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COMPOSERSIR MICHAEL TIPPETT
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ORCHESTRA / ENSEMBLEChorus And Orchestra Of Royal Opera House
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PERFORMERCovent Garden, Sir Colin Davis
Tippett: The Midsummer Marriage / Davis, Herincx, Et Al
- Lyrita
- October 1, 2006
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RELEASE DATEOctober 01, 2006
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UPC5020926221728
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CATALOG NUMBERSRCD2217
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LABELLyrita
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NUMBER OF DISCS2
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GENRE
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Act I Scene 1: This way! This way! (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act I Scene 1: What's that? Surely music? (Men, Women)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act I: Prelude -
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act I Scene 2: Stop! Stop, Stop! (Mark)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Alberto Remedios
Conductor: Colin Davis
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Act I Scene 3: O, Mark, who are they and Jenifer, Jenifer my darling (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act I Scene 4: What steps are those? - Ho, ho, ho, ho, ho (Jenifer, Men)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Performer: Joan Carlyle
Conductor: Colin Davis
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Act I Scene 5: What sort of place is this d'you think? (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act I Scene 6: So you, so you are Mark's fine brood of friends (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act I Scene 6: So you, so you, so you're the company my daughter keeps! (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act I Scene 7 and 8: Here I am, Sir, what can I do? - Jenifer! Jenifer! my daughter Jenifer! (Jack, Women, Men, King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Performer: Stuart Burrows, Raimund Herincx
Conductor: Colin Davis
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Act I Scene 8: Returning to the earth is cruel (Jenifer)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Joan Carlyle
Conductor: Colin Davis
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Act I Scene 8: Come now with me and drop this childish masquerade (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act I Scene 8: Is it so strange (Jenifer)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Joan Carlyle
Conductor: Colin Davis
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Act I Scene 8: You, you who were with me when she left me (Mark)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Alberto Remedios
Conductor: Colin Davis
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Act I Scene 8: See by a heavenly magic in this glass (Jenifer)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Joan Carlyle
Conductor: Colin Davis
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Act II Scene 1: Call - Crying as they're flying - Jack, don't lets go with all the others (Chorus, Bella)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Performer: Elizabeth Harwood
Conductor: Colin Davis
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Act II Scene 1: What day is it? (Bella)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Elizabeth Harwood
Conductor: Colin Davis
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Act II Scene 1: I'll lay the baby to my breast (Bella)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Elizabeth Harwood
Conductor: Colin Davis
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Act II Scene 2: Strephon enters - Some of the trees appear to move
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act II: The Earth in Autumn
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act II: The Waters in Winter
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act II: The Air in Spring
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act II Scene 3: Ah! They'll kill him! (Bella)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Elizabeth Harwood
Conductor: Colin Davis
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Act II Scene 3: King Fisher - Sun shines on a Midsummer day (Bella, Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Performer: Elizabeth Harwood
Conductor: Colin Davis
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Act III Scene 1: Evening and Night - Ohay! Ohay! (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act II Scene 1: No! King Fisher summons you - Keep the holster close by you (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act III Scene 3: Now Bella, call the Ancients (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act III Scene 3 and 4: Do you accept my challenge? - See where we carry on our mighty shoulder (King Fisher, Men)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act III Scene 5: I needn't tell Madame Sosostris (King Fisher)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Raimund Herincx
Conductor: Colin Davis
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Act III Scene 5: Who hopes to conjure with the world of dreams (Sosostris)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Helen Watts
Conductor: Colin Davis
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Act III Scene 5: I alone cannot consult myself (Sosostris)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Helen Watts
Conductor: Colin Davis
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Act III Scene 5: You who consult me (Sosostris)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Helen Watts
Conductor: Colin Davis
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Act III Scene 5: I see a meadow (Sosostris)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Helen Watts
Conductor: Colin Davis
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Act III Scene 6: She saw what happens in the soul (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act III Scene 7: Pride is virtue in a man of power (The Ancients)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: Stafford Dean, Elizabeth Bainbridge
Conductor: Colin Davis
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Act III Scene 8: King Fisher's dead (A Man)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Performer: David Whelan
Conductor: Colin Davis
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Act III: Fire in summer (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act III Scene 9: Was it a vision? (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act III Scene 9: O summer sun (Chorus)
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Chorus, Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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Act III: The moonlight has faded out
Composer: Michael Tippett
Ensemble: Covent Garden Royal Opera House Orchestra
Conductor: Colin Davis
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So many of the expressions of our age have frowned in their contemplation of it, or have turned away to cultivate arcane, private gardens. But here was Tippett in 1955 expressing joy, boundless optimism and faith in beauty and humanity; doing so, moreover, with such richness of imagery that even those who loved it at first hearing were a bit taken aback by its overwhelming abundance.
As so often with his pieces, it took a while to sink in, and for players and singers to get their fingers and their vocal chords around those springing rhythms and sinewy lines. The moment at which that happened was the moment of this recording and the performances that preceded it. Remedios and Carlyle are not simply managing those exuberant hocketings above the stave in their final duet; you would swear that they were enjoying them, and as they do so the image of love as a consuming flame is vividly projected. Burrows and the adorable Harwood are audibly moved by how much tenderness and innocence there is in their music, and they make a real and most touching couple. Herincx is wonderfully suave and bossy as King Fisher; Watts not only survives her forays into the bass-baritone register but makes an awesomely Sibylline figure of Sosostris. And Davis, raptly in love with this score and communicating that to his singers and players so effectively that one is never aware of them gritting their teeth and counting beats as though their lives depended on it, reveals again and again the opera’s magical sonorities. It is a superb performance: after it one can hardly read those early reviews (“incomprehensible libretto”, “too much counterpoint”, “half an hour too long”) without laughing. The recording, too, communicates a real sense of live performance.
A masterpiece, in short, and one that can be listened to again and again without exhausting its exuberant generosity.
Michael Oliver, GRAMOPHONE (1/1996) Review of original CD release
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