Tartini: Sonatas For Violin Solo Vol 1 / Crtomir Siskovic

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Dynamic
Release Date
June 26, 2012
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    Featuring ⌄
    • COMPOSER
      TARTINI, GIUSEPPE
    • PERFORMER
      Crtomir Siskovic
    Product Details ⌄
    • RELEASE DATE
      June 26, 2012
    • UPC
      8007144607210
    • CATALOG NUMBER
      DYN-CDS721
    • LABEL
      Dynamic
    • NUMBER OF DISCS
      2
    • GENRE
      Instrumental
    Works ⌄

    1. I. Sciolto - Andante

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    2. II. Allegro cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    3. III. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    4. I. Siciliana

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    5. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    6. III. Allegro affettuoso

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    7. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    8. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    9. III. Giga: Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    10. IV. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    11. I. Cantabile - Andante

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    12. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    13. III. Presto

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    14. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    15. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    16. III. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    17. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    18. II. Allegro cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    19. III. Giga

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    20. I. Adagio

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    21. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    22. III. Tema con variazioni

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    23. I. Andante

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    24. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    25. III. Affettuoso

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    26. IV. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    27. I. Largo andante

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    28. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    29. III. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    30. IV. Menuet

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    31. I. Largo

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    32. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    33. III. Affettuoso

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    34. IV. Menuet

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    35. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    36. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    37. III. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    38. IV. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    39. I. Aria del Tasso

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    40. II. Canzone venetiana

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    41. III. Aria - Menuet

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    42. IV. Tema variato

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    43. I. Andante

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    44. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    45. III. Giga: Allegro affettuoso

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    46. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    47. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    48. III. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    49. IV. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    50. I. Grave

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    51. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič

    52. III. Allegro

      Composer: Giuseppe Tartini

      Performer: Črtomir Šiškovič


As Petrobelli wrote, Tartini's "declared intent was to achieve in the instrumental field, with a language suited to the nature of the instrument, the affections that are perfectly outlined in the arias of Metastasio's operas." The first sonatas of the collection are mostly structured in three movements, with a slow movement followed by two fast ones, as was Tartini's favourite scheme from the eighth sonata, instead, the structure in four movements becomes predominant, with a rich variety of formal patterns. Some movements bear mottos and literary quotations (like Metastasio's arias, frequently used also in the concertos, or Tasso's Aria Lieto ti prendo with which Tartini opens his Sonata No. 12 in G major, taken from the 12th canto of the Gerusalemme liberata). In them Tartini makes a fine display of his inexhaustible melodic creativity, always shunning easy symmetries and predictable developments. There are many passages with polyphonic hints, although virtuosity always appears subject to expressiveness and never a simple show of bravura. Frequent also are the hints and melodic inflections echoing popular songs and dances of the day, as for example in the Canzone Venetiana of the Sonata No. 12 in G major, or the second movement (Allegro assai) of the Sonata No. 5 in F major. Tartini is never obvious and even less predictable secluded in his Padua, he was a self-contained composer who disdained the world around him and possessed the creative power typical of - indeed, almost exclusive to - great anachronistic men.