If you see one opera this year, make it The Exterminating Angel, ran the headline in the New York Times after the US premiere of Thomas Ades' "stunningly inventive" opera based on Luis Bunuel's surreal and satirical 1962 film El angel exterminador. Like the British composer's score, Tom Cairns' production is both spectacular and surprising. "Ades keeps the listener on edge," wrote Opera magazine, "because one never knows where his dazzling palette of possibilities will take him next." Thomas Ades TITLE: Ades: The Exterminating Angel (MET)(Blu-ray) Label: PRX/Warner Classics/Parlophone Language: English Subtitles: English, French, German, Spanish Number of discs: 1 Run Time: 142 minutes

To open the Met's 2017-18 season, powerhouse soprano Sondra Radvanovsky tackled one of opera's most fearsome roles, the title druid priestess of Bellini's Norma, who wrestles with love and betrayal before making the ultimate sacrifice on a funeral pyre. Mezzo-soprano Joyce DiDonato sang Norma's friend and rival, Adalgisa, in Sir David McVicar's evocative production. To open the Met's 2017-18 season, powerhouse Bellini: Norma (Met Live Recording).

On a distant island, a man waits. Robbed of his posiiton, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this is no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm, he wrecks the ship and washes his enemies up onto shore. When they wake, they find themselves lost on a fantastical island where nothing is as it seems

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A sparkling personality on the contemporary dance scene, Swedish choreographer Alexander Ekman has been invited for the first time to work with the dancers of the Paris Opera Ballet. His language, both visceral and tinged with humor, combining theatricality, and classical and contemporary vocabulary alike, perfectly resonates with the incredible versatility and stage presence of the Ballet: the result is Play, a piece that evokes the world of childhood and its careless pleasures. But beyond pure entertainment, this performance contemplates the meaning and the importance of play when we become adults. Best known for the spectacular quality of his pieces and their dreamlike imagery, like for instance his Midsummer Night’s Dream, the Swedish choreographer fills the stage of the Palais Garnier with an entrancing energy. The metallic structures, dancers suspended in space, and the elevations are but a few of the powerful images that will strike the audience’s imagination! For this new creation, Alexander Ekman worked with his acolyte composer Mikael Karlsson, but also with a talented team of instrumentalists not often seen on the stage of the Palais Garnier, among which gospel singer Callie Day, or the incredible percussionist Adelaïde Ferriere. An unexpected performance, carried along by enticing rhythms and communicative energy!

Here Joseph Haydn's music is revealed as the perfect expression of truth. And the Auryn's performance of his string quartets is exactly as it should be: vigorous, beautiful to listen to, and full of feeling. A rediscovery both of sheer beauty and intellectual development.'

Composer: Joseph Haydn (1732 - 1809)

Performers:
Matthias Lingenfelder, violin
Jens Oppermann, violin
Stewart Eaton, viola
Andreas Arndt, violoncello


Track Listing:
1. String quartet op. 33 No. 5, Hoboken III: 41 in G major: Vivace assai
2. String quartet op. 33 No. 5, Hoboken III: 41 in G major:Largo e cantabile
3. String quartet op. 33 No. 5, Hoboken III: 41 in G major:Scherzo. Allegro
4. String quartet op. 33 No. 5, Hoboken III: 41 in G major:Finale. Allegretto
5. String quartet op. 33 No. 2, Hoboken III:38 in E flat major: Allegro moderato
6. String quartet op. 33 No. 2, Hoboken III:38 in E flat major: Scherzo. Allegro
7. String quartet op. 33 No. 2, Hoboken III:38 in E flat major: Largo e sostenuto
8. String quartet op. 33 No. 2, Hoboken III:38 in E flat major: Finale. Presto
9. String quartet op. 33 No. 1, Hoboken III:37 in B minor: Allegro moderato
10. String quartet op. 33 No. 1, Hoboken III:37 in B minor: Scherzo. Allegro di molto
11. String quartet op. 33 No. 1, Hoboken III:37 in B minor: Andante
12. String quartet op. 33 No. 1, Hoboken III:37 in B minor: Finale. Presto
13. String quartet op. 33 No. 3, Hoboken III:39 in C major: Allegro moderato
14. String quartet op. 33 No. 3, Hoboken III:39 in C major: Scherzo. Allegretto
15. String quartet op. 33 No. 3, Hoboken III:39 in C major: Adagio ma non troppo
16. String quartet op. 33 No. 3, Hoboken III:39 in C major: (Finale) Rondo. Presto
17. String quartet op. 33 No. 6, Hoboken III:42 in D major: Vivace assai
18. String quartet op. 33 No. 6, Hoboken III:42 in D major: Andante
19. String quartet op. 33 No. 6, Hoboken III:42 in D major: Scherzo. Allegretto
20. String quartet op. 33 No. 6, Hoboken III:42 in D major: Finale. Allegretto
21. String quartet op. 33 No. 4, Hoboken III:40 in B flat major: Allegro moderato
22. String quartet op. 33 No. 4, Hoboken III:40 in B flat major: Scherzo. Allegretto
23. String quartet op. 33 No. 4, Hoboken III:40 in B flat major: Largo
24. String quartet op. 33 No. 4, Hoboken III:40 in B flat major: (Finale). Presto

Timing: 122:32

In this DVD-A the strings surround the listener with a realistic lifelike presence. It is an effective recording method that makes the musical experience that much more immersive and enjoyable. The goal, as always, is to approach the impact of live music and the Tacet engineers have succeeded. (Audiophile Audition)

• The Auryn Quartet perform Haydn's Op.55 quartets Nos. 1-3 (1788). • In its 30-year existence, the Auryn Quartet has not had a single change of personnel. • The Auryn Quartet have been exclusive Tacet recording artists since 2000. • Since 2003 the quartet has maintained a teaching position at the Music Academy in Detmold, Germany, where they are professors for chamber-music.

Here Joseph Haydn's music is revealed as the perfect expression of truth. And the Auryn's performance of his string quartets is exactly as it should be: vigorous, beautiful to listen to, and full of feeling. A rediscovery both of sheer beauty and intellectual development.'

Composer: Joseph Haydn (1732 - 1809)

Performers:
Matthias Lingenfelder, violin
Jens Oppermann, violin
Stewart Eaton, viola
Andreas Arndt, violoncello


Track Listing:
1. String quartet op. 17 no. 1, Hob. III:25 in E major Moderato
2. Menuet
3. Adagio
4. Finale. Presto
5. String quartet op. 17 no. 2, Hob. III:26 in F major Moderato
6. Menuet. Poco allegretto
7. Adagio
8. Finale. Allegro di molto
9. String quartet op. 17 no. 3, Hob. III:27 in E flat major Andante grazioso
10. Menuet. Allegretto
11. Adagio
12. (Finale). Allegro di molto
13. String quartet op. 17 no. 4, Hob. III:28 in C minor Moderato
14. Menuet. Allegretto
15. Adagio. Cantabile
16. Finale. Allegro
17. String quartet op. 17 no. 5, Hob. III:29 in G major Moderato
18. Menuet. Allegretto
19. Adagio
20. Finale. Presto
21. String quartet op. 17 no. 6, Hob. III:30 in D major Presto
22. Menuet
23. Largo
24. Finale. Allegro

Timing: 141:10

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD
Juan Diego Flórez dazzled audiences and critics alike when he played the virtuoso role of Orphée in La Scala’s first ever staging of Gluck’s opera in its French version: “Juan Diego Flórez delivered a lesson in style. His tone is darker and his projection more self-effacing than in the past, but class is permanent. His agility and legato are utterly thrilling. The ovations were never-ending.” (Corriere della sera) The present release is a production by Royal Opera House, Covent Garden, London Recorded live at Teatro alla Scala, Milan, March 2018. Gluck’s Orpheo ed Euridice was first performed in 1762. It is the first of Gluck’s “reform” operas, in which he attempted to replace the abstruse plots and overly complex music of opera sera with a “noble simplicity” in both the music and the drama. The present production was staged by Hofesh Shechter and John Fulljames.

Also available on Blu-ray

Juan Diego Flórez dazzled audiences and critics alike when he played the virtuoso role of Orphée in La Scala’s first ever staging of Gluck’s opera in its French version: “Juan Diego Flórez delivered a lesson in style. His tone is darker and his projection more self-effacing than in the past, but class is permanent. His agility and legato are utterly thrilling. The ovations were never-ending.” (Corriere della sera) The present release is a production by Royal Opera House, Covent Garden, London Recorded live at Teatro alla Scala, Milan, March 2018. Gluck’s Orpheo ed Euridice was first performed in 1762. It is the first of Gluck’s “reform” operas, in which he attempted to replace the abstruse plots and overly complex music of opera sera with a “noble simplicity” in both the music and the drama. The present production was staged by Hofesh Shechter and John Fulljames.

A documentary by Günter Atteln

with
Sofia Gubaidulina
Paul Hillier
Gidon Kremer

Picture format: NTSC 16:9
Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (worldwide)
Subtitles: German, English, French, Korean, Japanese
Running time: 56 mins
No. of DVDs: 1 (DVD 9)