This Was Then is the ninth full-length album by pianist/composer Erik Deutsch. His long-running NYC sextet has once again been enlisted to conjure their magic: Tony Mason on drums, Jeff Hill on bass, Avi Bortnick on drums, Mike McGinnis on Reeds, and Brian Drye on trombone; plus special guests Mauro Refosco on percussion and Victoria Reed on vocals. In between touring full time with The Black Crowes, piloting multiple projects, and recording with an incredible variety of artists, Deutsch has found the time to create an excellent new album of original material.  Stylistically, This Was Then may be Deutsch's finest work yet, as the music cruises effortlessly thru genre, tempo, and mood. Sure, some of Deutsch's previous musical tendencies are present once again, but nothing feels like a redux-rather an updated vision or a glance towards a fresh path altogether. The production team of Erik and Jeff Hill has elevated their vision and skill (they've been working together editing, overdubbing, mixing, and producing Deutsch's records since the 2012 release Demonio Teclado). Once presented with what the duo has accomplished sonically, it's nearly impossible to deny the uniqueness present within the artistry of this record. Simply put, "jazz" artists these days don't typically offer this level of production to their records; and having said that, it's clear that Deutsch's vision of jazz music (evident in his catalog over for the past 20 years) has been thoughtful and clear, and that he has continued to not only stay the course but expand and elevate his concept along the way. So sit back, relax, and soak in this musical journey. You may ask yourself "is this record about the memorable compositions? Or the stellar musicianship and improvisation? Or the tones and sonic palettes? Or the production and aural brilliance of the recording?" The answer is whatever you choose it to be, whatever you want it be, and whatever you want from it in that very moment. It's a gift that will continue to give, to reveal more magic upon each listen, and hopefully bring joy and inspiration to your ears and heart. Is it jazz? Is it fusion? Is it cinematic? It's music- made by a musician who cares and a group of talented folks who get it.

Eddie Henderson - "Heritage (Blue Note Classic Vinyl Edition)". Trumpeter Eddie Henderson came to prominence as a member of Herbie Hancock's Mwandishi in the early '70s, after which he recorded a pair of seminal jazz/funk fusion classics for Blue Note - Sunburst (1975) & Heritage (1976) - the latter, featuring a forward-looking crew with Julian Priester, Patrice Rushen, Paul Jackson, Mike Clark, Billy Hart, Mtume and others. This stereo Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. 2025 release. Aron!'s debut EP 'cozy you (and other nice songs)' is a collection of timeless pop jazz songs touching on romance, heartbreak, and life's complexities- all with an inviting warmth and charm. His memorable voice and clever songwriting bring a decidedly modern perspective to jazz that is somehow simultaneously classic and fresh. 'It's singer-songwriter jazz. I've always resonated with the real romantics from the old school. I realized people are going through the same things now as they were back then. Heartbreak is heartbreak, and love is love. We're all humans. I'm doing what feels authentic to me'. - aron!

To celebrate the centenary of the composer's death, this compilation offers a journey through Erik Satie's unusual and distinctive piano works, by three of his greatest performers: Anne Queffelec, Bertrand Chamayou and Aldo Ciccolini. Bonus: his third Gnossienne orchestrated by Francis Poulenc, under the baton of Michel Plasson.

Limited 180gm vinyl LP pressing. 2025 release. For The Love Of It All is more than trumpeter and composer Brandon Woody's recording debut; it is a manifesto, a ritual, a hymn to the enduring power of love. Joined by his band Upendo - Troy Long (piano, organ, Rhodes, keyboards), Quincy Phillips (drums), and Michael Saunders (bass), with special guests Imani Grace (vocals), and Vittorio Stropoli (aux synth) - Woody extends an invitation into communion through six captivating original compositions.

Limited 180gm vinyl LP pressing. Alts 'N Outs: The Other Side of Blue Note is a compilation of alternate takes & outtakes from iconic Blue Note sessions by Cannonball Adderley, Grant Green, Wayne Shorter, Art Blakey, Jimmy Smith & Sonny Clark.

Stanley Turrentine - "In Memory Of (Blue Note Tone Poet Edition)". Stanley Turrentine's stellar 1964 album, In Memory Of, traversed swinging hard bop, beautiful balladry and African rhythms with the saxophonist fronting a tremendous sextet with Blue Mitchell (trumpet), Curtis Fuller (trombone), Herbie Hancock (piano), Bob Cranshaw (bass), and Otis "Candy" Finch (drums). This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Elvin Jones - "Puttin' It Together (Bule Note Classic Vinyl Edition)". Elvin Jones' 1968 Blue Note debut Puttin' It Together marked the start of a new chapter in the master drummer's career following his 6 years with the seminal John Coltrane Quartet & Coltrane's death in 1967. The spare trio album found Jones engaged in a lively three-way dialogue with bassist Jimmy Garrison and multi-instrumentalist Joe Farrell. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 - gram vinyl at Optimal.

Trumpeter Blue Mitchell's soulful, swinging style embodied the Blue Note ethos. His 1964 debut for the label, The Thing To Do, showcased his sound across a diverse set of tunes from hard bop to ballads to Calypso with an exceptional quintet featuring Junior Cook (tenor saxophone,) Chick Corea (piano,) Gene Taylor (bass,) and Al Foster (drums.) This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Recorded in February and March of 1963 and released later that year, Jazz Samba Encore reunites Stan Getz with Luiz Bonf? & Maria Toledo in a more intimate setting than the landmark Jazz Samba, shaped by Bonf?'s darker harmonic palette, Toledo's distinctive vocal and percussive presence, and Getz's warm, unhurried lyricism. Blending Bonf?'s originals with works by Ant?nio Carlos Jobim, the album deepens the evolving dialog between Brazilian songcraft and American jazz phrasing, with Bonf?'s nylon-string guitar providing a subtle rhythmic and harmonic anchor and Toledo adding textural and emotional nuance. Featuring Jobim on several tracks, the session captures bossa nova's transition from global sensation to mature artistic exchange, resulting in one of Getz's most atmospheric and enduring Verve recordings. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Tenor saxophonist Curtis Amy recorded his powerhouse live album, Tippin' On Through, for Pacific Jazz in 1962 at the Lighthouse in Hermosa Beach, California with a stacked sextet featuring Roy Brewster on trombone, Roy Ayers on vibraphone, John Houston on piano, Bob Whitlock on bass, and Lawrence Marable on drums. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on gatefold jacket.

With a career spanning close to 50 years, and having sold millions of albums and performed to sold out concert audiences all over the world, Michael Franks is the quintessential romantic jazz poet. His impeccably warm, serene vocals combined with sophisticated, witty lyrics and heartfelt melodies have resulted in modern classics like "The Lady Wants To Know," "Popsicle Toes," and "When Sly Calls." Superstars from Diana Krall to The Carpenters to Patti LaBelle have covered his songs and he has performed with everyone from Patti Page to David. Produced by the likes of Gil Goldstein (Esperanza Spalding, Chris Botti, Jill Scott) and Chuck Loeb (Fourplay) and featuring such legendary musicians as Jerry Marotta (Peter Gabriel, Elvis Costello, John Mayer) and David Spinoza (James Taylor, John Lennon, Aretha), Time Together delivers the sensual warmth for which Michael Franks is famous. Special guest Jason Mraz and Michael team up for a spirited duet on the Franks original "I'd Rather Be Happy Than Right." Other highlights include the super cool "Charlie Chan In Egypt," the intimate "Time Together," the bossa-inflected "Samba Blue," "Summer In New York" and more - all written by Michael Franks and destined to join his distinguished list of classic songs.

Claudio Abbado's 1977 recording of Mahler's Symphony No. 4 with the Wiener Philharmoniker at the Vienna Musikverein, captivates listeners with it's warm, transparent sound and great attention to detail. The orchestra's characteristic sound and Frederica von Stade's sensitive solo voice in the final movement lend the work a special lightness. Abbado's sometimes unusual tempos open new expressive spaces and give the interpretation a special depth that makes this recording unique and highly regarded. For the first time, this recording has been remastered from the original 1-inch, 8-track tapes. The Original Source Series from Deutsche Grammophon features celebrated recordings reissued on vinyl. Remastered by the renowned Berlin-based Emil Berliner Studios using 100% pure analogue techniques to create versions of the highest possible audio quality. Produced on 180g virgin vinyl by Optimal and housed in deluxe gatefold editions, featuring additional photos and/or recording documentation.

Limited red vinyl LP pressing. Step into the heart of London's West End with Paddington: The Musical (Original Cast Recording), capturing all the warmth, wonder, and whimsy of the beloved bear's latest adventure. Adapted from Michael Bond's timeless stories and the award-winning STUDIOCANAL films, this new musical features music and lyrics by Tom Fletcher, book by Jessica Swale, and direction by Luke Sheppard. From toe-tapping ensemble numbers to heartfelt ballads, the soundtrack celebrates family, friendship, and finding your place in the world. Join Paddington and the Browns as they face peril, laughter, and plenty of marmalade along the way. Recorded with the full West End cast, this album brings the charm of Windsor Gardens straight to your home. A joyful keepsake for fans of all ages.

Released on Impulse! Records in 1966, Ascension stands as one of Coltrane's most radical and influential works. Subtitled "Edition I & II" to reflect the two complete takes recorded at the session, the piece is a nearly 40-minute large-ensemble performance marking his embrace of the avant-garde. Recorded on June 28, 1965 at Rudy Van Gelder's Englewood Cliffs studio and produced by Bob Thiele, the session assembled an expanded ensemble of 11 musicians. Alongside Coltrane's tenor sax are trumpeters Freddie Hubbard & Dewey Johnson; saxophonists Pharoah Sanders, Marion Brown, John Tchicai, & Archie Shepp; pianist McCoy Tyner; bassists Art Davis & Jimmy Garrison; and drummer Elvin Jones. Initially controversial for it's intensity, Ascension is now recognized as a landmark of modern jazz and a defining statement of the emerging free-jazz movement. Presented together on 2-LP for the first time, the Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.