Veneziani: Liriche da camera / Palumbo, Amoroso

$14.99
Label
Tactus
Release Date
August 6, 2021
Format
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    Featuring ⌄
    • COMPOSER
      VENEZIANI, VITTORTE
    • PERFORMER
      Palumbo, Amoroso
    Product Details ⌄
    • RELEASE DATE
      August 06, 2021
    • UPC
      8007194107562
    • CATALOG NUMBER
      TC872202
    • LABEL
      Tactus
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. No. 1. All'amore

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    2. No. 2. Notturno

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    3. No. 3. Rondò

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    4. No. 4. Favola antica

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    5. No. 5. Nostalgia

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    6. No. 6. Ebrezza

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    7. No. 7. A due mani

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    8. No. 8. L'addio

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    9. No. 9. Nenia

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    10. No. 10. Rimpianto

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    11. No. 11. Perché?

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    12. No. 12. Favolella

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    13. No. 13. Campane di festa

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    14. No. 1. Per la via

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    15. No. 2. Amore fidente

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    16. No. 3. Sorrisi

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    17. No. 4. Nell'orto

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    18. No. 5. Canto di trovatore

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    19. Tramonto d'autunno

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso

    20. Canzone pe'l bambino

      Composer: Vittore Veneziani

      Performer: Beatrice Palumbo, Gian Francesco Amoroso


The name of Vittore Veneziani (1878-1958) is mainly associated with La Scala Opera House, where he was engaged as Chorus Master from 1921 to 1954. His fortunate Milanese idyll was abruptly interrupted in 1938 by the imposition of racial laws. Veneziani, being of Jewish religion, was obliged to flee to Switzerland, abandoning his profession as well as his post as choral conductor at the Synagogue and to Israelian School. When he came back to Italy, soon after Liberation was declared and La Scala lay in ruins, Veneziani resumed his activity with a memorable concert at La Scala on May 11th 1946 working side by side with Arturo Toscanini who had come back, too, from his American exile. His Catalogue, not at all a brief one, includes quite a lot of choir works, four melologues for spoken voice and orchestra, some Operas, symphonic and chamber compositions and a series of choir transcriptions of folk songs and Hebrew melodies. In the field of chamber music, an interesting sylloge of lyrics for voice and piano stands out. It is based on poems by writer Guido Pusinich (1908-1966) from Veneto. The present song collection and recording – by Beatrice Palumbo and Gian Francesco amoroso – form a project sustained and promoted by the Viktor Ullmann Festival, and these songs, despite their variety of musical language, can be defined as chamber music, clearly representing an evolution of both style and the social context in Italy at that time.