Also available on standard DVD

Rossini wrote L’equivoco stravagante (‘The Curious Misunderstanding’), his first full-length opera, when he was only 19 years old. As its title suggests, the plot of this dramma giocoso offers a panoply of absurdist stagecraft with one character being led to believe that the work’s heroine is in fact a castrato trying to avoid military service. Full of his trademark buffo humour, melodious and musically buoyant, the opera ran foul of the censors and was swiftly banned, which accounts for its rarity in performances and recordings. The new edition of the score used in this production corrects numerous previous errors.

Acclaimed director Laurent Pelly is one of the most renowned and prolific interpreters of Offenbach’s brilliantly inventive operettas, including several productions for the Opéra de Lyon. The composer’s satirical and hilarious opéra bouffe version of Charles Perrault’s 17th century tale of the serial wife-murdering Bluebeard (in which no-one actually gets murdered!), deftly walks the line between humour and cruelty, with a stellar performance from Yann Beuron in the title role. This special release also includes a 50-minute documentary - Tales of Offenbach – created by the distinguished film-maker, Reiner E.Moritz. Narrated by Dame Felicity Lott, the film includes interviews with the cast and creatives of this sparkling production.

Outstanding singers, conductors and directors come together in five diverse but compelling operas by Benjamin Britten. The turbulent, inward fishing community of Peter Grimes is transposed to a merciless 1980s society in Richard Jones' production. An 'outstanding' Sarah Connolly (Guardian) stars in The Rape of Lucretia, navigating the difficult tale with superb poise. Billy Budd is grippingly staged aboard the claustrophobic MS Indomitable, with Jacques Imbrailo portraying the troubled sailor in the 2010 Glyndebourne Festival Opera production by Michael Grandage. More light-hearted is the Royal Opera House staging of Gloriana, penned by Britten to celebrate the Coronation of Queen Elizabeth II and featuring Susan Bullock as the monarch. Finally, Edward Gardner conducts the English National Opera in Deborah Warner's highly acclaimed production of Death in Venice, In which John Graham-Hall stars as the ageing Gustav von Aschenbach. These productions from some of the world's best opera houses offer five masterful performances that are an ideal way to experience Benjamin Britten's music. Filmed in High Definition and recorded in true Surround Sound.

A BRITTEN COLLECTION
(7-DVD Box Set)

PETER GRIMES

Peter Grimes - John Graham Hall

Boy - Francesco Malvuccio
Ellen Orford - Susan Gritton
Captain Balstrode - Christopher Purves
Auntie - Felicity Palmer
First Niece - Ida Falk Winland
Second Niece - Simona Mihai
Bob Boles - Peter Hoare
Swallow - Daniel Okulitch
Mrs. Sedley - Catherine Wyn-Rogers
Rev. Horace Adams - Christopher Gillett
Ned Keene - George von Bergen

Milan La Scala Chorus and Orchestra
Robin Ticciati, conductor
Richard Jones, stage director

Recorded live at the Teatro alla Scala, June 2012

THE RAPE OF LUCRETIA

Lucretia - Sarah Connolly
Tarquinius - Christopher Maltman
Bianca - Catherine Wyn-Rogers
Lucia - Mary Nelson
Junius - Leigh Melrose
Collatinus - Clive Bayley
Female Chorus - Orla Boylan
Male Chorus - John Mark Ainsley

English National Opera Orchestra
Paul Daniel, conductor

David McVicar, stage director

Recorded live at the Aldeburgh Festival, The Maltings, Snape, 2001

BILLY BUDD

Captain Vere - John Mark Ainsley
Billy Budd - Jacques Imbrailo
Claggart - Phillip Ens
Mr. Redburn - Iain Paterson
Mr. Flint - Matthew Rose
Lieutenant Ratcliffe - Darren Jeffery
Red Whiskers - Alasdair Elliott
Donald - John Moore
Dansker - Jeremy White
Novice - Ben Johnson
Squeak - Colin Judson
Bosun - Richard Mosley-Evans

Glyndebourne Chorus
London Philharmonic Orchestra
Mark Elder, conductor
Michael Grandage, stage director

Recorded live at the Glyndebourne Opera House, 8 and 11 June 2010

GLORIANA

Queen Elizabeth I - Susan Bullock
Earl of Essex - Toby Spence
Countess of Essex - Patricia Bardon
Lord Mountjoy - Mark Stone
Lady Rich - Kate Royal
Sir Robert Cecil - Jeremy Carpenter
Sir Walter Raleigh - Clive Bayley
Ballad Singer - Brindley Sherratt

Royal Opera Chorus
Royal Opera House Orchestra
Paul Daniel, conductor
Richard Jones, stage director

Recorded live at the Royal Opera House, June 2013

DEATH IN VENICE

Gustav von Aschenbach - John Graham Hall
Traveller / Elderly Fop / Gondolier / Barber / Hotel Manger / Player / Dionysus - Andrew Shore
Apollo - Tim Mead
Tadzio - Sam Zaldivar
The Polish Mother - Laura Caldow
Two Daughters - Mia Angelina Mather / Xhuliana Shehu
The Governess - Joyce Henderson
Jaschiu - Marcio Teixeira

English National Opera Chorus and Orchestra
Edward Gardner, conductor
Deborah Warner, stage director

Recorded live at the London Coliseum, June 2013

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Bonus:
- Cast gallery (all)
- Introduction to the opera (Billy Budd, Gloriana)
- Introduction to the designs (Billy Budd)
- Interviews with the cast and crew (Peter Grimes)
- Comments from the director (The Rape of Lucretia)
- Britten’s Aldeburgh (Gloriana)

Picture format: NTSC 16:9 anamorphic
Sound format: DTS 5.1 (all) / + LPCM 2.0 (The Rape of Lucretia, Billy Budd, Gloriana) / + Dolby Digital 2.0 (Peter Grimes, Death in Venice)
Region code: 0 (worldwide)
Audio Language: English
Menu Language: English
Subtitles: English, French, German (all) + Japanese (Peter Grimes, The Rape of Lucretia, Gloriana) + Korean (Death in Venice) / + Spanish (Billy Budd)
Running time: 13 hrs 10 mins (opera) + 27 mins (bonus)
No. of DVDs: 7 (DVD 9)

To this day, Beethoven’s Symphony No. 9 is one of the most popular pieces of classical music in the world. But what is it about this global hit? The film charts the success of the symphony around the globe and encounters passionate amateur musicians and musical personalities. Watch as Greek conductor Teodor Currentzis works on Beethoven’s Ninth with his ensemble, MusicAeterna. Follow Chinese composer and Oscar winner Tan Dun as he creates a new composition inspired by the great Beethoven symphony. Experience the Orchestre Symphonique Kimbanguiste in the Democratic Republic of the Congo, as they play the Ninth. Visit a favela in Brazil, where Beethovens’s music helps people get off the streets. Be amazed as a choir of 10,000 in Japan sings the final chorus of Beethoven’s Ninth Symphony, with great enthusiasm. Learn how Paul Whittaker helps make Beethoven accessible for deaf people. And find out how British DJ Gabriel Prokofiev performs a symphonic remix of Beethoven’s Ninth.

From grand spectacles to poignant close-ups, experience Helgi Tomasson's bravura interpretation of Shakespeare's Romeo & Juliet like you've never seen it before. With passionate choreography, spine-tingling swordsmansip, and a celebrated score by Sergei Prokofiev, San Francisco Ballet's passionate retelling of the Bard's greatest tragedy has packed houses around the world. Romeo & Juliet is one of the Company's most popular and widely toured ballets and has been seen by more than 200,000 people since it premiered in 1994. Choreographed by Helgi Tomasson, with sets and costumes by Jens-Jacob Worsaae, this visually stunning production and the brilliant dancers of San Francisco Ballet bring this powerful and touching tragedy - and Renaissance-era Verona - vivdly to life. "Tomasson lifts Shakespeare's complex and familiar language off the gilded pages and translates it into lucid classical choreography that is visceral, fresh, and ultimately sublime" (Huffington Post).

The West-Eastern Divan Orchestra celebrates its 20th anniversary by giving a concert at the Berlin Philharmonie with world-renowned artists: Anne-Sophie Mutter and Yo-Yo Ma perform Beethoven’s Triple Concerto together with Maestro Barenboim and the young musicians. Yo-Yo Ma, who played with the West-Eastern Divan Orchestra at their first concert 20 years ago, and Anne-Sophie Mutter, who made her debut with the orchestra only this year, were named as honorary members of the orchestra on the occasion of this event. “It is fascinating to experience how brilliant, concentrated and at the same time relaxed these three world stars make music together and listen to each other. A masterpiece of harmony“ (RBB24). The second part of the concert features Bruckner's 9th Symphony, transcendental music which the composer himself dedicated to “the dear God“. The symphony is unfinished not only because Bruckner died during the process of composition, but especially because it seems to perish in nothingness. The musicians of the West-Eastern Divan Orchestra are excellently prepared and play technically and tonal flawlessly. A magic moment.

“Occurrence is the third, and at least for now the last, in a hugely illuminating series devoted to works by contemporary Icelandic composers, as performed by Iceland’s 70-year-old national orchestra. Speaking for myself – and surely for many others, as well – the series has been a milestone project, one that any conscientious collector of symphonic music simply must have on the shelf. Across three albums now, Sono Luminus has capitalized shrewdly on swelling global interest in the music of Daniel Bjarnason and Anna Thorvaldsdottir, using their works as a means by which to introduce seven more composers with original, substantial voices. Three of the composers represented on Occurrence return from previous installments in the series. In addition to Bjarnson – who also has served as an insightful, sympathetic conductor throughout – we hear new works from Þuri´ður Jonsdottir, whose Flow and Fusion opened the initial disc, Recurrence, and from Haukur Tomasson, whose Piano Concerto No. 2 was a highlight of the second release in the series, Concurrence. These repeat engagements prove serendipitous, showing off fresh facets of these newly familiar creators. One, Bjarnason’s own Violin Concerto, scarcely requires introduction, having proved its merits and attractions already on concert platforms around the globe since its 2017 world premiere at the Hollywood Bowl. Pekka Kuusisto, the violinist for whom the piece was written, demonstrates his consummate skill as a technician, a melodist, a collaborator and – not least – a whistler, and the orchestral accompaniment, no surprise, is vivid and alert.

REVIEW:

‘Recurrence’, ‘Concurrence’, and now ‘Occurrence’. The Iceland Symphony Orchestra’s three-disc survey of new orchestral music from its homeland has reached its end point and it’s easy to conclude that no country on earth has reinvented the language of the symphony orchestra on such distinctive and locally relevant terms as this one. So much so that a Canadian such as Veronique Vaka can fall for Iceland and cook up a piece like Lendh, an extraordinary canvas with an umbilical connection to the landscape of the place. Lendh is a marvel.

Haukur Tómasson’s In Seventh Heaven is full of ear-catching orchestration, as raw and unconventional as Jón Leifs’s, ulterior harmonies tugging while colours shift as rapidly as the Icelandic weather above. The orchestra’s handling of the exposed passages for high strings and characterised woodwind-writing demonstrate technically how far it has come in the past decade alone.

Þuríður Jónsdóttir's Flute Concerto, "Flutter", features sampled insect noises and other electronics, including a promotion of the ubiquitous Nordic pedal note to a general hum. Structurally it feels like a road movie – a journey through textural landscapes more than anything developmental.

Conductor Daníel Bjarnason own Violin Concerto has dedicatee Pekka Kuusisto’s puckish spirit all over it, from the infectious soloist whistling (used to moving effect when it returns late on as the violin’s sole accompanist) to the grunge-improvisatory elements and clear-cut, eyemoistening tune.

As an appendix we hear from a dead composer, Iceland’s great 12-tone pioneer Magnús Blöndal Jóhannsson (1938-2005). His Adagio for strings and percussion of 1980 marked a shift in style following the death of his wife and a battle with the bottle. This is a bleak, translucent elegy that places unison sheets of wannabe-lyrical string melody over held pedal notes and drones, ending with a sudden rush of air as the last pedal falls away. A quizzical gesture to wrap up an outstanding and historic series, one that affects the mind as much as the ears. 

– Gramophone