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COMPOSERLambert de Sayve
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ORCHESTRA / ENSEMBLEEnsemble Polyharmonique
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PERFORMERAlexander, Fabien, Schneider, Concerto Imperiale, Moulaert
Sayve: Ad Vesperas / Ensemble Polyharmonique, Concerto Imperiale
- Musique en Wallonie
- October 14, 2022
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RELEASE DATEOctober 14, 2022
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UPC5425008322018
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CATALOG NUMBERMEW2201
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LABELMusique en Wallonie
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NUMBER OF DISCS1
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GENRE
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Toccata
Composer: Andrea Gabrieli
Performer: Fabien Moulaert
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Deus in adjutorium
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Ave Maria
Composer: Gilles Henry Hayne
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Dixit dominus à 8
Composer: Mateo Romero
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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In odorem unguentorum
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Laetatus sum in his à 8
Composer: Lambert de Sayve
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Cum essem parvula
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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O gloriosa mater
Composer: Lambert Coolen
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Fantasia
Composer: Peter Philips
Performer: Fabien Moulaert
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Salve matrona nobilissima Anna
Composer: Henri de Remouchamps
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Speciosa facta es
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Nisi dominus à 8
Composer: Lambert de Sayve
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Beata mater
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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O dulcissima mater à 8
Composer: Lambert Coolen
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Dignare me
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Lauda, Ierusalem, Dominum à 8
Composer: Lambert de Sayve
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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O admirabile commercium
Composer: Lambert de Sayve
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Echo fantasia
Composer: Jan Pieterszoon Sweelinck
Performer: Fabien Moulaert
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Beatam me
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Magnificat à 8
Composer: Lambert de Sayve
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Concede nos famulos
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Benedicamus Domino
Composer: Anonymous
Ensemble: Ensemble Polyharmonique
Conductor: Alexander Schneider
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Salve Regina à 8
Composer: Léonard Hodemont
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Ecce panis angelorum à 8
Composer: Lambert Coolen
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
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Tantum ergo
Composer: Lambert Coolen
Ensemble: Ensemble Polyharmonique, Concerto Imperiale
Conductor: Fabien Moulaert
Featuring ⌄
Product Details ⌄
Works ⌄
In the 17th century the city of Liège, capital of an enormous diocese and of a principality within the Empire, was described as a “priests’ paradise” on account of its imposing cathedral, its seven collegiate churches, about thirty parish churches, and its numerous abbeys and monasteries. This recording does more than justice to two manuscript which provides rare evidence of the polyphonic repertoire in use by the Liège religious orders in the first half of the 17th century: Grand livre de chœur de Saint-Lambert and Livre d’orgue des frères croisiers. The fifty-odd 4- to 8-part motets assembled in the Grand livre de chœur are by the hand of Liège composers from the first half of the 17th century who, with the exception of Gilles Hayne, were all active at the cathedral. These motets illustrate the permanence of the rite in honor of the patron saint of the diocese, Bishop Lambert, and other acts of devotions in favor in Liège at the time. Following the traditional format of the evening office, the vespers presented here alternate psalms and antiphons and end with a Magnificat with a particularly rich tonal texture. Sayve’s Magnificat for double chorus, preserved in the national library at Ljubljana, here receives its first recording. Drawing on extant sources of composers who all maintained a link with Liège, the Polyharmonique and Concerto Imperiale ensembles, under the direction of Alexander Schneider et Fabien Moulaert, here offers a program remarkable for its great stylistic and musical coherence.
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