CPO
Sigismund Von Neukomm: Three Orchestral Fantasies; Sinfonie Heroique / Willens, Die Kolner Akademie
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Details
- Composer
- NEUKOMM, SIGISMUND
- Artist
- Die Koelner Akademie, Willens
- Format
- CD
- Label
- CPO
- Released
- Oct 30, 2012
- Catalog #
- 777573-2
- UPC
- 761203757329
About
Sigismund Neukomm (b. 1778) is best known today as a footnote in Haydn biographies, as one of the composer’s students and associates in his last years. But he lived until 1858, traveling all over Europe, from France, to Russia, to London, and even residing for a number of years in Brazil. It was in Rio de Janeiro in 1817 that he composed his Grande Sinfonie heroïque. The music is faux Haydn: just about about the only thing “heroïque” about it is the drumroll at the start. Check out the tune that begins the finale; it’s as if Beethoven had never existed.
The remaining works on the program represent an interesting illustration of musical aesthetics in the early 1800s. They represent Neukomm’s response to the problem of writing orchestral music that does not sound like Haydn and that employs “free” forms. Indeed, the “Dramatic Fantasia on some passages of Milton’s Paradise Lost,” composed in 1833 for the London Philharmonic Society, might be deemed a symphonic poem, though its general pleasantness reveals a composer lacking true fire in his belly. Still, the music is enjoyable, and the two earlier fantasies composed in 1806-8 reveal a composer clearly trying to find an individual identity while working in Haydn’s (still living) shadow.
The performances are very successful. I have had some pretty harsh things to say about Die Kölner Academy and Michael Willens (and he has replied in kind), particularly on account of their lousy Mozart piano concerto recordings on BIS. This is probably their most successful disc to date. Yes, the “period” string playing still lacks timbral allure, but the winds play characterfully, especially in the Milton fantasia, and the passages for full orchestra sound lively and bold. The fact that the music has no competition on disc also helps, as does the excellent engineering. Interesting stuff, this.
-- David Hurwitz, ClassicsToday.com
The remaining works on the program represent an interesting illustration of musical aesthetics in the early 1800s. They represent Neukomm’s response to the problem of writing orchestral music that does not sound like Haydn and that employs “free” forms. Indeed, the “Dramatic Fantasia on some passages of Milton’s Paradise Lost,” composed in 1833 for the London Philharmonic Society, might be deemed a symphonic poem, though its general pleasantness reveals a composer lacking true fire in his belly. Still, the music is enjoyable, and the two earlier fantasies composed in 1806-8 reveal a composer clearly trying to find an individual identity while working in Haydn’s (still living) shadow.
The performances are very successful. I have had some pretty harsh things to say about Die Kölner Academy and Michael Willens (and he has replied in kind), particularly on account of their lousy Mozart piano concerto recordings on BIS. This is probably their most successful disc to date. Yes, the “period” string playing still lacks timbral allure, but the winds play characterfully, especially in the Milton fantasia, and the passages for full orchestra sound lively and bold. The fact that the music has no competition on disc also helps, as does the excellent engineering. Interesting stuff, this.
-- David Hurwitz, ClassicsToday.com
Tracklist 7 tracks
-
1 Fantasie a grand orchestra, Op. 9 13:30
- Track
- 1
- Title
- Fantasie a grand orchestra, Op. 9
- Duration
- 13:30
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
2 Dramatic Fantasia on Some Passages of Milton's Paradise Lost 11:51
- Track
- 2
- Title
- Dramatic Fantasia on Some Passages of Milton's Paradise Lost
- Duration
- 11:51
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
3 Fantaisie a grand orchestre 13:31
- Track
- 3
- Title
- Fantaisie a grand orchestre
- Duration
- 13:31
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
4 I. Andante sostenuto - Allegro con spirito 05:59
- Track
- 4
- Title
- I. Andante sostenuto - Allegro con spirito
- Duration
- 05:59
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
5 II. Menuetto: Allegro molto - Trio 07:21
- Track
- 5
- Title
- II. Menuetto: Allegro molto - Trio
- Duration
- 07:21
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
6 III. Andante con poco di moto 06:05
- Track
- 6
- Title
- III. Andante con poco di moto
- Duration
- 06:05
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens
-
7 IV. Allegro molto 04:39
- Track
- 7
- Title
- IV. Allegro molto
- Duration
- 04:39
- Composer
- Sigismund Ritter von Neukomm
- Ensemble
- Orchester der Kölner Akademie
- Conductor
- Michael Alexander Willens