'The Absence' is the third record from grammy-nominated Melody Gardot. Produced by Heitor Pereira, renowned for his work as a film composer ('Despicable Me', 'It's Complicated', 'From Prada to Nada') and world-class session guitarist (Sting, Seal, Caetano Veloso), the Brazilian-born, US-based artist shared Melody's enthusiasm for driving off the beaten path of western pop, jazz, blues and soul. And he was as adventurous as melody when it came to inventive sonic ideas. From the deserts of Morocco to the streets of Lisboa, from the tango bars of Buenos Aires to the beaches of Brazil, 'The Absence' captures the essence of each of these exotic locales, while at the same time remaining quintessentially Melody Gardot.
John Metcalfe, who arranges songs for big names such as Coldplay, Simple Minds and The Pretenders, has produced albums with Peter Gabriel and has been touring for decades as a member of the Duke Quartet. Now he releases his debut album on the Neue Meister label. Metcalfe has always been surrounded by music. As a child, he would listen to his father sing opera, before a love of Kraftwerk and Joy Division led to a stint as a drummer in a high school band. But it was a move to Manchester that really accelerated his development as an artist, and led to him finding his true calling. Joining cult band The Durutti Column, then signed to legendary label Factory Records, brought him into the orbit of Tony Wilson and the Hacienda, formative events that would help foster his renegade spirit. Unimpressed with the strictures demanded by the classical recording industry, Metcalfe persuaded Wilson to launch the ground-breaking Factory Classical Label, aimed at unearthing exciting - and unconventional - new British talent. It was here that Metcalfe found a home, and the group that would come to define his musical career; the Duke Quartet. For nearly 30 years, they've existed at the vanguard of contemporary British music, innovating and delighting in equal measure. Working with world-renowned artists across the entire cultural spectrum, from pop, dance, film, TV, and theatre, Metcalfe honed his arranging and producing skills; he's now one of the UK's most sought after arrangers, regularly working with some of biggest names in music. As a solo artist, Metcalfe explores electro-classical soundscapes and the boundaries between genres. His finely tuned compositions are neat yet grand in scale, both in terms of sound and the conceptual ideas underpinning them. Absence, the fifth record to bear his own name, is something of a departure for Metcalfe, framing bold images and themes with some of the most conventional song structures he's ever employed. But it's also his most affecting, deconstructing a subject he's been interested in since his childhood in New Zealand: Dealing with loss.
John Metcalfe, who arranges songs for big names such as Coldplay, Simple Minds and The Pretenders, has produced albums with Peter Gabriel and has been touring for decades as a member of the Duke Quartet. Now he releases his debut album on the Neue Meister label. Metcalfe has always been surrounded by music. As a child, he would listen to his father sing opera, before a love of Kraftwerk and Joy Division led to a stint as a drummer in a high school band. But it was a move to Manchester that really accelerated his development as an artist, and led to him finding his true calling. Joining cult band The Durutti Column, then signed to legendary label Factory Records, brought him into the orbit of Tony Wilson and the Haçienda, formative events that would help foster his renegade spirit. Unimpressed with the strictures demanded by the classical recording industry, Metcalfe persuaded Wilson to launch the ground-breaking Factory Classical Label, aimed at unearthing exciting - and unconventional - new British talent. It was here that Metcalfe found a home, and the group that would come to define his musical career; the Duke Quartet. For nearly 30 years, they've existed at the vanguard of contemporary British music, innovating and delighting in equal measure. As a solo artist, Metcalfe explores electro-classical soundscapes and the boundaries between genres. His finely tuned compositions are neat yet grand in scale, both in terms of sound and the conceptual ideas underpinning them. Absence, the fifth record to bear his own name, is something of a departure for Metcalfe, framing bold images and themes with some of the most conventional song structures he's ever employed. But it's also his most affecting, deconstructing a subject he's been interested in since his childhood in New Zealand: Dealing with loss.
Mikrokolektyw Kuba Suchar and Arthur Majewski continue to explore a vast terrain of post jazz soundscapes. These shifting limitless ideas, merging electronic sounds with complex melody and rhythm, push them to the forefront of contemporary jazz. As with their critically acclaimed debut Revisit and it's follow-up live DVD Dew Point, Absent Minded is a stark and brilliant reminder that jazz is a living language, constantly expanding into new horizons. Mikrokolektyw reveal a facet of jazz whose sonic palette is both diverse and challenging yet astoundingly beautiful. A boundary erasing excursion into the range of emotions that is possible when we speak in multiple tongues.
Absil, Daniel-Lesur, Pillois & Tansman: Hommage / Cracow Harp Quintet
DUX
CD
$21.99Jul 29, 2022
The Cracow Harp Quintet was founded in 2019; it consists of an unusual set of instruments: flute, harp, and a string trio. As the only such professional chamber ensemble in Poland, it promotes music that has been forgotten or has not been published yet. Thanks to the joint initiative, the members of the ensemble share many years of experience of concerts, festivals, and competitions in Poland and abroad. The album Hommage is a tribute to the output of the composers associated with the Quintette Instrumental de Paris – a formation whose 100th anniversary of the foundation falls this year. The album will feature compositions by artists who were closely related to the ensemble, such as Jean Absil, Jacques Pillois, Aleksan der Tansman, and Jean-Yves Daniel-Lesur. The repertoire is distinguished by its diverse nature: French Impressionism, medieval monody motifs, fascination with East Asian culture as well as the 20th-century idiom of Polish music. The album will feature the world recording premiere of Jacques Pillois’s suite 5 Haïkaï and the Polish recording premiere of Sonatina da camera by Aleksander Tansman.
- The centuries' long historical tradition of flamenco and it's evolution shows a diverse background of cultural roots and influences including Indian, Jewish, Byzantine, Arabic and South American. - Taught to play guitar and sing by his father Juan el Minelva, at the time the best-known guitarist in the region, Andres Fernandez Amador, a gitano from the province of Almeria in Andalusia, southern Spain, sings and plays modern flamenco in the style of Paco de Lucia, Pata Negra and the Gipsy Kings, as well as traditional 'classical' flamenco ('cante jondo') and original compositions.
Pianist Andreas Feith and saxophonist Markus Harm present their second duo album "Abstract Truth", a deeply connected and artistically evolved follow-up to their debut "What's New". Over years of collaboration-from early days in Rebecca Trescher's ensemble to intensive duo sessions-their musical bond has grown into a rare and expressive synergy. Unlike their spontaneous first recording, this album is the result of careful composition and preparation, reflecting a new level of artistic freedom grounded in jazz tradition. Their interplay is intuitive, multilayered, and emotionally rich, balancing improvisation with melodic sensitivity. "Abstract Truth" showcases this connection through original compositions and reimagined standards, culminating in a diverse and emotionally resonant statement. Tracks like "Calm", "Tune For K", and "Smoke Gets In Your Eyes" reveal a duo in perfect harmony-free, expressive, and rooted in shared musical trust.
There have been two hallmarks—standards, if you will—that have been a part of every Billy Childs album. The first is the journey he’s traveled as a composer. He has always written music and to great acclaim: he has received five GRAMMY® Awards and 16 nominations, many for composition and arrangement. Presently in continual demand for symphonic and chamber commissions, he has also innovated a collection of compositions for jazz instrumentation and strings that is unique in the American music lexicon: a genre he refers to as jazz/chamber music. But for the second hallmark, Childs has always been a player, too—having cultivated his jazz voice in the working bands of trombonist J.J. Johnson and trumpeter Freddie Hubbard.
“On my first Mack Avenue recording, Rebirth (Childs’ 2017 album on Mack Avenue Records which won a GRAMMY® Award for Best Jazz Instrumental Album), I wanted to return to a focus on my jazz piano playing,” Childs states. “Acceptance is an extension of that, and the musicians make it very comfortable for me.” Childs thrives on group improvisation and has recruited fellow master musicians—saxophonist Steve Wilson, bassist Hans Glawischnig and drummer Eric Harland—as the core ensemble for this collection: Acceptance. Elena Pinderhughes on flute; vocalists Alicia Olatuja, Aubrey Johnson and Sara Gazarek; and percussionists Rogerio Boccato and Munyungo Jackson complete the stellar lineup on this recording.
REVIEW:
Acceptance, Billy Childs follow up to 2017's Rebirth, his Grammy-winning Mack Avenue outing, doesn't follow the path of its predecessor. It is more exotic in exploring chamber jazz, post-bop, fusion, and samba, with dramatic ballads, passionate vocals, and sophisticated pop woven in. The title cut commences as a poignant ballad erected from folk melodies. After resonant bass and keyboard solos from Glawischnig and Childs, saxophonist Steve Wilson enters, seamlessly shifting the band toward a soulful blues. The biggest surprise is "Leimert Park." Co-composed by Childs, bassist Paul Jackson, and drummer Mike Clark (the rhythm section of Herbie Hancock & Headhunters), it's a fusion jam that weaves trancelike synth and Rhodes vamps and rhythmic cadences, crisscrossing much musical terrain.
As a next chapter, Acceptance is as much a band showcase as it is one for Childs' tunes. Their intimate, almost instinctive communication is at once a calling card and an invitation to adventure.
Access All Areas album for sale by Spyro Gyra was released Jun 07, 1994 on the Amherst label. All songs written or co-written by members of Spyro Gyro except Islands In The Sky (Jeremy Wall). Access All Areas songs An excellent live double album, it includes live versions of songs from early albums. Access All Areas album for sale - Paul Kohler Recorded live in Florida from November 17-19, 1983. Personnel: Chet Catallo (guitar); Jay Beckenstein (saxophone, percussion); Jeremy Wall (keyboards, percussion); Tom Schuman (keyboards); Dave Samuels (vibraphone, marimba); Eli Konikoff (drums); Gerardo Velez (percussion). Access All Areas CD music contains a single disc with 10 songs.
Markus Burger writes of his new release: "Since I was a child, I have loved the outdoors and fell in love with the vast wilderness of Alaska and Iceland. In 2000 I visited Iceland for the first time and wrote most of the songs for my solo piano release Ultreya which came out in 2001 on Jazzline Records. It took me until 2002 to go to Alaska and visit Valdez and the Kenai Peninsula. I was blown away by the beauty of Alaska and the uniqueness of the folks that live there. Through my affiliation with Idyllwild's Jazz Academy director Marshall Hawkins, one of the finest bassists on the West coast and a great Jazz Educator, I was fortunate enough to start teaching for a few semesters in Homer Alaska. In 2015 and 2016 I got to visit Kodiak Island, which left a lifetime impression on me. The songs on this album were written in Alaska over the years of my trips to this wilderness state. When planning this album's recording session, I asked Bob Magnusson to play bass, because we share the love of musical elegance and simplicity- and because I truly love Bob's bass sound (like so many others before me). I have admired Peter Erskine since I first heard him perform with his ECM Trio featuring John Taylor and Palle Danielsson. I love his playing and his compositions and I was thrilled when he agreed to be part of this musical project... Jim Linahon has been the sound wizard behind all of my albums for Challenge Records and he is in my humble opinion one of the finest engineers and producers for Jazz in the U.S. today. He was delighted that Microtech Gefell and DPA send him their fienst microphones to capture every nuance of our trio's playing... "
Accidental Tourists - Songs inspired by people & places
Challenge Records
CD
$16.99Jun 13, 2025
Markus Burger: It has been a joy to work with such an extraordinary ensemble-my long-time duo partner, Jan von Klewitz, and the legendary rhythm section of Peter Erskine and Bob Magnusson. Together, we've created music that reflects the landscapes, people, and moments that have shaped me. This album was recorded after a memorable tour through Alaska and the Pacific Northwest, and those breathtaking regions undoubtedly influenced the music.
“From the festive music of rural Brazil, Colombia and Mexico to the rich harmonies of the choro and alloys in sound that characterize pure American jazz, the beautiful instrument known as the accordion has adapted to every social and musical context of the New World.” Teca CALAZANS et Philippe LESAGE
Accordion Music (Global Accordion - Early Recordings)
Wergo
CD
$20.99Oct 01, 2001
The accordion is the ultimate global instrument. As a catalyst of popular music it spread around the world in the 19th century like wildfire. 26 rare 78rpm recordings from Africa, Latin America, the US, the Caribbean and Europe display the enormous variety of early accordion styles. You will glimpse a wild folk music that hardly exists today. The invention of the "accordion", as it was named in the patent granted to Viennese organ and piano builder Cyrill Demian in 1829 was a musical explosion, which triggered a chain reaction of global dimension. The accordion was louder than any string instrument, and it was portable. It also had fixed tuning. But it's biggest advantage was it's format as a one-man-band. Even when pressing the wrong notes within a melody it still sounded pleasant. Therefore the accordion was seen as a "miracle box" which immediately allowed everybody without any formal musical training to participate actively in music making. It may truly be claimed that the accordion gave birth to popular music.
On this musical voyage, the point of departure is a series of short pieces written and played by Guy Klucevsek for Annie Proulx's novel Accordion Crimes. The adventure continues with Teodoro Anzellotti playing selections from Johann Sebastian Bach's Goldberg Variations, and beyond!
At the age of five, Accursio Antonio Cortese began studying music and the organ with his grandfather, D. Imbornone. At the V. Bellini Conservatory (now A. Scarlatti) in Palermo, he earned a Piano Diploma with O. Buogo and a Bachelor's and Master's degree in Composition with honors and special mention under M. Betta. He earned a Master's degree in Composition with I. Fedele at the Accademia Nazionale di Santa Cecilia with top honors. He specialized in film music composition with L. Bacalov and opera with G. Battistelli, both at the Accademia Chigiana in Siena. He studied conducting with C. Caruso, choral music and choral conducting with M. Ghiglione. He furthered his knowledge of jazz music by attending international seminars in Siena and at Roccella Jazz. He has a substantial catalog of symphonic, chamber, sacred, operatic, and film compositions. His music has been performed in Italy, the USA, Argentina, Finland, Russia, Switzerland, France, and Romania, in prestigious venues. His music is published by Suvini Zerboni - Sugar Music (Milan), Sconfinarte Editions (Brescia), and Isuku Verlag (Munich).
2nd in the complete United Records sessions, with Tab Smith (alto & tenor saxophone, vocals); Louis Blackwell (vocals); Leon Washington, Charles Wright (tenor saxophone); Irving Woods, Sammy Cohn (trumpet); Lavern Dillon, Teddy Brannon (piano); Wilfred Middlebrooks (bass); Walter Johnson (drums); Lavern Dillon-piano.
