Piazzolla, A.: History of the Tango / Hummel, J.N.: Flute So
Azica Records
CD
$18.99May 06, 2003
Martha Aarons played with the Cleveland Orchestra from 1981 to 2006. Every summer she teaches and serves as principal flute for the Aspen Music Festival. Since becoming a freelancer, she has performed as guest principal in the Baltimore Symphony, the Metropolitan Opera, and she enjoys frequent appearances with the Philadelphia Orchestra. Solo credits include the Cleveland Orchestra, North Carolina Symphony, Aspen Chamber Symphony, and Ohio Chamber Orchestra. Currently she is a regular guest artist at Rancho la Puerta, in Tecate, Mexico. Ms. Aarons has taught at the Cleveland Institute of Music, Duke University, University of North Carolina at Chapel Hill, Oberlin College, and Skidmore College as Filene Visiting Artist-in-Residence. She also taught and performed as visiting artist at Shanghai Conservatory. In 2002 she served as assistant professor at the Eastman School of Music. In 2003 Ms. Aarons performed the Aspen Music Festival premiere of the Flute Concerto by Christopher Rouse.
Last Silence / Martha Aarons, Lev Polyakin, Frances Renzi
Azica Records
CD
$9.49$18.99Save 50%Feb 05, 2021
Performed by the trio for whom it was written, Paul Schoenfield's new composition "Last Silence" picks up where "Cafe Music" left off. A show stopping tour de force of excitement and emotion. Schoenfield's "Four Souvenirs" is finally released here by violinist Lev Polyakin and pianist Frances Renzi, who commissioned the work. Beautiful trios by Rota and Cui round out the album. Paul Schoenfeld‘s music is widely performed and continues to draw an ever-expanding group of fans. According to Juilliard’s Joel Sachs, “he is among those all-too-rare composers whose work combines exuberance and seriousness, familiarity and originality, lightness and depth. His work is inspired by the whole range of musical experience, popular styles both American and foreign, vernacular and folk traditions, and the ‘normal’ historical traditions of cultivated music making, often treated with sly twists. Above all, he has achieved the rare fusion of an extremely complex and rigorous compositional mind with an instinct for accessibility and a reveling in sound that sometimes borders on the manic.”
