Giacomo Puccini
173 products
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Puccini: Turandot / Dessi, Malagnini, Chikviladze, Renzetti, Teatro Carlo Felice
Dynamic · Nov 2015DVD$36.99 -
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Orfeo 40th Anniversary Edition: 40 Ultimate Recordings
When the ORFEO label was established in Munich forty years ago, surely no one with the music scene back then would have predicted that the record company would develop into a firmly established player on the classical music market. One of the label’s main priorities in the early years was vocal music, with opera rarities top of the list and since the mid 1980s the re-use of historic tape recordings. Big names featured on the label’s own productions, while ORFEO also developed into a talent factory by discovering and nurturing young artist. This “ORFEO 40th Anniversary” 2-album sampler well reflects these two sides of the label by combining highlight tracks of historical recordings with today’s global stars.
Puccini, Catalani E Ponchielli - Per Orchestra / Muti
The Ponchielli Elegia sustains its length well up to passionate climaxes, rather like film music. The two Catalani items were both arranged from piano pieces, the Scherzo a charming dance, Contemplazione much more ambitious, leading to a tender and hushed reprise of the opening theme (track 3, 8'32''). The orchestration was evidently made for the Scala orchestra’s appearance at the Paris Exhibition of 1878.
Welcome as those compositions are, it is striking that the Puccini pieces are markedly more memorable, above all in their melodic writing. That is immediately apparent in the free-flowing Preludio sinfonico, and “La tregenda” (“Witches’ Sabbath”), the dance interlude from Puccini’s first opera, Le villi, is the most brilliant of his early inspirations.
The Capriccio sinfonico, the longest piece here, was written as a graduation exercise, very well orchestrated, with structure well controlled. A moment of revelation comes when the Allegro opens on the theme which Puccini later used for the opening of La boheme. Muti brings out the emotional warmth in all these works.
-- Edward Greenfield, Gramophone [9/1998]
Johan Botha - Italian Opera Arias
Johan Botha was heard at the Vienna Staatsoper a total of 222 times before his untimely death. His powerful, truly great voice shone like a beacon across the world of opera. Though he was mostly known as a singer of the German opera repertoire, he also had amazing success with Italian operas which are documented on this double album. Alongside partners like Krassimira Stoyanova, Violeta Urmana and Dmitri Hvorostovsky he knew how to enthrall the Vienna Opera Community. The present release features arias from Italian standards such as Don Carlo, Aida, Otello, Tosca, Turandot, and others.
Puccini: Turandot / Dessi, Malagnini, Chikviladze, Renzetti, Teatro Carlo Felice
Puccini: Il tabarro / De Billy, ORF Vienna Radio Symphony
With "Il tabarro" Puccini wrote the first part of his projected opera triptych, with which he ultimately intended to parody and reverse Wagner’s Ring tetralogy by stringing together three completely incoherent short stories. Once more, for Il tabarro the composer virtually emigrated to France, to which he had already made declarations of love with La Bohème and Manon Lescaut. This affinity is now mirrored more clearly than in these two operas in the music of The Cloak, which emanates French, well-nigh Impressionist perfume. Bertrand de Billy knows how to make the score come alive with a fantastic cast on his side. World famous tenor Johan Botha was on the top of his career at the making of this album, and the results of the entire ensemble together are historically beautiful.
Puccini: Le Villi / Angius, Maggio Musicale Fiorentino [Blu-ray]
Also available on standard DVD
Le Villi is an opera-ballet in two acts that marked Giacomo Puccini’s debut in the world of opera. It was first staged at Teatro dal Verme in Milan in 1884. Librettist Ferdinando Fontana based the story on the ancient legend of the Willis, fantastic creatures representing the souls of young women who were the victims of love. Anna and Roberto are engaged, but during a trip the man is seduced by a woman and his fiancée dies of heartbreak. Roberto, who is by then abandoned and left penniless, is haunted by remorse and attacked by the revengeful fairies and Anna’s ghost. All the elements of the more mature Puccini are already recognizable: the characters of Anna and Roberto anticipate the “love victim” and the “man without qualities” archetypes of his later operas, whereas some of the composer’s touches of harmony and aria structure foresee his future success. This rare work was chosen to open the 2018-2019 season of Teatro del Maggio Musicale Fiorentino and the performance received very good reviews. “Le Villi is an opera full of excellent music, where Puccini’s future grandeur is already recognizable. This production mingles essentiality, intelligence and youth” (Gbopera.it) “Conductor Marco Angius delivers a fierce and passionate performance and under his baton the Orchestra del Maggio Musicale Fiorentino is able to convey all the various shades of the score.” (Gbopera.it)