Naxos
Simon Mayr: L'armonia, Etc / Hauk, Or, Piriu, Et Al
$19.99
Details
- Composer
- MAYR
- Artist
- Hauk, Ingolstadt Co
- Format
- CD
- Label
- Naxos
- Released
- Dec 12, 2006
- Catalog #
- 8557958
- UPC
- 747313295821
About
German-born Simon Mayr received his musical training in Italy (he's also properly known by his Italian name Giovanni Simone Mayr), and that's where he spent his career writing both operas and sacred vocal music at the cathedral of Santa Maria Maggiore in Bergamo. One thing's clear about this composer/teacher/choir master: he knew his Mozart, Haydn, and Beethoven, and if you like their sacred and theatrical music, you'll enjoy this program featuring two delightful cantatas. L'Armonia, an extended (45-minute) near-opera with three scenes, characters, choruses, virtuoso arias, and well-developed recitatives, was presented on the occasion of a state visit to Bergamo in 1825 by the Emperor Franz I and his entourage. It contains all the conventions of the day to satisfy and impress an imperial audience--the references to classical poets and mythology, symbolic associations to the emperor's benevolence and wisdom (not to mention a surprise tribute to the Empress), grand choruses and florid arias glorifying the defense of the nation's and its people's ideals in battle, and textual quotations espousing the goals of harmony and peace.
But rather than being tedious and predictable, Mayr treats us to some very appealing, expertly crafted music that handily combines some dramatic and very demanding Mozartian opera-style arias--beautifully sung by all three soloists--with choruses right out of the church works of Mozart and Haydn. The pacing is swift and conductor Franz Hauk keeps his forces tightly together most of the time--some ragged instrumental ensemble and choral intonation slips are only occasionally noticeable. Mayr also cleverly uses a harp at opportune moments to add color and for symbolic reference to the Bards, which are among the cantata's "characters".
And speaking of references, if you know Beethoven, you'll have fun picking out Mayr's nifty insertions of excerpts from some of the master's works in the Cantata for the Death of Beethoven. This 15-minute piece was basically cobbled together from original material and from existing works, and again, it's a very satisfying listen marked by strong vocal writing for the soloists and stylish orchestration. Once more I do have to mention the solo singers--soprano Talia Or, tenor Altin Piriù, and bass Nikolay Borchev--all first class and very solid in some very challenging music. They have a lot to do here, and they really carry the show. A pleasant surprise!
--David Vernier, ClassicsToday.com
But rather than being tedious and predictable, Mayr treats us to some very appealing, expertly crafted music that handily combines some dramatic and very demanding Mozartian opera-style arias--beautifully sung by all three soloists--with choruses right out of the church works of Mozart and Haydn. The pacing is swift and conductor Franz Hauk keeps his forces tightly together most of the time--some ragged instrumental ensemble and choral intonation slips are only occasionally noticeable. Mayr also cleverly uses a harp at opportune moments to add color and for symbolic reference to the Bards, which are among the cantata's "characters".
And speaking of references, if you know Beethoven, you'll have fun picking out Mayr's nifty insertions of excerpts from some of the master's works in the Cantata for the Death of Beethoven. This 15-minute piece was basically cobbled together from original material and from existing works, and again, it's a very satisfying listen marked by strong vocal writing for the soloists and stylish orchestration. Once more I do have to mention the solo singers--soprano Talia Or, tenor Altin Piriù, and bass Nikolay Borchev--all first class and very solid in some very challenging music. They have a lot to do here, and they really carry the show. A pleasant surprise!
--David Vernier, ClassicsToday.com
Tracklist 18 tracks
-
1 Scene I: Chorus: Bell'Armonia risvegliati (Fair Harmony awake) 04:18
- Track
- 1
- Title
- Scene I: Chorus: Bell'Armonia risvegliati (Fair Harmony awake)
- Duration
- 04:18
- Composer
- Johann Simon Mayr
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
2 Scene I: Recitative: Ah si: rimira, avventurata gente (Ah yes, see, fortunate people) (Bass) 02:50
- Track
- 2
- Title
- Scene I: Recitative: Ah si: rimira, avventurata gente (Ah yes, see, fortunate people) (Bass)
- Duration
- 02:50
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev
- Ensemble
- Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
3 Scene I: Aria: Qual diletto inonda il petto (What delight fills our hearts) (Bass) 02:28
- Track
- 3
- Title
- Scene I: Aria: Qual diletto inonda il petto (What delight fills our hearts) (Bass)
- Duration
- 02:28
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev
- Ensemble
- Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
4 Scene I: Aria: La Patria gia sente il Nume presente (Our country feels the presence of God) (Bass, Chorus) 02:13
- Track
- 4
- Title
- Scene I: Aria: La Patria gia sente il Nume presente (Our country feels the presence of God) (Bass, Chorus)
- Duration
- 02:13
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
5 Scene I: Chorus: Qual'indegno! il seren di nostra pace (What an outrage! Does someone dare disturb our serenity?) 00:43
- Track
- 5
- Title
- Scene I: Chorus: Qual'indegno! il seren di nostra pace (What an outrage! Does someone dare disturb our serenity?)
- Duration
- 00:43
- Composer
- Johann Simon Mayr
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
6 Scene II: Recitative: Popoli, amici!... (People, friends!...) (Bass, Chorus) 01:01
- Track
- 6
- Title
- Scene II: Recitative: Popoli, amici!... (People, friends!...) (Bass, Chorus)
- Duration
- 01:01
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
7 Scene II: Aria: A combatter ci chiama la tromba: de' timballi gia il suono rimbomba (The trumpet calls us to battle) (Tenor, Chorus) 06:57
- Track
- 7
- Title
- Scene II: Aria: A combatter ci chiama la tromba: de' timballi gia il suono rimbomba (The trumpet calls us to battle) (Tenor, Chorus)
- Duration
- 06:57
- Composer
- Johann Simon Mayr
- Performer
- Altin Piriu
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
8 Scene III: Chorus: Vittoria, Vittoria (Victory, Victory) 02:06
- Track
- 8
- Title
- Scene III: Chorus: Vittoria, Vittoria (Victory, Victory)
- Duration
- 02:06
- Composer
- Johann Simon Mayr
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
9 Scene III: Recitative: Ah si l'arpa si rechi: sulle dita scorre (Ah yes, take up your harp: the song of victory) (Soprano) 01:20
- Track
- 9
- Title
- Scene III: Recitative: Ah si l'arpa si rechi: sulle dita scorre (Ah yes, take up your harp: the song of victory) (Soprano)
- Duration
- 01:20
- Composer
- Johann Simon Mayr
- Performer
- Talia Or
- Ensemble
- Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
10 Scene III: Trio with Chorus: Rodolfo onor de' Cesari, invitto Eroe, dov'e? (Where is Rudolf, honour of emperors, undefeated hero?) (Soprano, Bass, Chorus, Tenor) 07:41
- Track
- 10
- Title
- Scene III: Trio with Chorus: Rodolfo onor de' Cesari, invitto Eroe, dov'e? (Where is Rudolf, honour of emperors, undefeated hero?) (Soprano, Bass, Chorus, Tenor)
- Duration
- 07:41
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev, Talia Or, Altin Piriu
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
11 Scene III: Recitative: Qual solenne concento l'orecchio ne percuote? (What solemn harmony strikes our ears?) (Tenor, Chorus) 01:19
- Track
- 11
- Title
- Scene III: Recitative: Qual solenne concento l'orecchio ne percuote? (What solemn harmony strikes our ears?) (Tenor, Chorus)
- Duration
- 01:19
- Composer
- Johann Simon Mayr
- Performer
- Altin Piriu
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
12 Scene III: Chorus: Scendi de' cantici, alma custode! (Descend from our songs guardian angel!) 02:23
- Track
- 12
- Title
- Scene III: Chorus: Scendi de' cantici, alma custode! (Descend from our songs guardian angel!)
- Duration
- 02:23
- Composer
- Johann Simon Mayr
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
13 Scene III: Recitative: Ecco il tempio: ecco l'ara (Here is the temple, here the altar) (Soprano, Tenor) 01:44
- Track
- 13
- Title
- Scene III: Recitative: Ecco il tempio: ecco l'ara (Here is the temple, here the altar) (Soprano, Tenor)
- Duration
- 01:44
- Composer
- Johann Simon Mayr
- Performer
- Talia Or, Altin Piriu
- Ensemble
- Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
14 Scene III: Trio with Chorus: Tu, che del fulmine movi il potere (You who have power over the thunderbolt) (Soprano, Chorus) 03:17
- Track
- 14
- Title
- Scene III: Trio with Chorus: Tu, che del fulmine movi il potere (You who have power over the thunderbolt) (Soprano, Chorus)
- Duration
- 03:17
- Composer
- Johann Simon Mayr
- Performer
- Talia Or
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
15 Scene III: Recitative: Ma, qual portento e questo? (What omen is this?) (Soprano, Chorus) 00:31
- Track
- 15
- Title
- Scene III: Recitative: Ma, qual portento e questo? (What omen is this?) (Soprano, Chorus)
- Duration
- 00:31
- Composer
- Johann Simon Mayr
- Performer
- Talia Or
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
16 Scene III: Trio with Chorus: Chi del cielo la voce comprende (He who understands the voice of heaven) (Soprano, Bass, Chorus) 01:36
- Track
- 16
- Title
- Scene III: Trio with Chorus: Chi del cielo la voce comprende (He who understands the voice of heaven) (Soprano, Bass, Chorus)
- Duration
- 01:36
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev, Talia Or
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
17 Scene III: Finale: Trio with Chorus: Di bel contento l'etra risuoni (Let heaven resound with sweet contentment) 01:38
- Track
- 17
- Title
- Scene III: Finale: Trio with Chorus: Di bel contento l'etra risuoni (Let heaven resound with sweet contentment)
- Duration
- 01:38
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev, Talia Or, Altin Piriu
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk
-
18 Cantata sopra la morte di Beethoven (Cantata for the Death of Beethoven) 15:24
- Track
- 18
- Title
- Cantata sopra la morte di Beethoven (Cantata for the Death of Beethoven)
- Duration
- 15:24
- Composer
- Johann Simon Mayr
- Performer
- Nikolay Borchev, Talia Or, Altin Piriu
- Ensemble
- Simon Mayr Chorus, Georgische Kammerorchester Ingolstadt
- Conductor
- Franz Hauk