Chamber Music & Recitals Video
819 products
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Jommelli: Il vologeso / Ferro, Staatsorchester Stuttgart [Blu-ray]
Naxos AudioVisual · May 2018Blu-Ray$40.99 -
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Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion
Naxos AudioVisual · Oct 2019DVD$30.99 -
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SaleRossini: L'occasione fa il ladro / Regazzo, Fogliani Virtuosi Brunensis
Naxos AudioVisual · Dec 2021DVD$30.99$15.49 -
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SaleMolière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]
Naxos AudioVisual · Nov 2021DVD$24.99$12.49 -
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SaleHenze: Der Prinz von Homburg / Meister, Stuttgart Staatsoper
Naxos AudioVisual · Sep 2020DVD$30.99$15.49 -
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Mozart: La finta giardiniera / Martin du Theil, Fasolis, Orchestra del Teatro alla Scala [Blu-ray]
Naxos AudioVisual · Jul 2021Blu-Ray$40.99 -
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Weinberger: Fruhlingssturme / de Souza, Komische Opera Berlin [Blu-Ray]
Naxos AudioVisual · Nov 2020Blu-Ray$40.99 -
Andre Messager: Fortunio / Orchestre Des Champs-Elysees, Louis Langree [Blu-Ray]
Naxos AudioVisual · Oct 2020Blu-Ray$34.99 -
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Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion [Blu-ray]
Naxos AudioVisual · Oct 2019Blu-Ray$34.99 -
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Rossini: The Curious Misunderstanding
Rossini wrote L’equivoco stravagante (‘The Curious Misunderstanding’), his first full-length opera, when he was only 19 years old. As its title suggests, the plot of this dramma giocoso offers a panoply of absurdist stagecraft with one character being led to believe that the work’s heroine is in fact a castrato trying to avoid military service. Full of his trademark buffo humour, melodious and musically buoyant, the opera ran foul of the censors and was swiftly banned, which accounts for its rarity in performances and recordings. The new edition of the score used in this production corrects numerous previous errors.
Il Vologeso (2pc) / (2pk)
Jommelli: Il vologeso / Ferro, Staatsorchester Stuttgart [Blu-ray]
Niccolò Jommelli was an innovative superstar among composers in his day, and is now recognized as a precursor of the new Viennese Classical taste in music. With its intense story of love, life and death, Il Vologeso sets one of the most powerful libretti written for the European opera stage. This critically acclaimed production is considered to be its first staged performance for over two centuries, and the highly successful opera directors Jossi Wieler and Sergio Morabito have revived a Baroque gem with their exciting, present-day staging.
Messager: Fortunio / Langree, Orchestre des Champs-Elysees
André Messager’s Fortunio premiered in 1907 at the Opéra Comique, where it received acclaim that was to last decades. One of the last composers to devote his entire career to opera and operetta, Messager exemplified in his music a feeling for dramatic pacing and the spirit of the Belle Époque, qualities that permeate Fortunio, a comédie lyrique in which the dialogue in the libretto is given a continuous musical setting. Taking Alfred de Musset’s play Le Chandelier as his source, Messager explores upper-class society at the turn of the 19th century with subtlety of characterization and a thoroughly French orchestral transparency. This production directed by Denis Podalydes features Cyrille Dubois in the title role, alongside soprano Anne-Catherine Gillet, and baritone Franck Leguerinel, among others.
Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion
Any production stands or falls by the performance of the lead role of Orphée. Here it is the mezzo Marianne Crebassa, a rising star. She is superb. She immediately impresses by her dignified bearing and natural air of authority. She can also convey grief by being very still. Her voice has a lovely tone, with just enough vibrato to give it warmth but not a trace of a wobble, and she has all the technique you could wish for. Her performance of Amour, viens rendre à mon âme is as dazzling as you could want, but, more importantly, her renderings of Quel nouveau ciel and J’ai perdu mon Eurydice are expressive and moving.
Of the other two soloists, Hélène Guilmette as Eurydice carries off the only real soprano role in the work well, though one cannot help feeling that Gluck was not really interested in her. However, her importunings during the attempted return are finely done. Lea Desandre, the Amour, is a former ballet dancer and combines a striking appearance with an attractive voice. She is allowed to appear in the last scene but not to sing, which is a shame.
Raphaël Pichon conducts his own chorus and orchestra, Ensemble Pygmalion. The chorus is very good. The orchestra of period instruments is vigorous. I heard some sour notes from the wind in the first Act but not subsequently, and emphatically not in the Dance of the Blessed Spirits, where the solo flautist played splendidly and indeed had the spotlight on her for part of the piece. (There was no actual dance.) She deserves a credit. The trombones sounded a bit raucous, but that may be part of the period authenticity.
The staging opens with a most attractive pastoral backdrop taken from Corot. Eurydice, dressed in a white robe, is already onstage, motionless. It is then rather a shock when Orphée and the chorus come on in modern dress. I do wish directors would get over the idea that modern dress is bold and provocative, or timeless and exciting, or whatever they think it is. It has become one of the dreariest clichés in both operas and plays, particularly those with a mythical or legendary setting. However, much of the rest is admirable, with an imaginative use of reflections. In Amour’s first appearance, she is within a large wheel, which is rocked from side to side, then once rotated completely. The underworld is represented as a bare dark stage with a central pool of light in which the chorus lie on the floor. The Furies are a proper team of three dancers, with strange and sinister movements. The attempted return is presented very simply, and is all the more powerful for it.
No complaints about the recording or picture quality. I have noted that applause is included. The booklet has some good articles, a synopsis and an interview with the director and the producer. The DVD offers subtitles in five languages. The English one is adequate but minimal, with the occasional mistake (écumant is foaming at the mouth or slavering, not slathering, which is spreading thickly).
I can confidently say that anyone who chooses this version will find much to enjoy.
– MusicWeb International
Comte Ory
Rossini: L'occasione fa il ladro / Regazzo, Fogliani Virtuosi Brunensis
Molière: Der Menschenfeind / Lenk, Deutsches Theater Berlin [DVD]
| Alceste is an idealist and a master of hurtful words, always eager to hold up a mirror to his fellow human beings. But he has finally found his match in the young widow Célimène: As rhetorically gifted as he is, she has no intention of giving in to his whimsies. A delightful and humorous production within a contemporary reduced setting by famous stage director Anne Lenk at the Deutsches Theater Berlin. “Molière’s sparkling wit comes through beautifully.” (New York Times) “An outstanding production.” (Frankfurter Allgemeine Zeitung) “An entertaining evening with grand actors and racy dialogues.” (taz) The production was invited to the Theatertreffen Festival Berlin, 2020. |
Godin: La Fresque / Martin, Preljocaj Ballet [Blu-ray]
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
The famous traditional Chinese tale of La Fresque (‘The Painting on the Wall’) tells of two travellers who take shelter at a small temple, one of whom becomes so enraptured by the image of a beautiful girl in a fresco that he is transported into another dimension. Angelin Preljocaj, one of France’s leading contemporary choreographers, explores this mysterious relationship between representation and reality with a spectacular and unforgettable ballet filled with dynamic action, emotive lyricism and powerful responses to the music of Nicolas Godin, one half of the celebrated music duo Air. La Fresque has been admired for its ‘breath-taking scenes’ (La Terrasse) and its ‘dark and splendid beauty’ (L’Humanité).
Henze: Der Prinz von Homburg / Meister, Stuttgart Staatsoper
Resonating powerfully with Hans Werner Henze’s pacifist perspective, Der Prinz von Homburg is based on a play by Heinrich von Kleist that opposes authority, celebrating a dreamer rather than a classical hero, and individualist freedom rather than militarist nationalism. Ingeborg Bachmann’s libretto heightens this message, and Henze’s chamber-music setting is at once powerful and unpredictable. This visually stunning production stretches from intimate transparency to dramatic heights, in a critically acclaimed staging by the award-winning director Stephan Kimmig.
Verdi: Macbeth / Ferro, Teatro Massimo [Blu-ray]
Also available on standard DVD
Commissioned in 1846, Macbeth offered Verdi the opportunity to make a qualitative leap in his career and its premiere was triumphantly received by audiences. Yet the libretto had proved problematic and many Italian critics did not share the composer’s reverence for Shakespeare. Verdi surmounted all concerns with an opera that valued brevity but also preserved the play’s most important elements. The formidable final concertato stands as one of his greatest achievements thus far, his pacing and detailing of the opera as a whole far surpassing his previous works. This production preserves the preferred 1865 revision of the work, sung in Italian and retaining the original 1847 finale.
Mozart: La finta giardiniera / Martin du Theil, Fasolis, Orchestra del Teatro alla Scala [Blu-ray]
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Mozart wrote La finta giardiniera in 1775 when he was 18 years old. It was his first staged buffo opera and centres on the lovers at the heart of the action, Sandrina – the pretend garden-girl of the title – and Belfiore. With few ensembles, Mozart channels his most intense and expressive music into arias which demonstrate a masterful ability to convey the full range of tenderness and passion. Originally staged at Glyndebourne in 2014 by Frederic Wake-Walker, this 2018 revival from La Scala is performed on period instruments with a strong cast and expertly conducted with exuberance and charm by Diego Fasolis.
Weinberger: Fruhlingssturme / de Souza, Komische Opera Berlin [Blu-Ray]
This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.
Also available on standard DVD
Czech-born composer Jaromír Weinberger, best known for his opera Schwanda the Bagpiper, was forced to flee to America in order to escape Nazi terror. Frühlingsstürme, staged in 1933 but soon closed down by the Nazi government, was the last operetta of the Weimar Republic. It is filled with cultural complexity, combining serious operatic style with light comedy, and presents a thrilling story involving a doomed love affair set against war between Japan and Russia. This lavish production is staged by the award-winning Australian director Barrie Kosky.
Andre Messager: Fortunio / Orchestre Des Champs-Elysees, Louis Langree [Blu-Ray]
Also available on standard DVD
André Messager’s Fortunio premiered in 1907 at the Opéra Comique, where it received acclaim that was to last decades. One of the last composers to devote his entire career to opera and operetta, Messager exemplified in his music a feeling for dramatic pacing and the spirit of the Belle Époque, qualities that permeate Fortunio, a comédie lyrique in which the dialogue in the libretto is given a continuous musical setting. Taking Alfred de Musset’s play Le Chandelier as his source, Messager explores upper-class society at the turn of the 19th century with subtlety of characterization and a thoroughly French orchestral transparency. This production directed by Denis Podalydes features Cyrille Dubois in the title role, alongside soprano Anne-Catherine Gillet, and baritone Franck Leguerinel, among others.
Bubenícek: Carmen
Gluck: Orphee et Eurydice / Crebassa, Guilmette, Pichon, Ensemble Pygmalion [Blu-ray]
Also available on standard DVD
Gluck’s influential Orphée et Eurydice tells the story of Orphée’s descent into the Underworld to retrieve his wife Eurydice. His singing has the power to overcome the guardian Furies, but the path of true love is shadowed by sorrow and tragedy. As a true ‘drama of the soul’ with intense psychological and emotive power, Orphée et Eurydice shook enlightenment Europe to its core. Berlioz, in his 1859 version prepared for the Théâtre Lyrique, exploited the score’s full potential through a synthesis of the versions Gluck prepared for Parma, Paris and Vienna. Aurélien Bory’s Paris production was described as ‘just breathtaking’ by OperaJournal.
Stone: Drei Schwestern / Stone
Musical Journey: Paris - Musical Tour / Various
The Places
In addition to characteristic scenes from Paris, its buildings and its people, there is a glimpse of the Château at Chantilly, the magnificent palace of Versailles, and the Cathedral at Chartres.
The Music
The music here included is largely associated with Paris, although not all by French composers. It includes a movement from a symphony that Mozart wrote in Paris in 1778 and excerpts from Verdi’s opera La Traviata, set principally in the city. Other music ranges from that of the seventeenth-century French viol-player Marais to works by Debussy and the eccentric Erik Satie.
Venice: Musical Tour of the City's Past & Present
The Places
Venice is one of the most famous of all cities, its buildings reflecting its former commercial importance and wealth. Its canals and its position at the head of the Adriatic have given it a unique character that has continued to attract visitors.
The Music
The music here included is either associated directly with Venice or familiar there in the heyday of the Serenissima. It includes music by the Venetian composers Vivaldi and Marcello, and by Domenico Scarlatti, Neapolitan by birth, who was sent to study there by his father.
Musical Journey: Prague Musical Tour City's Past
The Places
Prague is the ancient capital of Bohemia and now of the Czech Republic. Its history is reflected in its buildings, recalling the splendours of the past under changing dynasties and the 400 or so years as part of the Habsburg Empire, until the establishment of the new republic of Czechoslovakia in 1918. At the heart of Europe, the region has always been a fertile ground for musicians.
The Music
The music included here is associated in one way or another with Prague or Bohemia. It includes works by the Bohemian composers Smetana and Dvo?ák, by the Moravian composer Janá?ek, and by Fibich who, with Mozart, always found a ready welcome for his music in Prague.