ICA Classics
Verdi: Falstaff / Corena, Oncina, Miller, Giulini, Royal Philharmonic Orchestra
$26.99
Details
- Composer
- VERDI
- Artist
- Giulini
- Format
- CD
- Label
- ICA Classics
- Released
- Mar 27, 2012
- Catalog #
- ICAC 5061
- UPC
- 5060244550612
About
A wonderfully relaxed and good humoured performance in which nearly everything seemed to have gone right.
There is a small but important group of operas that are essentially ensemble works, and in which the presence of a few star singers is less important than the quality of the team as a whole. Die Meistersinger, From the House of the Dead and Peter Grimes are prime examples but surely Falstaff comes at the top of the list. Everyone involved, including the chorus and orchestra as well as the many smaller parts, needs to be aware of their part in the work as a whole and in the chosen approach. If this is the case any small weaknesses in the main parts can easily be forgiven and the nature of the work can be triumphantly realised. That is surely the ambition of any opera company serious about its task, and is clearly the case here. I would not want to suggest that the present set is superior to all its many distinguished predecessors but it is certainly another vindication of the importance of ensemble in opera.
Glyndebourne took its productions to the early Edinburgh Festivals right from the first Festival in 1947 onwards. In 1955 it took Falstaff in a production originally intended to be conducted by Vittorio Gui but taken over by Giulini when the former became unwell. A later Glyndebourne version of the opera conducted by Gui with Geraint Evans, the original choice as Ford, has now been released on Glyndebourne’s own label. The usual very thorough rehearsal which has always been a feature of this company’s work is especially relevant to this opera. The result is a single-minded approach to its musical and dramatic character that is very striking. Whether this is due to the conductor’s efforts, to the long rehearsals or to careful casting I do not know but the result is a real overall success.
The individual casting is admirable. Fernando Corena’s recordings of buffo music by Donizetti and Cimarosa had shown his ability in this field. It is surprising that this production appears to have been his first performances as Falstaff. The part is often given to a baritone but a bass voice does have the advantage of suggesting the character’s scale without needing to resort to “funny” voices. He does not play with the words in quite the detailed way of, say, Tito Gobbi or Geraint Evans, but instead he exudes a more general good humour. I found it wholly convincing, especially when set within a cast all of whom display their character’s individual “humours” musically and without exaggeration. Walter Monachesi has a voice very different from Corena’s, which helps a lot in their scene together, and if the Merry Wives are not so well distinguished from each other, neither are they in most performances of the opera or indeed in Shakespeare. The role of Mistress Quickly is a gift for a singer with the necessary power in the lower register and ability of characterisation. Oralia Dominguez has both of these qualities and stands out even in such distinguished company. All of the other, by no means minor, parts are well filled. One oddity is that Kevin Miller takes over in Act 3 from Juan Oncina as Fenton. He may lack the same lyrical beauty of voice but there is no serious loss.
As I explained earlier, it is the quality of the ensemble that distinguishes this recording. All of the big complicated ensembles which can sound simply confused or untidy are here clear and transparent. Even with a recording which is adequate for a broadcast of the period but little more there is no real loss to the music. There are occasional stage noises, including what is probably the prompter at times, and some obtrusive applause but this simply makes the listener even more aware of what must have been a tremendous theatrical occasion. There is no libretto or even a synopsis which is regrettable but understandable in a version likely to appeal mainly to collectors who have more modern versions in their collections already. I would happily have exchanged the seven pages of listing of the ICA catalogue for more pictures of the original production - or indeed a more detailed description of it.
There are many distinguished recordings of Falstaff in the catalogue, including those conducted by Karajan (with Gobbi), Toscanini, and (some years later) Giulini in Los Angeles. The present set takes its place with them, like them offering hours of pleasure and delight. If the opera has a lesson it is the composer and librettist’s sheer delight in the varied character of humanity and its many frailties. This recording captures that varied character to perfection in a wonderfully relaxed and good humoured performance in which nearly everything seemed to have gone right.
-- John Sheppard, MusicWeb International
There is a small but important group of operas that are essentially ensemble works, and in which the presence of a few star singers is less important than the quality of the team as a whole. Die Meistersinger, From the House of the Dead and Peter Grimes are prime examples but surely Falstaff comes at the top of the list. Everyone involved, including the chorus and orchestra as well as the many smaller parts, needs to be aware of their part in the work as a whole and in the chosen approach. If this is the case any small weaknesses in the main parts can easily be forgiven and the nature of the work can be triumphantly realised. That is surely the ambition of any opera company serious about its task, and is clearly the case here. I would not want to suggest that the present set is superior to all its many distinguished predecessors but it is certainly another vindication of the importance of ensemble in opera.
Glyndebourne took its productions to the early Edinburgh Festivals right from the first Festival in 1947 onwards. In 1955 it took Falstaff in a production originally intended to be conducted by Vittorio Gui but taken over by Giulini when the former became unwell. A later Glyndebourne version of the opera conducted by Gui with Geraint Evans, the original choice as Ford, has now been released on Glyndebourne’s own label. The usual very thorough rehearsal which has always been a feature of this company’s work is especially relevant to this opera. The result is a single-minded approach to its musical and dramatic character that is very striking. Whether this is due to the conductor’s efforts, to the long rehearsals or to careful casting I do not know but the result is a real overall success.
The individual casting is admirable. Fernando Corena’s recordings of buffo music by Donizetti and Cimarosa had shown his ability in this field. It is surprising that this production appears to have been his first performances as Falstaff. The part is often given to a baritone but a bass voice does have the advantage of suggesting the character’s scale without needing to resort to “funny” voices. He does not play with the words in quite the detailed way of, say, Tito Gobbi or Geraint Evans, but instead he exudes a more general good humour. I found it wholly convincing, especially when set within a cast all of whom display their character’s individual “humours” musically and without exaggeration. Walter Monachesi has a voice very different from Corena’s, which helps a lot in their scene together, and if the Merry Wives are not so well distinguished from each other, neither are they in most performances of the opera or indeed in Shakespeare. The role of Mistress Quickly is a gift for a singer with the necessary power in the lower register and ability of characterisation. Oralia Dominguez has both of these qualities and stands out even in such distinguished company. All of the other, by no means minor, parts are well filled. One oddity is that Kevin Miller takes over in Act 3 from Juan Oncina as Fenton. He may lack the same lyrical beauty of voice but there is no serious loss.
As I explained earlier, it is the quality of the ensemble that distinguishes this recording. All of the big complicated ensembles which can sound simply confused or untidy are here clear and transparent. Even with a recording which is adequate for a broadcast of the period but little more there is no real loss to the music. There are occasional stage noises, including what is probably the prompter at times, and some obtrusive applause but this simply makes the listener even more aware of what must have been a tremendous theatrical occasion. There is no libretto or even a synopsis which is regrettable but understandable in a version likely to appeal mainly to collectors who have more modern versions in their collections already. I would happily have exchanged the seven pages of listing of the ICA catalogue for more pictures of the original production - or indeed a more detailed description of it.
There are many distinguished recordings of Falstaff in the catalogue, including those conducted by Karajan (with Gobbi), Toscanini, and (some years later) Giulini in Los Angeles. The present set takes its place with them, like them offering hours of pleasure and delight. If the opera has a lesson it is the composer and librettist’s sheer delight in the varied character of humanity and its many frailties. This recording captures that varied character to perfection in a wonderfully relaxed and good humoured performance in which nearly everything seemed to have gone right.
-- John Sheppard, MusicWeb International
Tracklist 46 tracks
- Disc 1
-
1 Act I Part I: Falstaff! … Ola! (Dr. Caius, Falstaff, Bardolfo, Pistola) 06:35
- Track
- 1
- Title
- Act I Part I: Falstaff! … Ola! (Dr. Caius, Falstaff, Bardolfo, Pistola)
- Duration
- 06:35
- Composer
- Giuseppe Verdi
- Performer
- Dermot Troy, Fernando Corena, Daniel McCoshan, Marco Stefanoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
2 Act I Part I: So che se andiam, la notte 01:55
- Track
- 2
- Title
- Act I Part I: So che se andiam, la notte
- Duration
- 01:55
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
3 Act I Part I: Ma e tempo d' assottigliar l'ingegno (Falstaff, Pistola, Bardolfo) 03:58
- Track
- 3
- Title
- Act I Part I: Ma e tempo d' assottigliar l'ingegno (Falstaff, Pistola, Bardolfo)
- Duration
- 03:58
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Marco Stefanoni, Daniel McCoshan
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
4 Act I Part I: L' onore! Ladri! … Io stesso, si, io, io (Falstaff) 04:17
- Track
- 4
- Title
- Act I Part I: L' onore! Ladri! … Io stesso, si, io, io (Falstaff)
- Duration
- 04:17
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
5 Act I Part II: Alice! … Meg! … Nannetta! (Meg, Alice, Quickly, Nannetta) 01:28
- Track
- 5
- Title
- Act I Part II: Alice! … Meg! … Nannetta! (Meg, Alice, Quickly, Nannetta)
- Duration
- 01:28
- Composer
- Giuseppe Verdi
- Performer
- Fernanda Cadoni, Anna Maria Rovere, Oralia Dominguez, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
6 Act I Part II: Fulgida Alice! amor t' offro 04:08
- Track
- 6
- Title
- Act I Part II: Fulgida Alice! amor t' offro
- Duration
- 04:08
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
7 Act I Part II: Ripeti … In due parole (Meg, Alice, Quickly, Nanetta, Caius, Bardolfo, Fenton, Pistola, Ford) 01:31
- Track
- 7
- Title
- Act I Part II: Ripeti … In due parole (Meg, Alice, Quickly, Nanetta, Caius, Bardolfo, Fenton, Pistola, Ford)
- Duration
- 01:31
- Composer
- Giuseppe Verdi
- Performer
- Fernanda Cadoni, Anna Maria Rovere, Oralia Dominguez, Eugenia Ratti, Dermot Troy, Daniel McCoshan, Kevin Miller, Marco Stefanoni, Walter Monachesi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
8 Act I Part II: Psst, psst, Nannetta … Vien qua … Labbra di foco! (Fenton, Nannetta) 02:01
- Track
- 8
- Title
- Act I Part II: Psst, psst, Nannetta … Vien qua … Labbra di foco! (Fenton, Nannetta)
- Duration
- 02:01
- Composer
- Giuseppe Verdi
- Performer
- Kevin Miller, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
9 Act I Part II: Falstaff, m'ha canzonata (Alice, Meg, Nannetta, Quickly) 01:27
- Track
- 9
- Title
- Act I Part II: Falstaff, m'ha canzonata (Alice, Meg, Nannetta, Quickly)
- Duration
- 01:27
- Composer
- Giuseppe Verdi
- Performer
- Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti, Oralia Dominguez
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
10 Act I Part II: Torno all' assalto … Torna alla gara (Fenton, Nannetta) 02:23
- Track
- 10
- Title
- Act I Part II: Torno all' assalto … Torna alla gara (Fenton, Nannetta)
- Duration
- 02:23
- Composer
- Giuseppe Verdi
- Performer
- Kevin Miller, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
11 Act I Part II: Udrai quanta egli sfoggia magniloquenza altera (Bardolfo, Ford, Pistola) 00:46
- Track
- 11
- Title
- Act I Part II: Udrai quanta egli sfoggia magniloquenza altera (Bardolfo, Ford, Pistola)
- Duration
- 00:46
- Composer
- Giuseppe Verdi
- Performer
- Walter Monachesi, Daniel McCoshan, Marco Stefanoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
12 Act I Part II: Del tuo barbaro diagnostico (Caius, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) 02:15
- Track
- 12
- Title
- Act I Part II: Del tuo barbaro diagnostico (Caius, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford)
- Duration
- 02:15
- Composer
- Giuseppe Verdi
- Performer
- Dermot Troy, Marco Stefanoni, Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti, Oralia Dominguez, Kevin Miller, Walter Monachesi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
13 Act II Part I: Siam pentiti e contriti (Bardolfo, Pistola, Falstaff) 01:09
- Track
- 13
- Title
- Act II Part I: Siam pentiti e contriti (Bardolfo, Pistola, Falstaff)
- Duration
- 01:09
- Composer
- Giuseppe Verdi
- Performer
- Daniel McCoshan, Marco Stefanoni, Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
14 Act II Part I: Reverrenza! (Quickly, Falstaff) 05:55
- Track
- 14
- Title
- Act II Part I: Reverrenza! (Quickly, Falstaff)
- Duration
- 05:55
- Composer
- Giuseppe Verdi
- Performer
- Oralia Dominguez, Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
15 Act II Part I: Va, Vecchio John (Falstaff, Bardolfo) 01:41
- Track
- 15
- Title
- Act II Part I: Va, Vecchio John (Falstaff, Bardolfo)
- Duration
- 01:41
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Daniel McCoshan
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
16 Act II Part I: Signore, v' assista il cielo! (Ford, Falstaff, Bardolfo, Pistola) 02:42
- Track
- 16
- Title
- Act II Part I: Signore, v' assista il cielo! (Ford, Falstaff, Bardolfo, Pistola)
- Duration
- 02:42
- Composer
- Giuseppe Verdi
- Performer
- Walter Monachesi, Fernando Corena, Daniel McCoshan, Marco Stefanoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
17 Act II Part I: Ve lo diro. C'e a Windsor una dama 05:55
- Track
- 17
- Title
- Act II Part I: Ve lo diro. C'e a Windsor una dama
- Duration
- 05:55
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
18 Act II Part I: Lo conoscete? … Il diavolo se lo porti all'inferno (Ford, Falstaff) 01:31
- Track
- 18
- Title
- Act II Part I: Lo conoscete? … Il diavolo se lo porti all'inferno (Ford, Falstaff)
- Duration
- 01:31
- Composer
- Giuseppe Verdi
- Performer
- Walter Monachesi, Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
19 Act II Part I: E sogno? o realita? (Ford) 04:35
- Track
- 19
- Title
- Act II Part I: E sogno? o realita? (Ford)
- Duration
- 04:35
- Composer
- Giuseppe Verdi
- Performer
- Walter Monachesi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
20 Act II Part I: Eccomi qua. Son pronto (Falstaff, Ford) 01:53
- Track
- 20
- Title
- Act II Part I: Eccomi qua. Son pronto (Falstaff, Ford)
- Duration
- 01:53
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Walter Monachesi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
- Disc 2
-
1 Act II Part II: Presenteremo un "bill" per una tassa al parlemento (Alice, Quickly, Meg) 00:40
- Track
- 1
- Title
- Act II Part II: Presenteremo un "bill" per una tassa al parlemento (Alice, Quickly, Meg)
- Duration
- 00:40
- Composer
- Giuseppe Verdi
- Performer
- Anna Maria Rovere, Oralia Dominguez, Fernanda Cadoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
2 Act II Part II: Giunta all'albergo della Giarrettiera 03:37
- Track
- 2
- Title
- Act II Part II: Giunta all'albergo della Giarrettiera
- Duration
- 03:37
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
3 Act II Part II: Gaie comari di Windsor! E l'ora! (Quickly, Alice, Meg, Nannetta) 01:45
- Track
- 3
- Title
- Act II Part II: Gaie comari di Windsor! E l'ora! (Quickly, Alice, Meg, Nannetta)
- Duration
- 01:45
- Composer
- Giuseppe Verdi
- Performer
- Oralia Dominguez, Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
4 Act II Part II: Alfin t' ho colto, raggiante fior 01:45
- Track
- 4
- Title
- Act II Part II: Alfin t' ho colto, raggiante fior
- Duration
- 01:45
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
5 Act II Part II: T'immagino fregiata del mio stemma (Falstaff, Alice) 01:46
- Track
- 5
- Title
- Act II Part II: T'immagino fregiata del mio stemma (Falstaff, Alice)
- Duration
- 01:46
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Anna Maria Rovere
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
6 Act II Part II: Quand' ero paggio del Duca di Norfolk (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) 03:55
- Track
- 6
- Title
- Act II Part II: Quand' ero paggio del Duca di Norfolk (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)
- Duration
- 03:55
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Anna Maria Rovere, Oralia Dominguez, Fernanda Cadoni, Walter Monachesi, Daniel McCoshan, Marco Stefanoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
7 Act II Part II: Vien qua … Che chiasso! (Nannetta, Fenton) 00:54
- Track
- 7
- Title
- Act II Part II: Vien qua … Che chiasso! (Nannetta, Fenton)
- Duration
- 00:54
- Composer
- Giuseppe Verdi
- Performer
- Eugenia Ratti, Kevin Miller
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
8 Act II Part II: Al ladro! (Caius, Ford, Pistola, Bardolfo) 01:20
- Track
- 8
- Title
- Act II Part II: Al ladro! (Caius, Ford, Pistola, Bardolfo)
- Duration
- 01:20
- Composer
- Giuseppe Verdi
- Performer
- Dermot Troy, Walter Monachesi, Marco Stefanoni, Daniel McCoshan
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
9 Act II Part II: Facciamo le viste d'attendere ai panni (Quickly, Caius, Ford, Meg, Bardolfo, Pistola, Falstaff) 01:06
- Track
- 9
- Title
- Act II Part II: Facciamo le viste d'attendere ai panni (Quickly, Caius, Ford, Meg, Bardolfo, Pistola, Falstaff)
- Duration
- 01:06
- Composer
- Giuseppe Verdi
- Performer
- Oralia Dominguez, Dermot Troy, Walter Monachesi, Daniel McCoshan, Fernanda Cadoni, Marco Stefanoni, Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
10 Act II Part II: Bella! Ridente! (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Caius, Falstaff, Meg, Quickly, Gente del vicinato, Alice) 03:34
- Track
- 10
- Title
- Act II Part II: Bella! Ridente! (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Caius, Falstaff, Meg, Quickly, Gente del vicinato, Alice)
- Duration
- 03:34
- Composer
- Giuseppe Verdi
- Performer
- Kevin Miller, Eugenia Ratti, Walter Monachesi, Daniel McCoshan, Marco Stefanoni, Dermot Troy, Fernando Corena, Fernanda Cadoni, Oralia Dominguez, Anna Maria Rovere
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
11 Act III Part I: Ehi! Taverniere! … Io, dunque, avrò vissuto tant'anni 04:56
- Track
- 11
- Title
- Act III Part I: Ehi! Taverniere! … Io, dunque, avrò vissuto tant'anni
- Duration
- 04:56
- Composer
- Giuseppe Verdi
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
12 Act III Part I: Buono. Ber del vin dolce (Falstaff) 01:35
- Track
- 12
- Title
- Act III Part I: Buono. Ber del vin dolce (Falstaff)
- Duration
- 01:35
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
13 Act III Part I: Reverenza! La bella Alice (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Caius) 01:51
- Track
- 13
- Title
- Act III Part I: Reverenza! La bella Alice (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Caius)
- Duration
- 01:51
- Composer
- Giuseppe Verdi
- Performer
- Oralia Dominguez, Fernando Corena, Anna Maria Rovere, Walter Monachesi, Eugenia Ratti, Fernanda Cadoni, Dermot Troy
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
14 Act III Part I: T' aspettero nel parco real (Falstaff, Quickly, Ford, Alice, Nannetta, Meg) 03:41
- Track
- 14
- Title
- Act III Part I: T' aspettero nel parco real (Falstaff, Quickly, Ford, Alice, Nannetta, Meg)
- Duration
- 03:41
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Oralia Dominguez, Walter Monachesi, Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
15 Act III Part I: Brava! Quelle corna saranno la mia gioia! (Ford, Alice, Meg, Fenton, Nannetta) 01:25
- Track
- 15
- Title
- Act III Part I: Brava! Quelle corna saranno la mia gioia! (Ford, Alice, Meg, Fenton, Nannetta)
- Duration
- 01:25
- Composer
- Giuseppe Verdi
- Performer
- Walter Monachesi, Anna Maria Rovere, Fernanda Cadoni, Kevin Miller, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
16 Act III Part I: Avro con me dei putti (Alice, Meg, Nannetta, Fenton, Ford, Caius, Quickly) 03:36
- Track
- 16
- Title
- Act III Part I: Avro con me dei putti (Alice, Meg, Nannetta, Fenton, Ford, Caius, Quickly)
- Duration
- 03:36
- Composer
- Giuseppe Verdi
- Performer
- Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti, Walter Monachesi, Dermot Troy, Oralia Dominguez
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
17 Act III Part II: Dal labbro il canto estasiato vola (Fenton, Nannetta) 03:51
- Track
- 17
- Title
- Act III Part II: Dal labbro il canto estasiato vola (Fenton, Nannetta)
- Duration
- 03:51
- Composer
- Giuseppe Verdi
- Performer
- Kevin Miller, Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
18 Act III Part II: Nossignore! Tu indossa questa cappa (Alice, Fenton, Nannetta, Quickly, Meg) 01:01
- Track
- 18
- Title
- Act III Part II: Nossignore! Tu indossa questa cappa (Alice, Fenton, Nannetta, Quickly, Meg)
- Duration
- 01:01
- Composer
- Giuseppe Verdi
- Performer
- Kevin Miller, Anna Maria Rovere, Eugenia Ratti, Oralia Dominguez, Fernanda Cadoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
19 Act III Part II: Una, due, tre, quattro, cinque, sei (Falstaff, Alice, Meg) 04:11
- Track
- 19
- Title
- Act III Part II: Una, due, tre, quattro, cinque, sei (Falstaff, Alice, Meg)
- Duration
- 04:11
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Anna Maria Rovere, Fernanda Cadoni
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
20 Act III Part II: Ninfe! Elfi! Silfi! Doridi! Sirene! (Nannetta, Fate, Falstaff, Alice) 02:04
- Track
- 20
- Title
- Act III Part II: Ninfe! Elfi! Silfi! Doridi! Sirene! (Nannetta, Fate, Falstaff, Alice)
- Duration
- 02:04
- Composer
- Giuseppe Verdi
- Performer
- Eugenia Ratti, Fernando Corena, Anna Maria Rovere
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
21 Act III Part II: Sul fil d'un soffio etesio (Nanetta, Fate) 04:15
- Track
- 21
- Title
- Act III Part II: Sul fil d'un soffio etesio (Nanetta, Fate)
- Duration
- 04:15
- Composer
- Giuseppe Verdi
- Performer
- Eugenia Ratti
- Ensemble
- Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
22 Act III Part II: Alto la! (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nanetta, Chorus, Ford) 00:47
- Track
- 22
- Title
- Act III Part II: Alto la! (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nanetta, Chorus, Ford)
- Duration
- 00:47
- Composer
- Giuseppe Verdi
- Performer
- Daniel McCoshan, Marco Stefanoni, Fernando Corena, Oralia Dominguez, Anna Maria Rovere, Fernanda Cadoni, Eugenia Ratti, Walter Monachesi
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
23 Act III Part II: Ahime! Tu puzzi come una puzzola (Falstaff, Chorus, Alice, Quickly, Meg, Caius, Ford, Bardolfo, Pistola) 03:15
- Track
- 23
- Title
- Act III Part II: Ahime! Tu puzzi come una puzzola (Falstaff, Chorus, Alice, Quickly, Meg, Caius, Ford, Bardolfo, Pistola)
- Duration
- 03:15
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Anna Maria Rovere, Oralia Dominguez, Fernanda Cadoni, Dermot Troy, Walter Monachesi, Daniel McCoshan, Marco Stefanoni
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
24 Act III Part II: Un poco di pausa (Falstaff, Quickly, Ford, Meg, Alice, Chorus) 02:23
- Track
- 24
- Title
- Act III Part II: Un poco di pausa (Falstaff, Quickly, Ford, Meg, Alice, Chorus)
- Duration
- 02:23
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Oralia Dominguez, Walter Monachesi, Fernanda Cadoni, Anna Maria Rovere
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
25 Act III Part II: Ogni sorta di gente dozzinale (Falstaff, All) 04:08
- Track
- 25
- Title
- Act III Part II: Ogni sorta di gente dozzinale (Falstaff, All)
- Duration
- 04:08
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Kevin Miller, Walter Monachesi, Dermot Troy, Daniel McCoshan, Marco Stefanoni, Anna Maria Rovere, Eugenia Ratti, Fernanda Cadoni, Oralia Dominguez
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini
-
26 Act III Part II: Un coro e terminiam la scena … Tutto nel mondo e burla (Falstaff, Ford, All) 03:29
- Track
- 26
- Title
- Act III Part II: Un coro e terminiam la scena … Tutto nel mondo e burla (Falstaff, Ford, All)
- Duration
- 03:29
- Composer
- Giuseppe Verdi
- Performer
- Fernando Corena, Walter Monachesi, Kevin Miller, Dermot Troy, Daniel McCoshan, Marco Stefanoni, Anna Maria Rovere, Eugenia Ratti, Fernanda Cadoni, Oralia Dominguez
- Ensemble
- Glyndebourne Chorus, Royal Philharmonic Orchestra
- Conductor
- Carlo Maria Giulini