R E V I E W S:

"Taut, intense, and beautifully shaped, the playing conveys the music’s drama, haunting lyricism, and bold originality. Hearing it, one is led to think that Leonard Bernstein committed a major omission when he said that “alone” among all composers, Beethoven had “a direct line to God.” The eerie tremolos of No. 15 here are stunningly otherworldly; the continuity and building tension of the second-movement variations in No. 14, compelling; the bold brashness of the opening of the “Quartettsatz,” intrusively arresting. And throughout all the performances, care with balances produces a welcome clarity of voicing that underscores Schubert’s harmonic daring."

FANFARE: Mortimer H. Frank

Lovely playing, as nearly always from these artists... The Quartettsatz was written four years before the A minor Quartet. There's certainly no lack of shivers and shudders here: indeed, you get the impression that the players were deliberately saving up all their disquiet for the key of C minor. The recording quality is very natural throughout.

-- Gramophone [2/1973, reviewing the original LP release of Quartets 12 and 14]