callaghan
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6 Duos, Op. 8: No. 5. Scherzo
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
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Prelude, fugue et variation in B Minor, Op. 18, M. 30 (version for piano and accordion)
Composer: César Franck
Performer: Miloš Milivojević, Simon Callaghan
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6 Duos, Op. 8: No. 4. Capriccio
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
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Prière in F Major, Op. 16 No. 2 (version for harmonium and piano)
Composer: Alexandre Guilmant
Performer: Miloš Milivojević, Simon Callaghan
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6 Duos, Op. 8: No. 3. Choral
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
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Final alla Schumann, Op. 83 (version for harmonium and piano)
Composer: Alexandre Guilmant
Performer: Miloš Milivojević, Simon Callaghan
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No. 2. Cavatina
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
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No. 1. Fantasia e Fuga
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
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Élégie fugue, Op. 44
Composer: Alexandre Guilmant
Performer: Miloš Milivojević, Simon Callaghan
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6 Duos, Op. 8: No. 6. Finale
Composer: Camille Saint-Saëns
Performer: Miloš Milivojević, Simon Callaghan
Featuring ⌄
Product Details ⌄
Works ⌄
The rise in popularity of the harmonium in the second half of the nineteenth century brought with it a large repertoire of chamber music, especially in France, where the instrument had been developed and refined. The combination of harmonium with piano was an especially popular one. As well as original compositions, the harmonium attracted composers making arrangements for reduced forces. The accordion, taking the role of the harmonium on these recordings, produces sound in a near identical way – air passes over vibrating free reeds made of metal.
Dr. David Jones writes: "it is the performers’ hope that the subtle shift from the 19th century French harmonium to a modern classical accordion will enable these delightful pieces to be performed more often and to gain the widest possible audience."
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