I LOVE LIFE even when I'm hurting, the new album from Dave McMurray, is an affirmation of his indomitable spirit. It's also a celebration of the love that he has for his hometown, and for the many Detroit musicians with which he's collaborated, including guitarist Wayne Gerard, bassist Ibrahim Jones, vocalist Herschel Boone, keyboardists Luis Resto & Maurice O'Neal, drummer Jeff Canady and more. The album also features special guests, including bassist Don Was and vocalist Kem.

This LP "best of" collection is part of a high-quality reissue series from Sony, focusing on the legends of the 80-year-old Columbia jazz catalog. Featuring superb, digitally-remastered sound and a super low price, this set of Dave Brubeck classics contains "Take Five," "I'm in a Dancing Mood," "In Your Own Sweet Way," "Camp town Races," "The Duke," "It's a Raggy Waltz," "Bossa Nova U.S.A.," "Trolley Song," "Unsquare Dance," "Blue Rondo a La Turk" and "Theme from Mr. Broadway."

Cited as one of the 2 largest selling jazz albums of all time (Kind of Blue being the other), this record made "Take Five" the most recognizable of jazz tunes and Dave Brubeck a household name. Remixed and remastered from the original 3-track master tapes for enormously improved sound, this definitive reissue is full of rare and previously undiscovered photos of the great quartet (Brubeck on piano, Paul Desmond on alto sax, Eugene Wright on bass and Joe Morello on drums) in action.

'Cool Jazz' personified, Dave Brubeck is one of few post-bop bandleaders to remain a household name well into the third millennium. With his favoured use of unconventional time-signatures, meters, rhythms and tonalities, which all together made for a unique style of jazz that incorporated elements of classical and other traditional musical forms, Brubeck was a commercial oddity in the late 1950s and early 1960s; a serious jazz performer who had hit singles. The early 1960s witnessed The Dave Brubeck Quartet garner even more commercial and critical success. Recorded in 1962, Bossa Nova U.S.A (Columbia, 1963) found the group flirt with 'the cool wave of Brazil', for which, with one eye on the pop chart, Brubeck composed a set in-keeping with current trends. It's follow-up, Brubeck In Amsterdam (Columbia, 1963), a live album recorded in the Dutch capital in late '62, was a more traditional affair, and found the Quartet in fine form on a number of Brubeck classics. The Dave Brubeck Quartet at Carnegie Hall (Columbia, 1963), an undeniable milestone in the group's career, is often hailed as Brubeck's greatest live album, with critic Jim Santella commenting; this is timeless music from a classic ensemble.' On the 5th of December 2012, one day before his 92nd birthday, Dave Brubeck died following a cardiac arrest, many years after his legacy had been cemented. Named a Kennedy Center honouree in 2009 for contributions to American jazz, Dave Brubeck remains in memoriam as one of the greatest jazz composers and musicians of all time, becoming what the Los Angeles Times described as 'one of jazz's first pop stars.' This 4 CD Box Set serves to highlight some of the Dave Brubeck Quartet's greatest and oft-overlooked albums, all faithfully remastered and presented here as both a perfect introduction to the great man's music, and as a welcome collection for those already versed in this extraordinary body of work.

In the 40 years since Dave Hollands recording debut as a leader with his landmark recording CONFERENCE OF THE BIRDS he has produced a remarkable series of recordings documenting his musical journey. For PRISM, his latest recording, he's assembled a quartet of outstanding players and composers who are also leaders in their own right, Kevin Eubanks on guitar, Craig Taborn on piano and Fender Rhodes and Eric Harland on drums. The recording is representative of the wide range of musical references that these musicians incorporate into their music and it features compositions written by each of them for the group.

A protege of legendary jazz master Dizzy Gillespie, Arturo Sandoval has been awarded 10 Grammy® Awards, and been nominated 19 times. He has also received 6 Billboard Awards as well as an Emmy Award for his composing of the entire underscore of the HBO movie based on his life, "For Love or Country", that starred Andy Garcia as Arturo. Considered one of the world's most acknowledged guardians of jazz trumpet and flugelhorn, he is also recognized worldwide as a renowned classical artist, pianist, and composer.

Secular Psalms - Dave Douglas - Secular Psalms is a new Dave Douglas studio album featuring a newly commissioned suite of ten pieces, with an entirely new group of young international musicians. Invited by the City of Gent and Handelsbeurs Theater to commemorate 600 years since the creation of the Gent Altarpiece by Jan Van Eyck, Douglas branches out into new instruments like the serpent, lute, organ and sampler, providing a painterly panorama of new sounds. Drawing on Latin Mass, on early medieval folk songs, on composers of the period, like Guillaume DuFay, and on jazz and improvised music, Douglas and team deliver a lyrical, mystical, spiritual score full of upbeat optimism for our times. Douglas says the title refers to "songs of praise for all of us.' For this project he has invited musicians Tomeka Reid, Marta Warelis, Berlinde Deman, Frederick Leroux and Lander Gyselinck. A surprising and uplifting release created during these pendemic times.

Limited 180gm vinyl LP pressing in gatefold jacket. Overcome is a new Dave Douglas recording, alongside vocalists Fay Victor and Camila Meza, trombonist Ryan Keberle, bassist Jorge Roeder, and drummer Rudy Royston, who banded together over a period of months to create a new album of songs. A statement of purpose, an acknowledgement of forebears, and an exhortation to activism, Overcome involves the six musicians in an emotional and powerful statement of human engagement towards justice: Racial justice. Climate justice. Voting justice. Gender justice. The project began with a reimagining of the Civil Rights anthem, "We Shall Overcome," featuring Victor and Meza each singing a verse before joining for arousing final verse. As Douglas began working on the originals for the album, this unique communal vocal interplay became a key element of three more pieces: "Overcome" and "When We Are Together Again" are both inspired by the challenges of pandemic isolation; "Good Trouble" celebrates activist John Lewis. Victor takes the spotlight on "Peace" as she voices poignant poetry from Langston Hughes. And the free-spirited Royston original "Perspective" brings a nice balance to the proceedings. This is spirited communal music on a mission. Released direct-to-fan previously, the LP is available worldwide for the very first time.

The Dave Brubeck Quartet suddenly became a Trio for this Vienna concert when, after the previous evening's concert in Hamburg, Paul Desmond went out and never made his plane to Austria. While Paul's lyricism was missed, Dave, Gene, and Joe's playing was incredibly strong, high energy & swinging. To the Brubeck family's knowledge, this is the only recording of Dave, Gene & Joe as a Trio.

Few things get music fans more excited than the discovery of long-lost recordings of the past-especially if they present unique meetings between legendary artists. Such is certainly the case with Impex's new 180-gram 2-LP set Bennet/Brubeck Live 1962, The White House Sessions. Two remarkable visionaries at the peak of their powers, Dave Brubeck and his quartet and Tony Bennett (both with his group and with Bennett with trio) give hot performances of some of their biggest hits: Brubeck's revved up "Take Five," Tony Bennett's soulful "I Left My Heart in San Francisco," and both together on the hard-swinging "Lullaby of Broadway.

180-gram audiophile black vinyl. In the spring of 1954 Jazz-great Dave Brubeck did a tour of North American college campuses. Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums) joined him and their support of Brubeck's uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. Indeed, the genre gets schooled as the quartet leans in with striking energy and finesse. Enjoyed among college students in the 1950s and early 1960s both the tour and album brought Jazz to a whole new generation.