Sony Masterworks
Tchaikovsky: The Three Piano Concertos / Gary Graffman
$24.99
Details
- Composer
- TCHAIKOVSKY, PETER ILYICH
- Artist
- Gary, Graffman
- Format
- CD
- Label
- Sony Masterworks
- Released
- Mar 17, 2010
- Catalog #
- SONY94737
- UPC
- 827969473726
About
Benchmark recordings of Tchaikovsky -- many aspiring pianists may think of changing professions after hearing Graffman soar through these iconic works with such dazzling élan.
At last. Gary Graffman's recordings of Tchaikovsky's Second and Third Concertos were the ones which introduced me to these works. They have remained my benchmarks ever since, the admirable couplings by Haas, Douglas, Gilels, Pletnev and others notwithstanding and despite the second movement of the Second being in the truncated Siloti edition. As Graffman makes clear in his entertaining memoir I Really Should Be Practicing (Doubleday: 1981) — among the best of pianists' autobiographies — Ormandy was a prince of accompanists. The two artists had known each other for 20 years and it shows. There are many memorable passages, among them the conclusion of the Second Concerto's volcanic central first-movement cadenza when the orchestra re-enters with the opening subject (15'58"), initially failing to subdue Graffman's ecstatic quasi-trill at the top of the keyboard; and a similar moment in the Third Concerto when Ormandy introduces (11'05") some crunching off-beat cymbal crashes.
Szell also proves a convivial, alert partner in the First Concerto, providing deft touches that lift this account above the ordinary. Listen, for instance, to the syncopated brass figure beneath the apotheosis of the last movement's second subject. If Graffman eschews the demonic brilliance of Horowitz, his reading is all about Tchaikovsky. Horowitz's is more about Horowitz.
To complete this all-Russian programme, there is Graffman's compelling Mussorgsky where once again he creates, well, pictures that live in the memory: 'Bydlo' appears in the misty distance, lumbers by and vanishes again (superb), while the unhatched chicks are played with a rare sense of fun. Finally, there is Islamey. Many aspiring pianists may think of changing professions after hearing Graffman soar through this iconic barnstormer with such dazzling élan.
-- Jeremy Nicholas, Gramophone [1/2006]
At last. Gary Graffman's recordings of Tchaikovsky's Second and Third Concertos were the ones which introduced me to these works. They have remained my benchmarks ever since, the admirable couplings by Haas, Douglas, Gilels, Pletnev and others notwithstanding and despite the second movement of the Second being in the truncated Siloti edition. As Graffman makes clear in his entertaining memoir I Really Should Be Practicing (Doubleday: 1981) — among the best of pianists' autobiographies — Ormandy was a prince of accompanists. The two artists had known each other for 20 years and it shows. There are many memorable passages, among them the conclusion of the Second Concerto's volcanic central first-movement cadenza when the orchestra re-enters with the opening subject (15'58"), initially failing to subdue Graffman's ecstatic quasi-trill at the top of the keyboard; and a similar moment in the Third Concerto when Ormandy introduces (11'05") some crunching off-beat cymbal crashes.
Szell also proves a convivial, alert partner in the First Concerto, providing deft touches that lift this account above the ordinary. Listen, for instance, to the syncopated brass figure beneath the apotheosis of the last movement's second subject. If Graffman eschews the demonic brilliance of Horowitz, his reading is all about Tchaikovsky. Horowitz's is more about Horowitz.
To complete this all-Russian programme, there is Graffman's compelling Mussorgsky where once again he creates, well, pictures that live in the memory: 'Bydlo' appears in the misty distance, lumbers by and vanishes again (superb), while the unhatched chicks are played with a rare sense of fun. Finally, there is Islamey. Many aspiring pianists may think of changing professions after hearing Graffman soar through this iconic barnstormer with such dazzling élan.
-- Jeremy Nicholas, Gramophone [1/2006]
Tracklist 23 tracks
- Disc 1
-
1 I. Allegro non troppo e molto maestoso 19:54
- Track
- 1
- Title
- I. Allegro non troppo e molto maestoso
- Duration
- 19:54
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Cleveland Orchestra
- Conductor
- George Szell
-
2 II. Andantino semplice 07:07
- Track
- 2
- Title
- II. Andantino semplice
- Duration
- 07:07
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Cleveland Orchestra
- Conductor
- George Szell
-
3 III. Allegro con fuoco - Allegro vivo 06:48
- Track
- 3
- Title
- III. Allegro con fuoco - Allegro vivo
- Duration
- 06:48
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Cleveland Orchestra
- Conductor
- George Szell
-
4 I. Allegro brillante e molto vivace 20:52
- Track
- 4
- Title
- I. Allegro brillante e molto vivace
- Duration
- 20:52
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Philadelphia Orchestra
- Conductor
- Eugene Ormandy
-
5 II. Andante non troppo 07:46
- Track
- 5
- Title
- II. Andante non troppo
- Duration
- 07:46
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Philadelphia Orchestra
- Conductor
- Eugene Ormandy
-
6 III. Allegro con fuoco 07:33
- Track
- 6
- Title
- III. Allegro con fuoco
- Duration
- 07:33
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Philadelphia Orchestra
- Conductor
- Eugene Ormandy
- Disc 2
-
1 Piano Concerto No. 3 in E-Flat Major, Op. 75: Allegro brillante 15:16
- Track
- 1
- Title
- Piano Concerto No. 3 in E-Flat Major, Op. 75: Allegro brillante
- Duration
- 15:16
- Composer
- Pyotr Ilyich Tchaikovsky
- Performer
- Gary Graffman
- Ensemble
- Philadelphia Orchestra
- Conductor
- Eugene Ormandy
-
2 Promenade 01:36
- Track
- 2
- Title
- Promenade
- Duration
- 01:36
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
3 I. Gnomus 02:47
- Track
- 3
- Title
- I. Gnomus
- Duration
- 02:47
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
4 Promenade 00:57
- Track
- 4
- Title
- Promenade
- Duration
- 00:57
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
5 II. Old Castle 04:05
- Track
- 5
- Title
- II. Old Castle
- Duration
- 04:05
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
6 Promenade 00:29
- Track
- 6
- Title
- Promenade
- Duration
- 00:29
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
7 III. Tuileries 01:02
- Track
- 7
- Title
- III. Tuileries
- Duration
- 01:02
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
8 IV. Bydlo 03:20
- Track
- 8
- Title
- IV. Bydlo
- Duration
- 03:20
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
9 Promenade 00:44
- Track
- 9
- Title
- Promenade
- Duration
- 00:44
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
10 V. Ballet of the Chickens in their Shells 01:04
- Track
- 10
- Title
- V. Ballet of the Chickens in their Shells
- Duration
- 01:04
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
11 VI. Samuel Goldenberg and Schmuyle 02:20
- Track
- 11
- Title
- VI. Samuel Goldenberg and Schmuyle
- Duration
- 02:20
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
12 Promenade 01:32
- Track
- 12
- Title
- Promenade
- Duration
- 01:32
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
13 VII. The Market-Place at Limoges 01:16
- Track
- 13
- Title
- VII. The Market-Place at Limoges
- Duration
- 01:16
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
14 VIII. Catacombae (Sepulcrum romanum) 03:54
- Track
- 14
- Title
- VIII. Catacombae (Sepulcrum romanum)
- Duration
- 03:54
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
15 IX. The Hut on Fowl's Legs (Baba-Yaga) 03:03
- Track
- 15
- Title
- IX. The Hut on Fowl's Legs (Baba-Yaga)
- Duration
- 03:03
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
16 X. The Great Gate at Kiev 05:11
- Track
- 16
- Title
- X. The Great Gate at Kiev
- Duration
- 05:11
- Composer
- Modest Mussorgsky
- Performer
- Gary Graffman
-
17 Islamey 08:17
- Track
- 17
- Title
- Islamey
- Duration
- 08:17
- Composer
- Mily Alexeyevich Balakirev
- Performer
- Gary Graffman