So the album is now a reality with, first, the original work and then 11 very different remixes or new compositions inspired by the work. As We Like We mention in a note on their contribution, and which is also mentioned in the introduction to the work, Else Marie Pade wrote a programme note when the work was released, saying among other things: 'The first sound is set in motion, is caught up by the next, which is caught up by the next, etc., in a powerful crescendo.' That is the spirit in which the album is created: the original work was the first sound that is caught up by the next sound in the form of the next remix, which is in turn caught up by the next remix, and so on. Thanks to every single contributor on this tribute album for the musical will to pay tribute to Else Marie, for commitment, for dialogue, for inventiveness and not least for responsiveness to the many potentials of the original." - Henrik Marstal.

Conceived and built in 1931 by musical forward-thinkers Leon Theremin and Henry Cowell, the Rhythmicon was a musical keyboard instrument. The online one made by Nick Didkovsky, of Dr. Nerve fame, in 2003 takes the instrument to it's next logical step. In the hands of some of today's leading sound artist/composers, the Virtual Rhythmicon makes music that shimmers, pulses and haunts with a beauty that would do it's more famous cousin, the theremin, proud.

“Eleven Short Stories” is a set of nearly a dozen atmospheric vignettes for prepared piano, paying homage to some of Erdem Helvacioglu’s favorite film directors: Kim Ki-Duk, David Lynch, Krzysztof Kieslowski, Theodoros Angelopoulos, Jane Campion, Anthony Minghella, Ang Lee, Atom Egoyan, Darren Aronofsky, Alejandro Gonzalez Inarritu and Steven Soderberg. Erdem Helvacioglu (b.1975) is one of the most renowned contemporary composers of his generation in Turkey. His music has been called “revolutionary,” “groundbreaking,” “emotionally evocative soundscapes with remarkable beauty,” “uncommonly deep, intelligent, and beautiful cinematic compositions”, “luscious and unique,” and “completely arresting and disarmingly beautiful.” Erdem has received awards from the Luigi Russolo, MUSICA NOVA, Insulae Electronicae Electroacoustic Music Competitions. He has been commissioned by numerous entities, from the 2006 World Soccer Championship to the Bang on a Can-All Stars. He won the “Best Original Soundtrack” award in the 2006 Mostramundo Film Festival, and his film scores have been heard at Cannes, Sarajevo, Locarno, Seoul, Sao Paulo, and Sydney film festivals.

Sony Music Masterworks is thrilled to announce it's first release from Nigel Stanford, the creator behind the viral "Cymatics" video that visualized a brand-new synthesis of music, art and physics. Accompanied by a new title-track video that's sure to amaze, Automatica will be released on September 15, 2017 Automatica is the New Zealand artist's first album since 2014's Solar Echoes, which featured the "Cymatics" single. Automatica takes Stanford's trademark synthesis of dance-pop, electronica, and technological innovation to a new level. It's also his first album with vocals, featuring guest singers Catey Shaw, Elizaveta, and Dallin Applebaum, and rapper Noah Caine. "I've done the instrumental thing my whole life, but I've always loved pop music, loved rap, " Nigel says, "and 'Cymatics' gave me a bit more exposure and allowed me to meet some more talented people and not do everything my own self!" Still, he does play all the instruments - not just electronics but also guitar, bass, and drums. "Most of the drums were real at one point, " he adds with a laugh, "before getting processed and sampled and chopped up."

Magical Flutes From The Andes explores the enchanting and haunting sounds of flutes and pan pipes from Ecuador, Bolivia, Peru, and Chile. The flutes are accompanied by many other traditional South American instruments, such as kenas, zamponas, rondador, charrango, guitars, and various percussion instruments. The tracks on this album include traditional Andean music, and original compositions by Pablo Carcamo.

Taking it's name from the group Blanco founded in the '50s to promote the arts in Cuba (Sociedad Cultural Nuestro Tiempo), this album brings together significant works from the span of Blanco's career. 'Cirkus-Toccata' (1983) blends Blanco's percolating prepared tape part with the percussion of Cuban legends Guillermo Barreto (timbales) and Tata Guines (congas). Created with only one oscillator, tape splicing, feedback and basic overdubbing techniques, 'Musica para Danza' (1961) is presented here for the first time, a revelation of lo-fi electronics. The most recent work is 'Espacio V' (1993), part of a series that features Leo Brower and Paquito D'Rivera following an electronic score created with the Jupiter 8 synthesizer.