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COMPOSERVARIOUS
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PERFORMEREmily Baines
The Ghost in the Machine: Music from Mechanical Instruments / Baines, Amyas
- First Hand Records
- April 22, 2022
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RELEASE DATEApril 22, 2022
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UPC5060216346113
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CATALOG NUMBERFHR113
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LABELFirst Hand Records
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NUMBER OF DISCS1
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GENRE
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Water Piece in D Major, HWV 341: I. Overture (arr. E. Baines for recorder and chamber ensemble)
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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Saul, HWV 53, Act III: Dead March (arr. E. Baines for recorder and chamber ensemble)
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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Judas Maccabaeus, HWV 63, Part III: See the Conquering Hero Comes! (arr. E. Baines for recorder and chamber ensemble)
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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L'amour, le seul amour
Composer: Jacques-Martin Hotteterre
Ensemble: Amyas
Performer: Emily Baines
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L'autre jour ma Cloris
Composer: Jacques-Martin Hotteterre
Ensemble: Amyas
Performer: Emily Baines
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I. Larghetto
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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II. Allegro
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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III. Alla Siciliana
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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IV. Presto
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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Ottone, re di Germania, HWV 15, Act II: Aria: Alla fama, dimmi il vero (arr. for recorder and organ)
Composer: George Frideric Handel
Performer: Emily Baines, Steven Devine
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Arianna in Creta, HWV 32: Overture (arr. for recorder and organ)
Composer: George Frideric Handel
Performer: Emily Baines, Steven Devine
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Scipione, HWV 20: Overture (arr. for recorder and organ)
Composer: George Frideric Handel
Performer: Emily Baines, Steven Devine
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Mr. Reddin's Ground [The Genteel Companion, 17th century]
Composer: Anonymous
Ensemble: Amyas
Performer: Emily Baines
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The Favorite March in Bonduca (attrib. H. Purcell) (arr. E. Baines for recorder, cello and guitar)
Composer: Samuel Arnold
Ensemble: Amyas
Performer: Emily Baines
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God Save the King (arr. E. Baines for recorder, cello, theorbo and organ)
Composer: Anonymous
Ensemble: Amyas
Performer: Emily Baines
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Alfred: Rule Britannia (arr. E. Baines for recorder and chamber ensemble)
Composer: Thomas Augustine Arne
Ensemble: Amyas
Performer: Emily Baines
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I. Adagio
Composer: Francesco Barsanti
Ensemble: Amyas
Performer: Emily Baines
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II. Allegro
Composer: Francesco Barsanti
Ensemble: Amyas
Performer: Emily Baines
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III. Largo
Composer: Francesco Barsanti
Ensemble: Amyas
Performer: Emily Baines
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IV. Gavotta
Composer: Francesco Barsanti
Ensemble: Amyas
Performer: Emily Baines
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V. Minuet
Composer: Francesco Barsanti
Ensemble: Amyas
Performer: Emily Baines
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The Lass of Patie's Mill (arr. E. Baines for recorder, cello and theorbo)
Composer: Traditional
Ensemble: Amyas
Performer: Emily Baines
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A Treatise of Good Taste in the Art of Musick: Air No. 1. Auld Bob Morrice
Composer: Francesco Geminiani
Ensemble: Amyas
Performer: Emily Baines
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Rinaldo, HWV 7: Overture (arr. E. Baines for recorder, cello and harpsichord)
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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Rinaldo, HWV 7, Act II: Lascia ch'io pianga (arr. E. Baines for recorder and theorbo)
Composer: George Frideric Handel
Performer: Emily Baines, Arngeir Hauksson
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Rodelinda, HWV 19: Minuet (arr. E. Baines for recorder, cello, theorbo and harpsichord)
Composer: George Frideric Handel
Ensemble: Amyas
Performer: Emily Baines
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I. Allegro
Composer: John Baston
Ensemble: Amyas
Performer: Emily Baines
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II. Siciliana
Composer: John Baston
Ensemble: Amyas
Performer: Emily Baines
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III. Allegro
Composer: John Baston
Ensemble: Amyas
Performer: Emily Baines
Featuring ⌄
Product Details ⌄
Works ⌄
This recording is the culmination of 10 years of research by Dr. Emily Baines, and it brings to dazzling life the fascinating and effervescent performance style found in eighteenth-century mechanical musical instruments. It contains never before heard transcriptions of music found in eighteenth-century barrel organs and musical clocks, set for the live performers of Amyas ensemble and a number of other collaborators.
Dr. Baines is a recorder player, lecturer, and musical director working throughout Europe, also specialising in a wide variety of historical woodwinds. She she wrote her doctoral thesis on the role of mechanical musical instruments as sources for 18th-century performance practice. Baines performs regularly for many period instrument ensembles, contemporary groups, music festivals and theatres across Europe.
In addition to her performing schedule, Baines is a lecturer in Music at Brunel University London, Guildhall School of Music & Drama and Shakespeare's Globe Higher Education department, and is regularly invited to other H.E. institutions for guest lectures and practical workshops.
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