Classical Uplifting
751 products
-
-
-
-
-
Bach: The Gamba Sonatas with Harpsichord, Piano & Organ / De Carlo, Guglielmi
Fineline · Oct 2023CD$13.99 -
SaleJ.S. Bach, Busoni, Mason, Nicoara & Sitsky: Polyphonic Dream
Haenssler Classic · Oct 2024CD$20.99$15.99 -
SaleVision Bach, Vol. 6 - The First Cantata Year - BWV 243.1, 40
Haenssler Classic · Jan 2025CD$32.99$24.99 -
SaleVision Bach, Vol. 4 - BWV 138, 95, 48, 162.2, 109, 89 & 163
Haenssler Classic · Oct 2024CD$32.99$24.99 -
-
-
Vision.Bach, Vol. 1 - The First Cantata Year / Gaechinger Cantorey
Haenssler Classic · Dec 2023CD$32.99 -
-
-
-
Bach: Music for Guitar / Georgi Dimitrov-Jojo
On this latest release in the Guitar Laureate series, Georgi Dimitrov-Jojo, winner of the 2022 European Bach Guitar Award, presents a selection of works transcribed for guitar from the rich repertoire of Johann Sebastian Bach. Dimitrov-Jojo’s beautiful sound and poetic interpretations bring an intimate connection to Bach’s boundless imagination, crowned in this substantial programme by the famous Ciaconna, BWV 1004.
Bach: The Gamba Sonatas with Harpsichord, Piano & Organ / De Carlo, Guglielmi
I see that we had met in Bach’s profound italianness, in the singing of the melodies that danced in counterpoint, in the rhythmic undulation of his writing. Although in the manuscripts the three Sonatas for Viola da Gamba are accompanied by the harpsichord, we imagined the Viola da Gamba conversing with different keyboard instruments that Bach had at his disposal: a copy of a Mietke harpsichord, a copy of a Silbermann fortepiano and the organ built by Gottfried Silbermann in 1753.
J.C. Bach & Mozart: Opus V
Arnold, Benjamin, Shostakovich & Stravinsky: Music for Flute
Tranquilles Coeurs
J.S. Bach, Busoni, Mason, Nicoara & Sitsky: Polyphonic Dream
Psalms, Stars & Light
Vision Bach 9
Tra le fiamme
Vision Bach - The First Cantata Year, Vol. 8
Vision Bach, Vol. 7
Vision Bach, Vol. 6 - The First Cantata Year - BWV 243.1, 40
Vision Bach, Vol. 5 - The First Cantata Year
Vision Bach, Vol. 4 - BWV 138, 95, 48, 162.2, 109, 89 & 163
Vision Bach, Vol. 3
Vision.Bach, Vol. 1 - The First Cantata Year / Gaechinger Cantorey
The ensemble of the Bachakademie, the Gaechinger Cantorey, plays under the direction of Hans-Christoph Rademann. For this purpose it comprises the instrumentalists and up to four vocalists per voice, including the soloists, all specialists in their field, as Bach himself wished it. This is a vision that only now can be fulfilled in its ideal form. To this day the music will inspire its audience to devotion, challenge them to reflect and make them glad. It addresses questions of faith and comes to terms with particular situations of human life.
Pärt über Bach / Lamsma, Thompson
Violinists Simone Lamsma and Candida Thompson explore connections between J.S. Bach and Arvo Pärt on their new release, 'Pärt über Bach,' with Amsterdam Sinfonietta. Arvo Pärt’s groundbreaking 'Tabula Rasa' is presented alongside Bach’s Concerto for Oboe and Violin in the version for two violins, and Pärt’s own 'Collage über B-A-C-H,' written in 1964, wherein the Estonian master intertwines his own modernist music with phrases from J.S. Bach’s music.
"Turning to Bach was for me a way of stating my position regarding my experience with twelve-tone music. In my state of extreme discomfort at that time, I wanted to prove to myself how beautiful Bach’s music was, and how hateful mine was. [...] I was convinced that through this musical sacrifice I could gain a clearer vision of my own contradictions." - Arvo Pärt
Utopia LimIted or the Flowers of Progress; King Arthur Suite
Bach: Well-Tempered Clavier, Book 2
Schumann, Bach, Rachmaninoff: Concertos without Orchestra / Gevrek
“Concertos Without Orchestra” is the concept of the young Turkish pianist Salih Can Gevrek, Associate Artist at the Queen Elisabeth Music Chapel, for his first CD recording. He presents two mirrored works, both of which are imbued with references to the musical style and structure of concertos with orchestra. J. S. Bach’s famous Italian Concerto is subtly linked to Schumann’s lesser known but equally virtuoso Sonata No. 3 in F minor Op. 14, also known as the “Concerto without orchestra”. Rachmaninov’s rarely recorded Moments musicaux complete this musical panorama to commemorate the 80th anniversary of his death. This recording offers the listener a real voyage through the Baroque, Romantic and post-Romantic periods, drama and poetry expressed in music supply the connection between these three very different works.