Germany’s oldest Mozart festival celebrates its 100th anniversary in 2021. The present jubilee boxed set presents previously unpublished treasures from the archive of the Bavarian Broadcasting. All live recordings from the Baroque Imperial Hall at Würzburg Residence are digital remasters.
Haydn: The Seven Last Words of Our Saviour on the Cross / Vegh
Capriccio
CD
$16.99Apr 07, 2017
Joseph Haydn’s orchestral work The Seven Last Words of Our Savior On the Cross was commissioned in 1783 for the Good Friday service at Oratorio de la Santa Cueva. There are seven main meditative sections, which are all slow movements labeled “sonatas, that are framed by an introduction and an “Earthquake” conclusion, for a total of nine movements. The present release is from a live performance at the Vienna Konzerthaus, on March 15, 1992. Sandor Vegh conducts the Camerata Academica des Mozarteums Salzburg for this performance. This release is part of the Capriccio Encore series, which is a series of re-releases of the most famous recordings from Capriccio’s back catalogue, fully re-mastered and competitively priced. The legendary recordings of artists such as Sandor Végh, Ton Koopman, Sir Neville Marriner and the Vienna Boys’ Choir also contain repertoire highlights that have a particularly special appeal, from the baroque to the present day.
Sándor Végh - Salzburger Mozart Matineen 1988-1993
Orfeo
CD
$37.99Aug 01, 2007
Sándor Végh's credentials as a Mozart conductor need no introduction. His musicianship, sense of style, and interpretive standards were second to none. Just listen to the way he handles the first subject of Eine Kleine Nachtmusik's opening movement, his execution of both forte and piano passages, giving each its particular character while always maintaining the long singing line. All of the performances in this set, drawn from the Salzburg Festival's Mozart Matinee concerts from 1988-93, show these same qualities in virtually every bar. The "little" G minor symphony is particularly noteworthy in this respect, perhaps because of its greater emotional range than the various divertimentos and cassations also included here; but there isn't a note anywhere that isn't vibrantly alive.
The three concertos with Schiff (Nos. 8, 11, and 13) comprise the most substantial works in this set. Although very well performed, Schiff and Végh made commercial recordings of these pieces for Decca that feature even better playing and engineering. In the two vocal numbers, including "Ch'io mi scordi di te?", perhaps the greatest concert aria ever written (and featuring Schiff in the piano solos), mezzo Daphne Evangelatos has a notably rich and pleasant tone, but she sings under the notes and fudges some of her passage-work. So there are small blemishes here and there. The sonics are good but variable over the five-year period in which the performances took place, and the programming may not be optimal from a marketing point of view if you already own the Decca set of piano concertos--but in all other respects this is a set to cherish.
This re-release is one of CAPRICCIO’s most famous recordings which has been remastered for optimal quality and offered at a special price. The first work chosen for this release is Johannes Brahms’ String Quintet in G Major. The piece, scored for two violins, two violas, and cello, was intended to be the composer’s last piece of music. The one movement string sextet Verklarte Nacht (Transfigured Night) is considered Schoenberg’s earliest important work. The piece is inspired by Dehmel’s poem of the same name, and was written in just three weeks.
At the tender age of nine, Felix Klieser dreamed of being able to play Mozart's horn concertos. Today, 18 years later, that dream has finally come true and Felix Klieser now performs on the world's foremost concert stages, playing the very works which are part of any horn player's core repertoire. Yet he took his time before recording all four of Mozart's horn concertos: only after releasing three successful albums and winning an ECHO Klassik award and the Leonard Bernstein Award did he go to Salzburg, in September 2018, to record them with the famous Camerata Salzburg ensemble. Now, the results of that labor are presented on this stunning release.
Hardly any other event during Mozart Week has remained so vividly in visitors' memories as the 1994 production of Ombra felice. Mozart's creative excess in the field of opera is evident not only in fragments of stage works such as Zaide KV 344, L'oca del Cairo KV 422 and Lo sposo deluso KV 430, but also in the more than seventy arias and ensembles he composed as individual works. Some of these are abandoned or unfinished drafts, as Mozart's singers (or sometimes Mozart himself) were not entirely satisfied with them, while others were contributions to foreign opera productions, which were often performed in the form of pasticcios at that time. This broad compilation thus provides a good overview of Mozart's aria compositions.
The Nikolaus Harnoncourt Debut - Live in Salzburg, 1980
Belvedere Edition
CD
$28.99Nov 24, 2023
Nikolaus Harnoncourt is credited with making historical performance practice respectable in Salzburg as well. The memorable debut concert of 1980 was the prelude to a long success story that culminated in the Mozart Week 2006, when Nikolaus Harnoncourt was Artist in Residence and gave his acclaimed ceremonial address on 27 January on the occasion of the 250th birthday of Wolfgang Amadé Mozart. The inaugural concert and rehearsals from 2006 can be heard on this album.This 3-CD edition covers the era of Nikolaus Harnoncourt and his influence on the interpretation of the music of Wolfgang Amadeus Mozart. Between 1980 and 2006, the conductor succeeded in sensitising both musicians and audiences to new playing and listening habits and evolved from a pioneer of historical performance practice to an acclaimed maestro.
When Nikolaus Harnoncourt made his debut at the Mozart Week Salzburg on 27 January 1980, concert audiences were at the feet of conductors like Karl Böhm. In those days, beautiful sound and melody were the central themes of an interpretation. Following instructions in the original scores, Harnoncourt had articulation, tempi, melodies and accompanying parts played with a new style and emphasis. The reactions to the concert in Salzburg at that time were varied. In addition to strong slurs, there were also effusive hymns of praise. 20 years later, Nikolaus Harnoncourt became Artist in Residence at the Mozart Week 2006 and was the keynote speaker on the occasion of the 250th birthday of Wolfgang Amadeus Mozart. In the meantime, his ideas of historical performance practice had spread worldwide and developed into the basis of a new generation of concerts and musicians. In this CD edition, his inaugural concert of 1980 is juxtaposed with rehearsal recordings from 2006. Both recordings provide fascinating insights into the intentions of the famous conductor.
The Camerata Salzburg begins a collaboration with Channel Classics and, with it's leader Giovanni Guzzo, presents it's first recording entitled Muses. The album includes three neoclassical masterpieces for chamber orchestra by Igor Stravinsky. The Concerto in E-flat "Dumbarton Oaks" is a small concerto in the style of the Brandenburg Concertos. Apollon musagète pays homage to Apollo, and to the Muses of mime, poetry and dance, with beautiful, harmonically pure and melodically perfect music. The Concerto in D employs every conceivable kind of string sound and technique, creating a combination of pure melodic and rhythmic drive and wonderful cantabile passages. In these three works, Camerata Salzburg delves deeply into sound, a quest made possible by each musician's individual commitment to the ensemble, uniting the muses of chamber music, concert and orchestra.
