Tartini: Concerti E Sonate / Brunello, Doni, Accademia dell'Annunciata

$20.99
Label
Arcana
Release Date
November 13, 2020
Format
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    Featuring ⌄
    • COMPOSER
      TARTINI, GIUSEPPE
    • PERFORMER
      Brunello, Accademia Dell'Annunciata, Doni
    Product Details ⌄
    • RELEASE DATE
      November 13, 2020
    • UPC
      3760195734780
    • CATALOG NUMBER
      A478
    • LABEL
      Arcana
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Allegro

      Composer: Antonio Vandini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    2. II. Andantino

      Composer: Antonio Vandini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    3. III. Allegro

      Composer: Antonio Vandini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    4. I. Adagio

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    5. II. Andante

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    6. III. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    7. I. Affettuoso

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    8. II. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    9. III. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    10. I. Allegro assai

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Conductor: Riccardo Doni

    11. II. Andante

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Conductor: Riccardo Doni

    12. III. Presto

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Conductor: Riccardo Doni

    13. I. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    14. II: Larghetto

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    15. III. Allegro assai

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    16. I. Un poco largo

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    17. II. Allegro moderato

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    18. III. Grave ed espressivo

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    19. IV. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Mario Brunello, Riccardo Doni

    20. I. Grave

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Riccardo Doni

    21. II. Allegro

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Riccardo Doni

    22. III. Adagio - IV. Allegro assai

      Composer: Giuseppe Tartini

      Ensemble: Accademia dell'Annunciata

      Performer: Riccardo Doni


To mark the 250th anniversary of the death of Giuseppe Tartini, Mario Brunello and the Accademia dell’Annunciata commemorate one of the great partnerships in the history of eighteenth-century music: the relationship between Tartini and Antonio Vandini, a cellist born in Bologna (cradle of the Italian cello school), active in Padua for fifty years, and the author of the first biography of Tartini, whom he had known since the 1720s. Coupled here for the first time are Tartini’s two cello concertos, probably intended for his friend and colleague, alongside the only surviving concerto by Vandini himself. According to reports of the period, he ‘played in such a way as to make his instrument speak,’ that instrument being the violoncello piccolo practiced by the virtuosos of Padua in the mid-eighteenth century, here played by Mario Brunello. The expressive heart of the concertos is to be found in the beautiful slow movements: in Tartini the long, eloquent melodic arches create a free inner monologue, while the rich ornamentation recalls folk motifs from the Balkan region, which he may have known. In his marvelous Andantino, Vandini gives the cello a gently symmetrical Vivaldian melody that expands in dialogue with the orchestra.