Orfeo
Wagner: Die Meistersinger Von Nürnberg / Reiner, Schöffler
$58.99
Details
- Composer
- WAGNER, RICHARD
- Artist
- Schoffler, Frick, Waechter, Kunz, Braun, Beirer, Dickie, Seefried, Anday, Chor Der Wiener Staatsoper
- Format
- CD
- Label
- Orfeo
- Released
- Sep 16, 2005
- Catalog #
- ORF-C667054
- UPC
- 4011790667423
About
This performance, recorded on November 14, 1955, was part of the four-week festival that took place at the Vienna State Opera celebrating its reopening after having been destroyed near the end of World War II. Meistersinger had long been a Viennese favorite and was performed 65 times between 1949 and 1955 at the interim Theater an der Wien. It enjoyed luxury casting and great conductors: Clemens Krauss, Rudolf Moralt, Hans Knappertsbusch, Karl Böhm, Rudolf Kempe, and Fritz Busch. For the return to the State Opera, director Karl Böhm invited the Hungarian-born Fritz Reiner, a perfectionist who in the previous 20 years had gained a reputation as one of America's finest conductors. Rehearsals, it was said, were grueling; but judging from this recording it was worth the work.
You can tell much about the entire performance from Reiner's Prelude. It is precise, grand, and detailed, with frisky, playful chattering in the upper strings underpinned by a more muscular approach in the lower strings. But it never becomes aggressive or reckless enough to smash into the opening scene; it grows into it naturally. (Where else can such a complex expression end but in prayer?) Throughout the opera we're treated to spirited tempos and playing from the Vienna Philharmonic that Reiner slows down to good effect: The Fliedermonolog is relaxed and as soft as cotton; the prelude to Act 3 wafts in the air gradually and wistfully; the quintet is a moment frozen in time and is presented with great breadth. We can feel what each character is feeling, even if a couple of them don't have the breath to express it.
Beckmesser's false "prize" song is slow to start, and so is the unease and eventual laughter of the assembled crowd. And the real "Prize Song" is accompanied lyrically, with sweep up to the high points, after which Sachs' speech about German art comes as a powerful missive. What the Viennese of 1955 thought of it, with its nasty recent memories, is anyone's guess, but the opera ends with true joy erupting, and much of it has to do with Reiner's ability to balance light and heavy, upper joy with lower gravity--a great reading.
Paul Schöffler, the possessor of a voice that never sounded young, is tonally a bit dry here but nonetheless does not present Sachs as an old man; he is vital and sure of himself. Sachs is a man who prods fate a bit, just because he can, and Schöffler sings with the assurance and potency and shading of a man of wisdom, his voice gaining in strength as the opera progresses. And his pianissimo singing is always handsome, never resorting to falsetto. His is the best Sachs on CD, bettering his own performance under Knappertsbusch on Decca.
Hans Beirer's Walther is neither as sweet and ardorous as Sandor Konya's nor as simply gorgeous as Domingo's (for Jochum on DG), and in fact he sounds indisposed. But his indisposition is only vocal, and while I realize how odd that sounds, his beautiful phrasing and shading, sincerity, vigor, and musicianship make up for a lack of grand tone and some dry singing. It's a performance impossible to dislike.
I was put off by Irmgard Seefried's Eva at first--her second act is too cutesy and pert--but she grows into the part and is lovely in the third act despite lacking anything like a trill. Gottlob Frick's Pogner is important. His address to the Masters in Act 1 has real authority and he's warm and tender with Eva in the second act. Erich Kunz sings all of Beckmesser's notes (save the silly falsetto high-A that ends his monolog in Sachs' shop) and has remarkable "face"; while we don't exactly feel sorry for him at the end, he clearly is not entirely mockable either. The David of Murray Dickie also is almost visible, and he sings with an impetuous young man's certainty, his high-Bs ringing out easily and pointedly. Rosette Anday's Magdalene is stodgy and hectoring; Eberhard Waechter's Nachtigall is mellifluous; and the other Mastersingers bark just a bit too much.
The sound is Austrian Radio mono from 1955 but sounds 10 years younger--grand and able to cope with the big climaxes, clear in the ensembles, clean in quiet moments. Aside from the Kubelik version (various labels, including Myto, Calig, Arts) with Thomas Stewart, Konya, and Gundula Janowitz, and possibly Solti's second recording (Decca) with Ben Heppner, Karita Mattila, and (small-scale but impressive) José van Dam, this set goes to the top of the list.
--Robert Levine, ClassicsToday.com
You can tell much about the entire performance from Reiner's Prelude. It is precise, grand, and detailed, with frisky, playful chattering in the upper strings underpinned by a more muscular approach in the lower strings. But it never becomes aggressive or reckless enough to smash into the opening scene; it grows into it naturally. (Where else can such a complex expression end but in prayer?) Throughout the opera we're treated to spirited tempos and playing from the Vienna Philharmonic that Reiner slows down to good effect: The Fliedermonolog is relaxed and as soft as cotton; the prelude to Act 3 wafts in the air gradually and wistfully; the quintet is a moment frozen in time and is presented with great breadth. We can feel what each character is feeling, even if a couple of them don't have the breath to express it.
Beckmesser's false "prize" song is slow to start, and so is the unease and eventual laughter of the assembled crowd. And the real "Prize Song" is accompanied lyrically, with sweep up to the high points, after which Sachs' speech about German art comes as a powerful missive. What the Viennese of 1955 thought of it, with its nasty recent memories, is anyone's guess, but the opera ends with true joy erupting, and much of it has to do with Reiner's ability to balance light and heavy, upper joy with lower gravity--a great reading.
Paul Schöffler, the possessor of a voice that never sounded young, is tonally a bit dry here but nonetheless does not present Sachs as an old man; he is vital and sure of himself. Sachs is a man who prods fate a bit, just because he can, and Schöffler sings with the assurance and potency and shading of a man of wisdom, his voice gaining in strength as the opera progresses. And his pianissimo singing is always handsome, never resorting to falsetto. His is the best Sachs on CD, bettering his own performance under Knappertsbusch on Decca.
Hans Beirer's Walther is neither as sweet and ardorous as Sandor Konya's nor as simply gorgeous as Domingo's (for Jochum on DG), and in fact he sounds indisposed. But his indisposition is only vocal, and while I realize how odd that sounds, his beautiful phrasing and shading, sincerity, vigor, and musicianship make up for a lack of grand tone and some dry singing. It's a performance impossible to dislike.
I was put off by Irmgard Seefried's Eva at first--her second act is too cutesy and pert--but she grows into the part and is lovely in the third act despite lacking anything like a trill. Gottlob Frick's Pogner is important. His address to the Masters in Act 1 has real authority and he's warm and tender with Eva in the second act. Erich Kunz sings all of Beckmesser's notes (save the silly falsetto high-A that ends his monolog in Sachs' shop) and has remarkable "face"; while we don't exactly feel sorry for him at the end, he clearly is not entirely mockable either. The David of Murray Dickie also is almost visible, and he sings with an impetuous young man's certainty, his high-Bs ringing out easily and pointedly. Rosette Anday's Magdalene is stodgy and hectoring; Eberhard Waechter's Nachtigall is mellifluous; and the other Mastersingers bark just a bit too much.
The sound is Austrian Radio mono from 1955 but sounds 10 years younger--grand and able to cope with the big climaxes, clear in the ensembles, clean in quiet moments. Aside from the Kubelik version (various labels, including Myto, Calig, Arts) with Thomas Stewart, Konya, and Gundula Janowitz, and possibly Solti's second recording (Decca) with Ben Heppner, Karita Mattila, and (small-scale but impressive) José van Dam, this set goes to the top of the list.
--Robert Levine, ClassicsToday.com
Tracklist 43 tracks
- Disc 1
-
1 Act I Scene 1: Prelude 09:22
- Track
- 1
- Title
- Act I Scene 1: Prelude
- Duration
- 09:22
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
2 Act I Scene 1: Da zu dir der Heiland kam (Chorus) 03:46
- Track
- 2
- Title
- Act I Scene 1: Da zu dir der Heiland kam (Chorus)
- Duration
- 03:46
- Composer
- Richard Wagner
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
3 Act I Scene 1: Verweilt! Ein Wort! (Walther, Eva, Magdalene, David) 08:49
- Track
- 3
- Title
- Act I Scene 1: Verweilt! Ein Wort! (Walther, Eva, Magdalene, David)
- Duration
- 08:49
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Irmgard Seefried, Rosette Anday, Murray Dickie
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
4 Act I Scene 2: David, was stehst? (Apprentices, David) 00:49
- Track
- 4
- Title
- Act I Scene 2: David, was stehst? (Apprentices, David)
- Duration
- 00:49
- Composer
- Richard Wagner
- Performer
- Murray Dickie
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
5 Act I Scene 3: Fanget an! (David, Walther, Apprentices) 13:56
- Track
- 5
- Title
- Act I Scene 3: Fanget an! (David, Walther, Apprentices)
- Duration
- 13:56
- Composer
- Richard Wagner
- Performer
- Murray Dickie, Hans Beirer
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
6 Act I Scene 3: Seid meiner Treue wohl versehen (Pogner, Beckmesser, Walther, Sachs, Nachtigal, Chorus) 04:26
- Track
- 6
- Title
- Act I Scene 3: Seid meiner Treue wohl versehen (Pogner, Beckmesser, Walther, Sachs, Nachtigal, Chorus)
- Duration
- 04:26
- Composer
- Richard Wagner
- Performer
- Gottlob Frick, Erich Kunz, Hans Beirer, Paul Schöffler, Eberhard Wächter
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
7 Act I Scene 3: Zu einer Freiung und Zunftberatung (All) 02:32
- Track
- 7
- Title
- Act I Scene 3: Zu einer Freiung und Zunftberatung (All)
- Duration
- 02:32
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Gottlob Frick, Karl Terkal, Eberhard Wächter, Erich Kunz, Hans Braun, Hans Beirer, Ljubomir Pantscheff, Murray Dickie, Adolf Vogel, Harald Pröglhöf, William Wernigk, Erich Majkut, Fritz Sperlbauer, Irmgard Seefried, Rosette Anday, Frederick Guthrie
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
8 Act I Scene 3: Das schone fest, Johannistag (Pogner, Meister, Sachs, Kothner, Beckmesser, Nachtigall, Chorus) 11:12
- Track
- 8
- Title
- Act I Scene 3: Das schone fest, Johannistag (Pogner, Meister, Sachs, Kothner, Beckmesser, Nachtigall, Chorus)
- Duration
- 11:12
- Composer
- Richard Wagner
- Performer
- Gottlob Frick, Paul Schöffler, Hans Braun, Erich Kunz, Eberhard Wächter
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
9 Act I Scene 3: Wohl! Meister! Zur Tagesordnung kehrt! (Pogner, Beckmesser, Meister, Kothner, Nachtigall, Sachs) 03:24
- Track
- 9
- Title
- Act I Scene 3: Wohl! Meister! Zur Tagesordnung kehrt! (Pogner, Beckmesser, Meister, Kothner, Nachtigall, Sachs)
- Duration
- 03:24
- Composer
- Richard Wagner
- Performer
- Gottlob Frick, Erich Kunz, Hans Braun, Eberhard Wächter, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
10 Act I Scene 3: Am stillen Herd in Winterszeit (Walther, Sachs, Beckmesser, Kothner, Chorus) 04:35
- Track
- 10
- Title
- Act I Scene 3: Am stillen Herd in Winterszeit (Walther, Sachs, Beckmesser, Kothner, Chorus)
- Duration
- 04:35
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Paul Schöffler, Erich Kunz, Hans Braun
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
11 Act I Scene 3: Nun, Meister, wenn's gefallt (Kothner, Walther, Beckmesser) 05:16
- Track
- 11
- Title
- Act I Scene 3: Nun, Meister, wenn's gefallt (Kothner, Walther, Beckmesser)
- Duration
- 05:16
- Composer
- Richard Wagner
- Performer
- Hans Braun, Hans Beirer, Erich Kunz
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
- Disc 2
-
1 Act I Scene 3: Fanget an! - So rief der Lenz (Walther, Beckmesser, Pogner, Meister, Kothner) 04:59
- Track
- 1
- Title
- Act I Scene 3: Fanget an! - So rief der Lenz (Walther, Beckmesser, Pogner, Meister, Kothner)
- Duration
- 04:59
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Erich Kunz, Gottlob Frick, Hans Braun
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
2 Act I Scene 6: Halt Meister! Nicht so geeilt! (Sachs, Beckmesser, Nachtigal, Kothner, Pogner, Meister, Walther, Apprentices) 07:23
- Track
- 2
- Title
- Act I Scene 6: Halt Meister! Nicht so geeilt! (Sachs, Beckmesser, Nachtigal, Kothner, Pogner, Meister, Walther, Apprentices)
- Duration
- 07:23
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Erich Kunz, Eberhard Wächter, Hans Braun, Gottlob Frick, Hans Beirer
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
3 Act II Scene 1: Prelude - Johannistag! (Apprentices, David, Magdalene, Sachs) 03:50
- Track
- 3
- Title
- Act II Scene 1: Prelude - Johannistag! (Apprentices, David, Magdalene, Sachs)
- Duration
- 03:50
- Composer
- Richard Wagner
- Performer
- Murray Dickie, Rosette Anday, Paul Schöffler
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
4 Act II Scene 2: Lass seh'n, ob Meister Sachs zu Haus? (Pogner, Eva, Magdalene) 06:18
- Track
- 4
- Title
- Act II Scene 2: Lass seh'n, ob Meister Sachs zu Haus? (Pogner, Eva, Magdalene)
- Duration
- 06:18
- Composer
- Richard Wagner
- Performer
- Gottlob Frick, Irmgard Seefried, Rosette Anday
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
5 Act II Scene 3: Was duftet doch der Flieder (Sachs) 06:02
- Track
- 5
- Title
- Act II Scene 3: Was duftet doch der Flieder (Sachs)
- Duration
- 06:02
- Composer
- Richard Wagner
- Performer
- Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
6 Act II Scene 4: Gut'n Abend, Meister! (Eva, Sachs, Magdalene) 08:12
- Track
- 6
- Title
- Act II Scene 4: Gut'n Abend, Meister! (Eva, Sachs, Magdalene)
- Duration
- 08:12
- Composer
- Richard Wagner
- Performer
- Irmgard Seefried, Paul Schöffler, Rosette Anday
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
7 Act II Scene 4: Das dacht' ich wohl! (Sachs, Magdalene, Eva, Pogner) 01:56
- Track
- 7
- Title
- Act II Scene 4: Das dacht' ich wohl! (Sachs, Magdalene, Eva, Pogner)
- Duration
- 01:56
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Rosette Anday, Irmgard Seefried, Gottlob Frick
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
8 Act II Scene 5: Da ist er! (Eva, Magdalene, Walther, Nachtigall) 05:35
- Track
- 8
- Title
- Act II Scene 5: Da ist er! (Eva, Magdalene, Walther, Nachtigall)
- Duration
- 05:35
- Composer
- Richard Wagner
- Performer
- Irmgard Seefried, Rosette Anday, Hans Beirer, Eberhard Wächter
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
9 Act II Scene 5: Uble Dinge, die ich da merk' (Sachs, Walther, Eva) 02:33
- Track
- 9
- Title
- Act II Scene 5: Uble Dinge, die ich da merk' (Sachs, Walther, Eva)
- Duration
- 02:33
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Erich Kunz, Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
10 Act II Scene 5: Jerum! Jerum! (Sachs, Beckmesser, Eva, Walther) 12:10
- Track
- 10
- Title
- Act II Scene 5: Jerum! Jerum! (Sachs, Beckmesser, Eva, Walther)
- Duration
- 12:10
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Erich Kunz, Irmgard Seefried, Hans Beirer
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
11 Act II Scene 5: Den Tag seh' ich erscheinen (Beckmesser, Sachs) 05:28
- Track
- 11
- Title
- Act II Scene 5: Den Tag seh' ich erscheinen (Beckmesser, Sachs)
- Duration
- 05:28
- Composer
- Richard Wagner
- Performer
- Erich Kunz, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
12 Act II Scene 5: Seid ihr nun fertig? (Sachs, Beckmesser, Nachtigall, David) 06:27
- Track
- 12
- Title
- Act II Scene 5: Seid ihr nun fertig? (Sachs, Beckmesser, Nachtigall, David)
- Duration
- 06:27
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Erich Kunz, Eberhard Wächter, Murray Dickie
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
- Disc 3
-
1 Act III Scene 1: Prelude 08:24
- Track
- 1
- Title
- Act III Scene 1: Prelude
- Duration
- 08:24
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
2 Act III Scene 1: Gleich, Meister! Hier! (David, Sachs) 07:32
- Track
- 2
- Title
- Act III Scene 1: Gleich, Meister! Hier! (David, Sachs)
- Duration
- 07:32
- Composer
- Richard Wagner
- Performer
- Murray Dickie, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
3 Act III Scene 1: Wahn! Wahn! (Sachs) 07:02
- Track
- 3
- Title
- Act III Scene 1: Wahn! Wahn! (Sachs)
- Duration
- 07:02
- Composer
- Richard Wagner
- Performer
- Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
4 Act III Scene 2: Gruss' Gott, mein Junker! (Sachs, Walther) 08:19
- Track
- 4
- Title
- Act III Scene 2: Gruss' Gott, mein Junker! (Sachs, Walther)
- Duration
- 08:19
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
5 Act III Scene 2: Morgenlich leuchtend in rosigem Schein (Walther, Sachs) 09:56
- Track
- 5
- Title
- Act III Scene 2: Morgenlich leuchtend in rosigem Schein (Walther, Sachs)
- Duration
- 09:56
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
6 Act III Scene 3: Ein Werbelied! (Beckmesser, Sachs) 14:03
- Track
- 6
- Title
- Act III Scene 3: Ein Werbelied! (Beckmesser, Sachs)
- Duration
- 14:03
- Composer
- Richard Wagner
- Performer
- Erich Kunz, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
7 Act III Scene 4: Sieh' Ev'chen! Dacht' ich doch, wo sie blieb'! (Sachs, Eva) 03:57
- Track
- 7
- Title
- Act III Scene 4: Sieh' Ev'chen! Dacht' ich doch, wo sie blieb'! (Sachs, Eva)
- Duration
- 03:57
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
8 Act III Scene 4: Weilten die Sterne im lieblichen Tanz? (Walther, Sachs) 01:57
- Track
- 8
- Title
- Act III Scene 4: Weilten die Sterne im lieblichen Tanz? (Walther, Sachs)
- Duration
- 01:57
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
9 Act III Scene 4: Hat man mit dem Schuhwerk nicht seine Not! (Sachs, Eva) 05:22
- Track
- 9
- Title
- Act III Scene 4: Hat man mit dem Schuhwerk nicht seine Not! (Sachs, Eva)
- Duration
- 05:22
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
- Disc 4
-
1 Act III Scene 4: Ein Kind ward hier geboren (Sachs) 02:42
- Track
- 1
- Title
- Act III Scene 4: Ein Kind ward hier geboren (Sachs)
- Duration
- 02:42
- Composer
- Richard Wagner
- Performer
- Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
2 Act III Scene 4: Die selige Morgentraum-Deutweise (Sachs, Eva, Walther, David, Magdalene) 06:43
- Track
- 2
- Title
- Act III Scene 4: Die selige Morgentraum-Deutweise (Sachs, Eva, Walther, David, Magdalene)
- Duration
- 06:43
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Hans Beirer, Murray Dickie, Rosette Anday
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
3 Act III Scebe 4: Interlude 05:12
- Track
- 3
- Title
- Act III Scebe 4: Interlude
- Duration
- 05:12
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
4 Act III Scene 5: Ihr tanzt? Was werden die Meister sagen? (David, Chorus) 05:50
- Track
- 4
- Title
- Act III Scene 5: Ihr tanzt? Was werden die Meister sagen? (David, Chorus)
- Duration
- 05:50
- Composer
- Richard Wagner
- Performer
- Murray Dickie
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
5 Act III Scene 5: Wach' auf (Chorus) 03:07
- Track
- 5
- Title
- Act III Scene 5: Wach' auf (Chorus)
- Duration
- 03:07
- Composer
- Richard Wagner
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
6 Act III Scene 5: Euch macht ihr's leicht (Sachs, Pogner, Beckmesser, Kothner) 04:47
- Track
- 6
- Title
- Act III Scene 5: Euch macht ihr's leicht (Sachs, Pogner, Beckmesser, Kothner)
- Duration
- 04:47
- Composer
- Richard Wagner
- Performer
- Paul Schöffler, Gottlob Frick, Erich Kunz, Hans Braun
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
7 Act III Scene 5: Zum Teufel! Wie wackelig! (Beckmesser, Meister, Kothner, Chorus) 01:43
- Track
- 7
- Title
- Act III Scene 5: Zum Teufel! Wie wackelig! (Beckmesser, Meister, Kothner, Chorus)
- Duration
- 01:43
- Composer
- Richard Wagner
- Performer
- Erich Kunz, Hans Braun
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
8 Act III Scene 5: Morgen ich leuchte in rosigem Schein (Beckmesser, Meister, Chorus) 03:03
- Track
- 8
- Title
- Act III Scene 5: Morgen ich leuchte in rosigem Schein (Beckmesser, Meister, Chorus)
- Duration
- 03:03
- Composer
- Richard Wagner
- Performer
- Erich Kunz
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
9 Act III Scene 5: Verdammter Schuster! (Beckmesser, Meister, Chorus) 04:39
- Track
- 9
- Title
- Act III Scene 5: Verdammter Schuster! (Beckmesser, Meister, Chorus)
- Duration
- 04:39
- Composer
- Richard Wagner
- Performer
- Erich Kunz
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
10 Act III Scene 5: Morgenlich leuchtend im rosigen Schein (Walther, Meister, Sachs, Pogner, Eva, Chorus) 07:34
- Track
- 10
- Title
- Act III Scene 5: Morgenlich leuchtend im rosigen Schein (Walther, Meister, Sachs, Pogner, Eva, Chorus)
- Duration
- 07:34
- Composer
- Richard Wagner
- Performer
- Hans Beirer, Paul Schöffler, Gottlob Frick, Irmgard Seefried
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner
-
11 Act III Scene 5: Verachtet mir die Meister nicht (Sachs, Chorus) 06:46
- Track
- 11
- Title
- Act III Scene 5: Verachtet mir die Meister nicht (Sachs, Chorus)
- Duration
- 06:46
- Composer
- Richard Wagner
- Performer
- Paul Schöffler
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Fritz Reiner