"Here is a beautiful young pianist with a superb Scriabin recital... Her performances are warm and intuitive and logical and completely non-rhetorical. The result is an extraordinary disclong journey into Scriabin’s increasingly sulfurous and mad world." -- Jeff Simon, The Buffalo News

"Wang manages to cut a diagonal path across Scriabin's output, largely drawing from lesser known pieces, including the waltzes, poems, and pieces in genres he visited no more than once or a couple of times. These are often treated as afterthoughts by pianists in the course recording of comprehensive Scriabin packages, in several cases that's all you'll ever find of such works on disc. However, Wang treats each as a distinct and separate case, and she spins the neglected Polonaise in B flat minor, Op. 21, into gold, relating it to the Russian tradition of the polonaise with its darker hues and more lumbering, rhythmic profile. She finds what's truly "satanic" about the Poème satanique, Op. 36, a work that often doesn't get very good performances because its uncharacteristically bright, major-key sound seems at odds with the title; however, in Wang's version it is clear that this piece comes from the dark side of Scriabin's musical universe. Speaking of which, her rendition of Vers la flamme — a piece Wang often plays in recital and is included on her debut — is everything one would want it to be: muted and gradually emergent at the start, white hot and ecstatic at the end." -- Dave Lewis, All Music Guide

"The booklet notes that Xiayin Wang provides for her Naxos Scriabin recital are as intelligent and insightful as her interpretations. The pianist's urbane, witty treatment of such Chopin-influenced fare as the D-flat and F minor Waltzes and the B-flat minor Polonaise convincingly transforms the younger composer into the ironist he never was and never would be. It makes me wonder how she'd enliven Scriabin's Mazurkas. Her taut, harmonically aware renditions of the Op. 32, Op. 34, Op. 36, and Op. 52 Poèmes fall agreeably on the ear, notwithstanding more drawn out, subjective, and sexy accounts to be savored (Pascal Amoyel on Calliope, for example). Appropriately fiery climaxes rivet attention in Flammes sombres and Vers la flamme, although much of the diffuse B minor Fantasie grows too loud too soon when compared to Alexander Melnikov's more diverse pacing and wider dynamic range. Overall, a fine disc that bodes well for future releases from this talented pianist." --Jed Distler, ClassicsToday.com

"Having listened to this new release from pianist Xiayin Wang, I simply cannot imagine how or why I have managed to avoid Scriabin’s solo piano œuvre for so long. The music here, and Wang’s playing of it are of an exquisite beauty beyond description...Xiayin Wang seems to have a very special affinity for Scriabin’s music....A beautiful recital by an up-and-coming young artist, captured in excellent sound by Naxos’s recording team. Highly recommended." -- Jerry Dubins, Fanfare