Smareglia: La falena / Fracassi, Orchestra Filarmonica Italiana

Regular price $34.99
Label
Bongiovanni
Release Date
June 15, 2018
Format
Added to Cart! View cart or continue shopping.


    Featuring
    • COMPOSER
      SMAREGLIA, ANTONIO
    • ORCHESTRA / ENSEMBLE
      Orchestra Filarmonica Italiana
    • PERFORMER
      Gavazzeni, Veneziano, Barbetti, Likaj, Ottelli, Di Mauro, Coro La Ca
    Product Details
    • RELEASE DATE
      June 15, 2018
    • UPC
      8007068249428
    • CATALOG NUMBER
      GB2494/95-2
    • LABEL
      Bongiovanni
    • NUMBER OF DISCS
      2
    • GENRE
    Works
    1. Act I: Introduction

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Conductor: Marco Fracassi

    2. Act I: Uscì dal bosco un cavalier (Albina, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti

      Conductor: Marco Fracassi

    3. Act I: Stringo sul seno il fiore (Albina, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti

      Conductor: Marco Fracassi

    4. Act I: Remo lento, che parola di lamento (Albinai, Il ladro, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti, Rosario di Mauro

      Conductor: Marco Fracassi

    5. Act I: Il diavolo ha messo in bocca (Albina, Uberto, Il ladro, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti, Armando Likaj, Rosario di Mauro

      Conductor: Marco Fracassi

    6. Act I: Ho quest'oggi cacciato per i poveri (Re Stellio, Albina, Uberto, Il ladro, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giuseppe Veneziano, Giovanna Barbetti, Armando Likaj, Rosario di Mauro

      Conductor: Marco Fracassi

    7. Act I: Performer! (Re Stellio, Albina, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giuseppe Veneziano, Giovanna Barbetti

      Conductor: Marco Fracassi

    8. Act I: O re, signor degli uomini (La falena, Re Stellio, Albina, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano, Giovanna Barbetti

      Conductor: Marco Fracassi

    9. Act I: A la mia voce il sonno (La falena, Re Stellio, Albina, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano, Giovanna Barbetti

      Conductor: Marco Fracassi

    10. Act I: Svanita ella è (Albina, Uberto, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti, Armando Likaj

      Conductor: Marco Fracassi

    11. Act I: O Signore (Albina, Uberto, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Giovanna Barbetti, Armando Likaj

      Conductor: Marco Fracassi

    12. Act II: Introduction

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Conductor: Marco Fracassi

    13. Act II: Balzato è dal giaciglio (La falena, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni

      Conductor: Marco Fracassi

    14. Act II: Desto son io … Ella! … Ella è qui! … (La falena)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    15. Act II: Te … te voglio, di te la giovinezza (La falena, Re Stellio)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    16. Act II: Davver sei bella! (La falena, Re Stellio)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    17. Act II: Se tu conosci il Dio misericorde (La falena, Re Stellio, Uberto)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano, Armando Likaj

      Conductor: Marco Fracassi

    18. Act II: Questo vino dell'anfore mie (La falena, Re Stellio)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    19. Act II: Ve' come sono impuro (La falena, Re Stellio)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    20. Act III: Introduction

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Conductor: Marco Fracassi

    21. Act III: La verità vi narro (Morio, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Fluvio Ottelli

      Conductor: Marco Fracassi

    22. Act III: Quanto è vissuto Morio (Chorus)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Conductor: Marco Fracassi

    23. Act III: Senti! … Tutti mi chiamano (La falena, Re Stellio)

      Composer: Antonio Smareglia

      Ensemble: Coro la Camerata di Cremona, Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano

      Conductor: Marco Fracassi

    24. Act III: è l’alba … (La falena, Re Stellio, Morio)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Denia Mazzola Gavazzeni, Giuseppe Veneziano, Fluvio Ottelli

      Conductor: Marco Fracassi

    25. Act III: È una Falena (Re Stellio, Morio, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Giuseppe Veneziano, Fluvio Ottelli

      Conductor: Marco Fracassi

    26. Act III: Santa mattina (Re Stellio, Albina, Morio, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Giuseppe Veneziano, Giovanna Barbetti, Fluvio Ottelli

      Conductor: Marco Fracassi

    27. Act III: O mia angelica vergine (Re Stellio, Albina, Morio, Chorus)

      Composer: Antonio Smareglia

      Ensemble: Orchestra Filarmonica Italiana

      Performer: Giuseppe Veneziano, Giovanna Barbetti, Fluvio Ottelli

      Conductor: Marco Fracassi


Antonio Smareglia was born in Pola in the Istria region in 1854 and after his early studies in Vienna, (he was of course a citizen of the Hapsburg empire), like the composer Catalani from Lucca he moved to Milan, where he had the support of Franco Faccio and Arrigo Boito, and soon made a fairly successful debut at La Scala. La Falena was premiered in Venice on September 6, 1897 and proved not only in step with the literature and painting of the time but also anticipated coming trends in opera: Pelléas et Mélisande would not appear until 1902, Salome not until 1905. Even Illica & Mascagni’s Iris with its floral-inspired symbolism was not staged until 1898. The truly new and most original element of La Falena is the extraordinary presence of the orchestra and its life-giving language, which is all modulation and excursions into rare key signatures, leading many experts to dub Smareglia a Wagnerian. This was not simply because of the three evocative preludes but also Smareglia’s use of the orchestra. With timbres ranging from harsh and violent to delicate and refined, the Leit-Motiv technique applied throughout as the orchestra provides the structure that holds the opera up rather than merely the accompaniment for this or that musical number.