CPO
Telemann: Kapitansmusik 1738 / Max, Rheinische Kantorei
$36.99
Details
- Composer
- TELEMANN, GEORG PHILIPP
- Artist
- Winter, Samuelis, Kobow, Schroder, Abele, Finke, Rheinische Kantorei, Das Kleine Konzert, Max
- Format
- CD
- Label
- CPO
- Released
- Feb 22, 2011
- Catalog #
- 777386-2
- UPC
- 761203738625
About
Telemann impresses once again with this Kapitänsmusik - the characters are perfectly portrayed.
One of the many duties of Georg Philipp Telemann as Musikdirektor in Hamburg was the composition of the Kapitänsmusik. This was to be performed every year during the convivium, the festive banquet of the sixty-seven members of the officer corps of the civic guard. This event took place on the first Thursday after St Bartholomew's Day (24 August). The Kapitänsmusik consisted of two parts. It started with an oratorio which was performed during the midday meal; the serenata was played in the evening. Telemann composed 36 such works, of which only nine have survived.
In the (sacred) oratorio the many blessings of Hamburg are spelled out, mostly by a character called Hammonia (Hamburg). She calls on the citizens to praise God for his blessings. Here this is expressed, for instance, in a chorus of Hammonia with her children: "Holy being, you source of good, blessing and prosperity issue forth from you. You make sure that Hamburg's wall forever stand. Take from us the thanks for this." allegorical characters turn up which declare their bond with the city: Die Andacht (Devotion), Die Gerechtigkeit (Justice), Die Wahrheit (Truth) and Das Vertrauen (Trust). As in most such pieces there is an opposing character: Die Unachtsamkeit (Negligence). He acknowledges that there is much to enjoy in Hamburg, but for him the blessings are rather the earthly pleasures, like food and drink: "I look forward to the oyster season". He doesn't want to waste any time thinking about "the source of the blessing and its surplus". The other characters react with abhorrence, as Negligence "forgets that our God is the origin of good", as Devotion says. Hammonia then says he should "avoid my domain". The oratorio ends with the last stanza from the hymn 'Herr Gott, wir danken dir' (Johann Franck, 1618-1677).
The serenata is quite dramatic. This is to be expected because Telemann was a successful opera composer; from 1722 until its closure in 1738 he was the director of the Oper am Gänsemarkt. But this serenata is more dramatic than those in other Kapitänsmusiken in that its central subject is war. There was a historical reason for that. Hamburg was part of the Holy Roman Empire of the German Nation, and its emperor, Charles VI, had been involved in a war against the Ottoman empire since 1737. Although Hamburg was not directly struck by the war, it was part of the empire and therefore involved in the conflict. The serenata begins with a 'Chorus of the Heroes' in the form of a battaglia: "The drum calls with rolling beats, the mortars roar, the swords flash - this brings joy to our brave hearts". The warriors are encouraged by Der Kriegsgeist (The Spirit of War), the Elbe asks the shepherds to end their joy and "lay down your gentle flutes". It is then Die Zaghaftigkeit (Timidity) who describes the horrors of the war: "My heart beats in my horrified breast to think of the ominous gloom of signs of misfortune. (...) O who, who will save us from ruin?" Then Der Friede (Peace) enters and declares that "I am the one who watches over you". This gives Timidity new strength.
In the last part of the serenata the enemy is specifically mentioned. The Spirit of War says: "The eagle leads the legions before Istanbul's now horrified gate. He displays in sharpened talons, the sword drawn for Turkish ruin". He is encouraged by the Elbe: "Go, let German courage accustom the wild Saracens even more to servitude". This is followed by an aria which has again the form of a battaglia. As in the oratorio there is an opposing character. This time it is Der Neid (Envy) which expresses his "pleasure in Germany's misfortune". "I even see now with happy eyes the whole burden and your demise coming". But then Der Schutzgeist Deutschlands (Germany's Guardian Spirit) turns up and declares: "Germany is loved by heaven itself. Up, heroes, up to the fight". The serenata ends with a chorus: "Germany's glory shall always stand, and your happy prosperity, Hamburg/Schwerin, is ordained by God".
Considering that Germany was no political unity, but a patchwork of largely independent territories the use of the term 'Germany' is remarkable. It was hardly used in those days, and in his liner-notes Eckart Kleßman sees it as an expression of the wish "to put an end to the notorious threat posed to the practically defenseless German states, to strengthen their self-confidence, and to reinforce this self-confidence with military security". Whatever the reason may be, this aspect and the pronounced treatment of the subject of war makes this Kapitänsmusik rather unique in this part of Telemann's oeuvre.
One of the dramatic features of the serenata is the representation of the characters. In particular The Spirit of War and Timidity are remarkable, as well as Envy. The characteristics of these protagonists are impressively explored by the singers. In the oratorio it is the role of Negligence which attracts attention. Here Immo Schröder shines in his humorous portrayal of this character. Veronika Winter gives an immaculate performance of the role of Hammonia. As Germany's Guardian Spirit she sings the last aria of this work, 'Ergreifet den Degen' (Grip the sword) which is quite virtuosic. But most arias are pitched at a considerable technical level, and Telemann again shows his creative spirit, not only in the vocal parts but also in the instrumental score.
This Kapitänsmusik was first performed in modern times in 1965 in the former GDR, but its text had to be changed in many respects, for political reasons. Therefore the live performance in 2007 in Knechtsteden which was recorded by the German classical channel WDR Cologne and released by CPO, is the work's first modern performance in its original state. Hermann Max and all other participants deserve our gratitude for bringing this very fine piece of music to our attention. I am looking forward to the Kapitänsmusiken which are still waiting to be recorded.
-- Johan van Veen, MusicWeb International
One of the many duties of Georg Philipp Telemann as Musikdirektor in Hamburg was the composition of the Kapitänsmusik. This was to be performed every year during the convivium, the festive banquet of the sixty-seven members of the officer corps of the civic guard. This event took place on the first Thursday after St Bartholomew's Day (24 August). The Kapitänsmusik consisted of two parts. It started with an oratorio which was performed during the midday meal; the serenata was played in the evening. Telemann composed 36 such works, of which only nine have survived.
In the (sacred) oratorio the many blessings of Hamburg are spelled out, mostly by a character called Hammonia (Hamburg). She calls on the citizens to praise God for his blessings. Here this is expressed, for instance, in a chorus of Hammonia with her children: "Holy being, you source of good, blessing and prosperity issue forth from you. You make sure that Hamburg's wall forever stand. Take from us the thanks for this." allegorical characters turn up which declare their bond with the city: Die Andacht (Devotion), Die Gerechtigkeit (Justice), Die Wahrheit (Truth) and Das Vertrauen (Trust). As in most such pieces there is an opposing character: Die Unachtsamkeit (Negligence). He acknowledges that there is much to enjoy in Hamburg, but for him the blessings are rather the earthly pleasures, like food and drink: "I look forward to the oyster season". He doesn't want to waste any time thinking about "the source of the blessing and its surplus". The other characters react with abhorrence, as Negligence "forgets that our God is the origin of good", as Devotion says. Hammonia then says he should "avoid my domain". The oratorio ends with the last stanza from the hymn 'Herr Gott, wir danken dir' (Johann Franck, 1618-1677).
The serenata is quite dramatic. This is to be expected because Telemann was a successful opera composer; from 1722 until its closure in 1738 he was the director of the Oper am Gänsemarkt. But this serenata is more dramatic than those in other Kapitänsmusiken in that its central subject is war. There was a historical reason for that. Hamburg was part of the Holy Roman Empire of the German Nation, and its emperor, Charles VI, had been involved in a war against the Ottoman empire since 1737. Although Hamburg was not directly struck by the war, it was part of the empire and therefore involved in the conflict. The serenata begins with a 'Chorus of the Heroes' in the form of a battaglia: "The drum calls with rolling beats, the mortars roar, the swords flash - this brings joy to our brave hearts". The warriors are encouraged by Der Kriegsgeist (The Spirit of War), the Elbe asks the shepherds to end their joy and "lay down your gentle flutes". It is then Die Zaghaftigkeit (Timidity) who describes the horrors of the war: "My heart beats in my horrified breast to think of the ominous gloom of signs of misfortune. (...) O who, who will save us from ruin?" Then Der Friede (Peace) enters and declares that "I am the one who watches over you". This gives Timidity new strength.
In the last part of the serenata the enemy is specifically mentioned. The Spirit of War says: "The eagle leads the legions before Istanbul's now horrified gate. He displays in sharpened talons, the sword drawn for Turkish ruin". He is encouraged by the Elbe: "Go, let German courage accustom the wild Saracens even more to servitude". This is followed by an aria which has again the form of a battaglia. As in the oratorio there is an opposing character. This time it is Der Neid (Envy) which expresses his "pleasure in Germany's misfortune". "I even see now with happy eyes the whole burden and your demise coming". But then Der Schutzgeist Deutschlands (Germany's Guardian Spirit) turns up and declares: "Germany is loved by heaven itself. Up, heroes, up to the fight". The serenata ends with a chorus: "Germany's glory shall always stand, and your happy prosperity, Hamburg/Schwerin, is ordained by God".
Considering that Germany was no political unity, but a patchwork of largely independent territories the use of the term 'Germany' is remarkable. It was hardly used in those days, and in his liner-notes Eckart Kleßman sees it as an expression of the wish "to put an end to the notorious threat posed to the practically defenseless German states, to strengthen their self-confidence, and to reinforce this self-confidence with military security". Whatever the reason may be, this aspect and the pronounced treatment of the subject of war makes this Kapitänsmusik rather unique in this part of Telemann's oeuvre.
One of the dramatic features of the serenata is the representation of the characters. In particular The Spirit of War and Timidity are remarkable, as well as Envy. The characteristics of these protagonists are impressively explored by the singers. In the oratorio it is the role of Negligence which attracts attention. Here Immo Schröder shines in his humorous portrayal of this character. Veronika Winter gives an immaculate performance of the role of Hammonia. As Germany's Guardian Spirit she sings the last aria of this work, 'Ergreifet den Degen' (Grip the sword) which is quite virtuosic. But most arias are pitched at a considerable technical level, and Telemann again shows his creative spirit, not only in the vocal parts but also in the instrumental score.
This Kapitänsmusik was first performed in modern times in 1965 in the former GDR, but its text had to be changed in many respects, for political reasons. Therefore the live performance in 2007 in Knechtsteden which was recorded by the German classical channel WDR Cologne and released by CPO, is the work's first modern performance in its original state. Hermann Max and all other participants deserve our gratitude for bringing this very fine piece of music to our attention. I am looking forward to the Kapitänsmusiken which are still waiting to be recorded.
-- Johan van Veen, MusicWeb International
Tracklist 50 tracks
- Disc 1
-
1 Wohl dem Volke (Hammonia, Vertrauen, Gerechtigkeit, Chorus) 05:14
- Track
- 1
- Title
- Wohl dem Volke (Hammonia, Vertrauen, Gerechtigkeit, Chorus)
- Duration
- 05:14
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
2 Recitative: Mit nimmersatter Lust und Achtsamkeit (Hammonia) 01:36
- Track
- 2
- Title
- Recitative: Mit nimmersatter Lust und Achtsamkeit (Hammonia)
- Duration
- 01:36
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
3 Stimmt in unsre frohen Lieder (Chorus) 02:52
- Track
- 3
- Title
- Stimmt in unsre frohen Lieder (Chorus)
- Duration
- 02:52
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
4 Recitative: Der reiche Segen lauft in meinen Hafen ein (Hammonia) 00:59
- Track
- 4
- Title
- Recitative: Der reiche Segen lauft in meinen Hafen ein (Hammonia)
- Duration
- 00:59
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
5 Aria: Freue dich an diesem Tage (Hammonia) 05:58
- Track
- 5
- Title
- Aria: Freue dich an diesem Tage (Hammonia)
- Duration
- 05:58
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
6 Recitative: Doch, da sich Gluck und Wohl … (Hammonia) 00:22
- Track
- 6
- Title
- Recitative: Doch, da sich Gluck und Wohl … (Hammonia)
- Duration
- 00:22
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
7 Aria: Heiliges Wesen (Hammonia, Chorus) 03:05
- Track
- 7
- Title
- Aria: Heiliges Wesen (Hammonia, Chorus)
- Duration
- 03:05
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
8 Recitative: Jawohl, Hammonia (Andacht) 01:24
- Track
- 8
- Title
- Recitative: Jawohl, Hammonia (Andacht)
- Duration
- 01:24
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
9 Aria: Kann dies wohl ein Mensch erwagen (Andacht) 03:28
- Track
- 9
- Title
- Aria: Kann dies wohl ein Mensch erwagen (Andacht)
- Duration
- 03:28
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
10 Recitative: Nein, Freundin, nein, nein (Hammonia) 00:23
- Track
- 10
- Title
- Recitative: Nein, Freundin, nein, nein (Hammonia)
- Duration
- 00:23
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
11 Aria: Licht des Lebens (Hammonia) 05:57
- Track
- 11
- Title
- Aria: Licht des Lebens (Hammonia)
- Duration
- 05:57
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
12 Recitative: Hammonia, so recht … (Andacht, Gerechtigkeit) 01:21
- Track
- 12
- Title
- Recitative: Hammonia, so recht … (Andacht, Gerechtigkeit)
- Duration
- 01:21
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
13 Aria: Im Gertichte soll mein gottlich's Gewichte … (Gerechtigkeit) 04:30
- Track
- 13
- Title
- Aria: Im Gertichte soll mein gottlich's Gewichte … (Gerechtigkeit)
- Duration
- 04:30
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
14 Recitative: O wahres Gluck fur mich (Wahrheit) 01:24
- Track
- 14
- Title
- Recitative: O wahres Gluck fur mich (Wahrheit)
- Duration
- 01:24
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
15 Aria: Mein Blitz durchdringet Wahn und Lugen (Hammonia, Wahrheit) 03:17
- Track
- 15
- Title
- Aria: Mein Blitz durchdringet Wahn und Lugen (Hammonia, Wahrheit)
- Duration
- 03:17
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
16 Recitative: Ja, Freundin, steh mir bei (Hammonia) 02:14
- Track
- 16
- Title
- Recitative: Ja, Freundin, steh mir bei (Hammonia)
- Duration
- 02:14
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
17 Aria: Eintracht, Ruhe, Fried und Segen (Vertrauen) 04:25
- Track
- 17
- Title
- Aria: Eintracht, Ruhe, Fried und Segen (Vertrauen)
- Duration
- 04:25
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
18 Recitative: O Gluck fur mich (Hammonia) 00:23
- Track
- 18
- Title
- Recitative: O Gluck fur mich (Hammonia)
- Duration
- 00:23
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
19 Aria: Ein ewiges Verbinden verknupfet uns an deinem Staat (Andacht, Gerechtigkeit, Wahrheit, Vertrauen) 05:08
- Track
- 19
- Title
- Aria: Ein ewiges Verbinden verknupfet uns an deinem Staat (Andacht, Gerechtigkeit, Wahrheit, Vertrauen)
- Duration
- 05:08
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
20 Recitative: O Hamburg, merke doch … (Andacht, Hammonia) 00:27
- Track
- 20
- Title
- Recitative: O Hamburg, merke doch … (Andacht, Hammonia)
- Duration
- 00:27
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
21 Herr mein Gott (Hammonia, Chorus) 03:26
- Track
- 21
- Title
- Herr mein Gott (Hammonia, Chorus)
- Duration
- 03:26
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
22 Recitative: Hammonia, verzeihe meine frage (Unachtsamkeit, Hammonia) 03:08
- Track
- 22
- Title
- Recitative: Hammonia, verzeihe meine frage (Unachtsamkeit, Hammonia)
- Duration
- 03:08
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
23 Aria: Was hab ich notig zu erwagen (Unachtsamkeit) 03:46
- Track
- 23
- Title
- Aria: Was hab ich notig zu erwagen (Unachtsamkeit)
- Duration
- 03:46
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
24 Recitative: O Himmel! Dieses ist die Unempfindliche (Andacht, Hammonia, Unachtsamkeit, Vertrauen) 01:42
- Track
- 24
- Title
- Recitative: O Himmel! Dieses ist die Unempfindliche (Andacht, Hammonia, Unachtsamkeit, Vertrauen)
- Duration
- 01:42
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
25 Herr Gott, wir danken dir (Chorus) 00:59
- Track
- 25
- Title
- Herr Gott, wir danken dir (Chorus)
- Duration
- 00:59
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
- Disc 2
-
1 Es locket die Trommel mit wirbelnden Schlagen (Chorus) 04:49
- Track
- 1
- Title
- Es locket die Trommel mit wirbelnden Schlagen (Chorus)
- Duration
- 04:49
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
2 Recitative: So recht, ihr unerschrocknen Sohne (Kriegsgeist) 01:00
- Track
- 2
- Title
- Recitative: So recht, ihr unerschrocknen Sohne (Kriegsgeist)
- Duration
- 01:00
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
3 Aria: Ein heller Strahl aus den entwichnen Zeiten (Kriegsgeist) 05:13
- Track
- 3
- Title
- Aria: Ein heller Strahl aus den entwichnen Zeiten (Kriegsgeist)
- Duration
- 05:13
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
4 Da capo 00:46
- Track
- 4
- Title
- Da capo
- Duration
- 00:46
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
5 Recitative: O weh! (Elbe) 00:58
- Track
- 5
- Title
- Recitative: O weh! (Elbe)
- Duration
- 00:58
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
6 Aria: Schafer, stellt die Freuden ein (Elbe) 02:14
- Track
- 6
- Title
- Aria: Schafer, stellt die Freuden ein (Elbe)
- Duration
- 02:14
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
7 Recitative: Was fur ein Angstschrei … (Zaghaftigkeit) 01:10
- Track
- 7
- Title
- Recitative: Was fur ein Angstschrei … (Zaghaftigkeit)
- Duration
- 01:10
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
8 Aria: Verberget den Vorrat (Zaghaftigkeit) 03:43
- Track
- 8
- Title
- Aria: Verberget den Vorrat (Zaghaftigkeit)
- Duration
- 03:43
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
9 Recitative: Verzagte, seht, ich bins, der euch bewacht! (Friede) 01:02
- Track
- 9
- Title
- Recitative: Verzagte, seht, ich bins, der euch bewacht! (Friede)
- Duration
- 01:02
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
10 Aria: Ihr suchet euner ganzes Gluck in meinem Schutz (Friede) 04:12
- Track
- 10
- Title
- Aria: Ihr suchet euner ganzes Gluck in meinem Schutz (Friede)
- Duration
- 04:12
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
11 Recitative: Des Friedens Zuspruch … (Zaghaftigkeit) 00:51
- Track
- 11
- Title
- Recitative: Des Friedens Zuspruch … (Zaghaftigkeit)
- Duration
- 00:51
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
12 Aria: Dein Heldenmut sucht stets durch Blut (Zaghaftigkeit) 02:24
- Track
- 12
- Title
- Aria: Dein Heldenmut sucht stets durch Blut (Zaghaftigkeit)
- Duration
- 02:24
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
13 Recitative: Nein, stelle deinen Kummer ein (Friede, Kriegsgiest) 01:03
- Track
- 13
- Title
- Recitative: Nein, stelle deinen Kummer ein (Friede, Kriegsgiest)
- Duration
- 01:03
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
14 Aria: Der Adler fuhrt die Legionen (Kriegsgeist) 04:43
- Track
- 14
- Title
- Aria: Der Adler fuhrt die Legionen (Kriegsgeist)
- Duration
- 04:43
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
15 Recitative: Wohlan, so geh (Die Elbe) 00:34
- Track
- 15
- Title
- Recitative: Wohlan, so geh (Die Elbe)
- Duration
- 00:34
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
16 Auf, ruhret die Trommel (Elbe, Friede, Kriegsgeist) 04:11
- Track
- 16
- Title
- Auf, ruhret die Trommel (Elbe, Friede, Kriegsgeist)
- Duration
- 04:11
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
17 Recitative: Ja ja, dies soll doch wohl geschehen (Neid) 01:14
- Track
- 17
- Title
- Recitative: Ja ja, dies soll doch wohl geschehen (Neid)
- Duration
- 01:14
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
18 Aria: Ja, es muss dein Fall erscheinen (Neid) 04:28
- Track
- 18
- Title
- Aria: Ja, es muss dein Fall erscheinen (Neid)
- Duration
- 04:28
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
19 Recitative: Schweig, wahnwitzvoller Neid (Chorus) 00:23
- Track
- 19
- Title
- Recitative: Schweig, wahnwitzvoller Neid (Chorus)
- Duration
- 00:23
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
20 Aria: Ihr Deutschen, auf! (Chorus) 05:56
- Track
- 20
- Title
- Aria: Ihr Deutschen, auf! (Chorus)
- Duration
- 05:56
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
21 Recitative: Die Tapferkeit begeistert Herz (Chorus) 00:52
- Track
- 21
- Title
- Recitative: Die Tapferkeit begeistert Herz (Chorus)
- Duration
- 00:52
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
22 Aria: Ergreifet den Degen (Chorus) 04:23
- Track
- 22
- Title
- Aria: Ergreifet den Degen (Chorus)
- Duration
- 04:23
- Composer
- Georg Philipp Telemann
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
23 Recitative: Und du, Hammonia, hor hier des Schicksals Willen (Friede) 01:32
- Track
- 23
- Title
- Recitative: Und du, Hammonia, hor hier des Schicksals Willen (Friede)
- Duration
- 01:32
- Composer
- Georg Philipp Telemann
- Ensemble
- Das Kleine Konzert
- Conductor
- Hermann Max
-
24 Deuschlands Ruhm soll ewig stehen (All) 01:36
- Track
- 24
- Title
- Deuschlands Ruhm soll ewig stehen (All)
- Duration
- 01:36
- Composer
- Georg Philipp Telemann
- Performer
- Veronika Winter, Cornelia Samuelis, Jan Kobow, Immo Schröder, Gregor Finke
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max
-
25 Schliesset die Kette der Einigkeit feste (All) 01:31
- Track
- 25
- Title
- Schliesset die Kette der Einigkeit feste (All)
- Duration
- 01:31
- Composer
- Georg Philipp Telemann
- Performer
- Veronika Winter, Cornelia Samuelis, Jan Kobow, Immo Schröder, Gregor Finke
- Ensemble
- Rheinische Kantorei, Das Kleine Konzert
- Conductor
- Hermann Max