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COMPOSERJohanna Senfter
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PERFORMEROliver Triendl, Roland Glassl
Senfter: Complete Works for Viola & Piano / Glassl, Triendl
- Haenssler Classic
- March 3, 2023
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RELEASE DATEMarch 03, 2023
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UPC881488220766
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CATALOG NUMBERHC22076
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LABELHaenssler Classic
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NUMBER OF DISCS2
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GENRE
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I. Frisch und lebendig
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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II. Sehr ruhig
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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III. Lebhaft
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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IV. Gemächlich
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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V. Lustig, nicht zu schnell
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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I. Bewegt
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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II. Scherzo: Ziemlich geschwind
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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III. Sehr ruhig
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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IV. Gemächlich
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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Duo for Viola and Piano, Op. 127
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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Variations for Viola and Piano, Op. 94
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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No. 1. Weihnachten: In ruhiger Bewegung
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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No. 2. Karfreitag: Sehr ruhig
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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No. 3. Auferstehungsfeier: Feierlich, nicht zu langsam
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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No. 4. Himmelfahrt: Gemächlich
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
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No. 5. Zum Totensonntag: Sehr ruhig
Composer: Johanna Senfter
Performer: Roland Glassl, Oliver Triendl
Featuring ⌄
Product Details ⌄
Works ⌄
Johanna Senfter (1879–1961): Works for viola and piano – In the male-dominated world of the time, in which women who performed and composed required special assertive skills, Johanna Senfter consciously refrained from a career in the wider world and limited her creative field to her birthplace of Oppenheim am Rhein near Mainz, not least because of her unstable health as a result of a severe bout of diphtheria in her childhood. This pragmatic self-limitation has given way to an interesting, decades-long debate, not least because her compositional legacy at the Cologne Musikhochschule is available to all interested researchers and musicians and has led to new editions or first recordings of her compositions.
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