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COMPOSERErik Satie
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PERFORMERNoriko Ogawa
Satie: Piano Music, Vol. 5 - "Esoterik Satie" / Ogawa
- BIS
- March 4, 2022
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RELEASE DATEMarch 04, 2022
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UPC7318599923451
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CATALOG NUMBERBIS-2345
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Éginhard: Prélude
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 1. Airs à faire fuir: 1. D'une manière très particulière
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 1. Airs à faire fuir: 2. Modestement
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 1. Airs à faire fuir: 3. S'inviter
Composer: Erik Satie
Performer: Noriko Ogawa
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Pièces froides: No. 1. Airs à faire fuir: 2. (version plus chromatique)
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 2. Danses de travers: 1. En y regardant à 2 fois
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 2. Danses de travers: 2. Passer
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 2. Danses de travers: 3. Encore
Composer: Erik Satie
Performer: Noriko Ogawa
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Danse de travers II
Composer: Erik Satie
Performer: Noriko Ogawa
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I. Sur un mur
Composer: Erik Satie
Performer: Noriko Ogawa
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II. Sur un arbre
Composer: Erik Satie
Performer: Noriko Ogawa
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III. Sur un pont
Composer: Erik Satie
Performer: Noriko Ogawa
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Part I
Composer: Erik Satie
Performer: Noriko Ogawa
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Part II
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Une plage déserte
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: La maison d'uspud
Composer: Erik Satie
Performer: Noriko Ogawa
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Act III: Le sommet d'une montagne - au-dessus un crucifix
Composer: Erik Satie
Performer: Noriko Ogawa
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I. À l'occasion d'une grande peine
Composer: Erik Satie
Performer: Noriko Ogawa
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II. Dans laquelle les Pères de la Très Véritable et Très Sainte Église sont invoqués
Composer: Erik Satie
Performer: Noriko Ogawa
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III. En faveur d'un malheureux
Composer: Erik Satie
Performer: Noriko Ogawa
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IV. À propos de Saint Bernard et de Sainte Lucie
Composer: Erik Satie
Performer: Noriko Ogawa
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V. Pour les pauvres trépassés
Composer: Erik Satie
Performer: Noriko Ogawa
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VI. Où il est question du pardon des injures reçues
Composer: Erik Satie
Performer: Noriko Ogawa
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VII. Par pitié pour les ivrognes, honteux, débauchés, imparfaits, désagréables et faussaires en tous genres
Composer: Erik Satie
Performer: Noriko Ogawa
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VIII. En le haut honneur de vénéré Saint Michel, le gracieux Archange
Composer: Erik Satie
Performer: Noriko Ogawa
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IX. Après avoir obtenu la remise de ses fautes
Composer: Erik Satie
Performer: Noriko Ogawa
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Sans titre, peut-ètre pour la messe des pauvres, "Modéré" (version for piano)
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 1. Lent
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 2. Très modéré
Composer: Erik Satie
Performer: Noriko Ogawa
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No. 3. Pas vite
Composer: Erik Satie
Performer: Noriko Ogawa
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Prière
Composer: Erik Satie
Performer: Noriko Ogawa
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Leit-motiv du Panthée
Composer: Erik Satie
Performer: Noriko Ogawa
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Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle
Composer: Erik Satie
Performer: Noriko Ogawa
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Ogive No. 1
Composer: Erik Satie
Performer: Noriko Ogawa
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Ogive No. 2
Composer: Erik Satie
Performer: Noriko Ogawa
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Ogive No. 3
Composer: Erik Satie
Performer: Noriko Ogawa
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Ogive No. 4
Composer: Erik Satie
Performer: Noriko Ogawa
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Pièce sans titre, "Première pensée Rose + Croix" (1891)
Composer: Erik Satie
Performer: Noriko Ogawa
Featuring ⌄
Product Details ⌄
Works ⌄
For the fifth volume in her series of Erik Satie's piano music, Noriko Ogawa reaches back to an early period in the composer's life. A large part of the program comes from Satie's so-called mystical period. Influenced by medieval plainsong and avoiding all pathos, Satie resorted to austere melodies based on rhythms and harmonies simplified to the extreme; he turned away from the concepts of development and variation in favour of simple repetition of perfectly symmetrical phrases. In other words, he broke completely with the classical-romantic tradition. In its purity and abstraction, Satie’s music from this period seems surprisingly modern by comparison with that of his contemporaries. The title of this volume is Ésoterik Satie, a nickname given to the composer during the period when he began a collaboration with Joséphin Peladan, the grand-master of the ‘Rose-Croix catholique du temple et du graal’, an artistic movement close to symbolism and esotericism. Satie’s fascination for the Middle Ages is reflected not only in the music itself, but also in the titles of some works, such as Ogives (the pointed arches of Gothic architecture), Danses gothiques or Fête donnée par les Chevaliers Normand.
REVIEW:
Noriko Ogawa is a sure guide to these pieces. She plays them on an 1890 Erard piano, which has a bright, clear, rather shallow tone. The booklet is very informative, though the pieces are not played in the order in which they are discussed. These works are best taken a few at a time. Satie’s world is intense but it is also narrow, and the pieces here are all rather similar.
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