In 1786 Carl Philipp Emanuel Bach presented the greatest musical achievements of his century to a captivated audience and enthusiastic reviewers. The music director from Hamburg arranged a remarkable program for a charity concert, including not only his own music, but also popular and forgotten works by his father J S Bach and works by George Frideric Handel.
As a tribute to the 300th anniversary of CPE Bach, the RIAS Kammerchor and the Akademie für Alte Musik in Berlin revive the memorable concert from April 9, 1786 and reawaken a great historic moment in music history. C.P.E. BACH: THE 1786 CHARITY CONCERT – A Revival
Carl Philipp Emanuel Bach: Introduction to the Credo of J.S. Bach’s Mass BWV 232, H. 849 Sinfonia in D Major, Wq. 183/1, H. 663 Magnificat, Wq. 215, H. 772 Heilig, Wq. 217, H. 778: Herr, wert, dass Scharen der Engel / Heilig ist Gott
Johann Sebastian Bach: Mass in B Minor, BWV 232: Credo
George Frideric Handel: Messiah, HWV 56: Ich weiss, dass mein Erloser lebet / Hallelujah!
Christina Landshamer, soprano Wiebke Lehmkuhl, alto Lothar Odinius, tenor Thomas E. Bauer, bass
RIAS Chamber Chorus Berlin Akademie für Alte Musik Hans-Christoph Rademann, conductor
Recorded live at Konzerthaus Berlin, 15 June 2014
Picture format: NTSC 16:9 Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Subtitles: Latin, German, English, French, Japanese, Korean Running time: 109 mins No. of DVDs: 1 (DVD 9)
21st Century Bach - Complete Organ Works Vol 1 / Whiteley
Signum Classics
DVD
$19.99Jan 01, 2005
Originally broadcast on BBC2, the 21st-Century Bach series present performances by the world-class organist, John Scott Whiteley, played on well-restored, historically-authentic instruments that are closely linked with Johann Sebastian Bach. The organ at Amorbach Abbey was begun only two decades after his death, and Bach himself acted as an inspector for the organs of H. G. Trost, the organ builder at Walterhausen. The organs are in themselves works of art, captured in these performances using pioneering camera-work. Extra features include commentarties by the performer, and an interview with Harvard Professor Christoph Wolff on the organ works.
AN AUDIO-ONLY DVD. David Chesky's newest compositions of modern orchestra examines spritual crisis. Recorded with the Deutsches Filmorchester Bablesberg and conducted by Stephen Somary, "Three Psalms" is an emotina listening experience that will move lovers of modern romantic music.
If, as I did, you were to begin your examination of this release with disc 1, track 1 (the Brahms symphony), you might well conclude that there was little need to continue. There is something rather too cool and casual about Dausgaard’s interpretation of this powerful music. It lacks inner tension. There is not enough contrast between ideas. Accents are in the wrong places. Short notes are cheated of their value. And that’s not all. The second movement just plods on, the third is charmless, the fourth frantic and lurches from one tempo change to the next. Listening to the complete symphony several times could not induce me to alter my initial unfavorable observations. Adding visual insult to aural injury, sight and sound are not synchronized, and the difference between the two is disturbing, to put it mildly.
But then came the Nielsen symphony. What a difference! Right from the opening moments it had all the vigor and élan and determination lacking in the Brahms. Rhythms were tight and crisp. The music bristled with enthusiasm and commitment. The finale positively beamed with Elgarian nobility and breadth, rising to an absolutely thrilling climax. What a joy! Nielsen’s Third had hitherto never been one of my favorite symphonies, but Dausgaard nearly made it so in this performance.
Does Dausgaard work his magic on the two remaining works as well? The answer, I’m glad to say, is yes. Furthermore, the synchronization problem that affected the Brahms symphony is only minimal in the Nielsen and nonexistent in Dvo?ák and Sibelius. The “New World” Symphony receives one of the finest performances I have heard. Dausgaard’s approach is no romantic wallow but rather a clean, purposeful traversal filled with taut rhythms, precise attacks and releases, glowing sound, and architectural strength. Dausgaard likewise makes a strong case for the Sibelius Fifth, never allowing momentum to sag, carefully propelling the music forward with masterly control. I am particularly impressed with the ease in which he handles the tempo change for the second part of the first movement. By the time the grand climax of the finale arrives, one feels a great journey has been completed.
All four performances were recorded live in Copenhagen’s Koncerthuset in 2009. The personnel changes from symphony to symphony, but both principal horns, both principal trumpets, and both timpanists are star players. Generally the woodwinds are excellent, but violins seem a bit thin for an orchestra that is otherwise so assured and well balanced. However, the basses make up for this deficiency with their huge, rich sound, heard at its best at the quiet endings of three of the Brahms movements and in some of the more powerful moments of the Dvo?ák symphony. Aside from the basses, the orchestra plays with a bright sound, textures are clear and clean, balances are well controlled.
The camerawork is devoted about 20 percent of the time to Dausgaard and his facial contortions, 10 percent to views of the full orchestra from afar, and 70 percent to the business of jerking the viewer’s eyes from one instrumental close-up to another—two seconds of a horn player’s embouchure, a second of flute keys, two notes from the timpani, etc. Who determined that this is what we want to see? I find it annoying to the point where I simply can’t bear to watch.
On ArkivMusic the price for these four symphonies is $27 ($40 for the Blu-ray version)—just under $7 a symphony, a good buy even without the inferior Brahms symphony, especially for performances as fine as the other three.
For most of the last fifteen years, the destiny of pianist and conductor Christian Zacharias has been linked with the Lausanne Chamber Orchestra, of which he was Principal Conductor and Artistic Director from 2000-13. His leadership resulted in invitations to prestigious venues and led to numerous recordings. He was named Artist of the Year at Cannes MIDEM, 2007 and in 2010 received the rank of Officer in the Order of Arts and Letters. This 2-DVD Bel-Air release of Beethoven's complete piano concertos presents Mr. Zacharias at the piano as well as conducting the Lausanne Chamber Orchestra.
The Places The Road of Romance, in South Bavaria, leads through the countryside to the great castle of Weikersheim, former residence of the Counts and Princes Hohenlohe. Further exploration of Bavaria and the Bavarian Forest leads to Prunn Castle on its rocky eminence, and finally to Würzburg on the River Main and the Marienberg Fortress.
The Music Max Bruch, a native of Cologne, enjoyed a career that took him, as a conductor, to Liverpool, Coblenz, Breslau and Bonn, before his final years in Berlin. His first Violin Concerto remains among his most popular works. Carl Maria von Weber led an even more varied life that took him to musical centres in Germany and Austria. He was a pioneer of German romantic opera, and three opera overtures are chosen here. Der Freischütz (The Marksman) evokes the spirit of the German forest, while Euryanthe explores more exotic territory, as does Oberon, Weber's final opera, written for London in 1826, the last year of his life.
Picture format: NTSC 4:3 Sound format: Dolby Digital / DTS Surround Region code: 0 (worldwide) Running time: 53 mins No. of DVDs: 1 (US and Canada)
Outstanding singers, conductors and directors come together in five diverse but compelling operas by Benjamin Britten. The turbulent, inward fishing community of Peter Grimes is transposed to a merciless 1980s society in Richard Jones' production. An 'outstanding' Sarah Connolly (Guardian) stars in The Rape of Lucretia, navigating the difficult tale with superb poise. Billy Budd is grippingly staged aboard the claustrophobic MS Indomitable, with Jacques Imbrailo portraying the troubled sailor in the 2010 Glyndebourne Festival Opera production by Michael Grandage. More light-hearted is the Royal Opera House staging of Gloriana, penned by Britten to celebrate the Coronation of Queen Elizabeth II and featuring Susan Bullock as the monarch. Finally, Edward Gardner conducts the English National Opera in Deborah Warner's highly acclaimed production of Death in Venice, In which John Graham-Hall stars as the ageing Gustav von Aschenbach. These productions from some of the world's best opera houses offer five masterful performances that are an ideal way to experience Benjamin Britten's music. Filmed in High Definition and recorded in true Surround Sound.
A BRITTEN COLLECTION (7-DVD Box Set)
PETER GRIMES
Peter Grimes - John Graham Hall
Boy - Francesco Malvuccio Ellen Orford - Susan Gritton Captain Balstrode - Christopher Purves Auntie - Felicity Palmer First Niece - Ida Falk Winland Second Niece - Simona Mihai Bob Boles - Peter Hoare Swallow - Daniel Okulitch Mrs. Sedley - Catherine Wyn-Rogers Rev. Horace Adams - Christopher Gillett Ned Keene - George von Bergen
Milan La Scala Chorus and Orchestra Robin Ticciati, conductor Richard Jones, stage director
Recorded live at the Teatro alla Scala, June 2012
THE RAPE OF LUCRETIA
Lucretia - Sarah Connolly Tarquinius - Christopher Maltman Bianca - Catherine Wyn-Rogers Lucia - Mary Nelson Junius - Leigh Melrose Collatinus - Clive Bayley Female Chorus - Orla Boylan Male Chorus - John Mark Ainsley
English National Opera Orchestra Paul Daniel, conductor
David McVicar, stage director
Recorded live at the Aldeburgh Festival, The Maltings, Snape, 2001
BILLY BUDD
Captain Vere - John Mark Ainsley Billy Budd - Jacques Imbrailo Claggart - Phillip Ens Mr. Redburn - Iain Paterson Mr. Flint - Matthew Rose Lieutenant Ratcliffe - Darren Jeffery Red Whiskers - Alasdair Elliott Donald - John Moore Dansker - Jeremy White Novice - Ben Johnson Squeak - Colin Judson Bosun - Richard Mosley-Evans
Glyndebourne Chorus London Philharmonic Orchestra Mark Elder, conductor Michael Grandage, stage director
Recorded live at the Glyndebourne Opera House, 8 and 11 June 2010
GLORIANA
Queen Elizabeth I - Susan Bullock Earl of Essex - Toby Spence Countess of Essex - Patricia Bardon Lord Mountjoy - Mark Stone Lady Rich - Kate Royal Sir Robert Cecil - Jeremy Carpenter Sir Walter Raleigh - Clive Bayley Ballad Singer - Brindley Sherratt
Royal Opera Chorus Royal Opera House Orchestra Paul Daniel, conductor Richard Jones, stage director
Recorded live at the Royal Opera House, June 2013
DEATH IN VENICE
Gustav von Aschenbach - John Graham Hall Traveller / Elderly Fop / Gondolier / Barber / Hotel Manger / Player / Dionysus - Andrew Shore Apollo - Tim Mead Tadzio - Sam Zaldivar The Polish Mother - Laura Caldow Two Daughters - Mia Angelina Mather / Xhuliana Shehu The Governess - Joyce Henderson Jaschiu - Marcio Teixeira
English National Opera Chorus and Orchestra Edward Gardner, conductor Deborah Warner, stage director
Recorded live at the London Coliseum, June 2013
---
Bonus: - Cast gallery (all) - Introduction to the opera (Billy Budd, Gloriana) - Introduction to the designs (Billy Budd) - Interviews with the cast and crew (Peter Grimes) - Comments from the director (The Rape of Lucretia) - Britten’s Aldeburgh (Gloriana)
Picture format: NTSC 16:9 anamorphic Sound format: DTS 5.1 (all) / + LPCM 2.0 (The Rape of Lucretia, Billy Budd, Gloriana) / + Dolby Digital 2.0 (Peter Grimes, Death in Venice) Region code: 0 (worldwide) Audio Language: English Menu Language: English Subtitles: English, French, German (all) + Japanese (Peter Grimes, The Rape of Lucretia, Gloriana) + Korean (Death in Venice) / + Spanish (Billy Budd) Running time: 13 hrs 10 mins (opera) + 27 mins (bonus) No. of DVDs: 7 (DVD 9)
The Places Beijing (Peking), the capital of China, has been the site of various cities with different names. Under Kubla Khan, who established the Mongolian Yuan dynasty (1279-1368), a new city, Khanbalik (Cambaluc) was built, to be destroyed by the Ming Emperors, the second of whom made Beijing once again the capital. Many of the historical remains come from the period of the Ming dynasty (1368-1644), and the following Qing (1644-1911). These include the former imperial palace, known as the Forbidden City, and other palaces, parks and dwellings. The Great Wall is represented by the well known sight of the Jinshanling section of this ancient structure, built during the early years of the Ming dynasty.
The Music The music chosen for this tour of Beijing is played on Chinese instruments, and makes use of traditional works and more modern arrangements, in traditional style. The instruments to be heard include the Chinese flute (dizi), the zither (qin), the Chinese lute (pipa), the three-string lute (sanxian) and the two-string Chinese fiddle (erhu). The Shepherd and His Flute, for example, is played on the Chinese dulcimer (yangqin), The Moon Over Guanshan on the sanxian and Song of the Tea-Pickers, taken from Yue Opera, is arranged for an instrumental ensemble. As with Chinese traditional visual arts, the titles of pieces explain their mood and origin.
Picture format: NTSC 16:9 Sound format: Dolby Digital 2.0 / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Booklet notes: English, Chinese Running time: 66 mins No. of DVDs: 1
The Places The capital of Shaanxi Province, Xi'an, its name translating as 'Western Peace', was the Chinese capital during the Tang dynasty (618-906 A.D.). The Big Wild Goose Pagoda, completed in 704 on the orders of the Empress Wu Zetain during her period of rule as Empress of the Zhou dynasty, soon replaced by the restored Tang, is one of the oldest such structures in China. Of particular interest is the tomb of the Emperor Huang, regarded as the founder of the unified Chinese nation, and the remarkable terracotta warriors and horses discovered around the mausoleum of Qin Shi Huang Di, founder of the Qin dynasty who died in 210 B.C.. The tour ends with vies of the precipitous Huashan (Flower Mountain), so called from its five peaks, groups in the shape of a great flower.
The Music The music chosen for this tour of Xi'an is played on traditional Chinese instruments. The excerpts include, to accompany the terracotta warriors, a contemporary composition inspired by Zhang Ji's poem 'Night at the Maple Bridge' giving particular prominence to the zhongruan, a form of Chinese lute of ancient origin. Other instruments heard are the Chinese transverse bamboo flute, the dizi, the Chinese plucked zither, the guqin, and the Chinese lute, the pipa. A glimpse of operatic stage performance finds a place for a Shaanxi opera tune, an example of the music to be heard in the many regional forms of Chinese opera.
Picture format: NTSC 16:9 Sound format: Dolby Digital 2.0 / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Booklet notes: English, Chinese Running time: 66 mins No. of DVDs: 1
A CONCERT FOR NEW YORK In Remembrance and Renewal – The Tenth Anniversary of 9/11
On September 10, 2011, The New York Philharmonic presented ‘A Concert for New York,’ a free performance led by Music Director Alan Gilbert of Gustav Mahler’s Symphony No. 2, Resurrection. This performance, hailed by the New York Times as “intensely moving,” was given in remembrance and renewal of the tenth anniversary of September 11, 2001. Telecast in the US on Sunday, September 11, 2011 on PBS’ Great Performances, this musical tribute is now available on DVD and BluRay.
“Mahler’s Second Symphony, Resurrection, powerfully and profoundly explores the range of emotions provoked by the memories of 9/11,” said Alan Gilbert. “This great masterpiece has a very special place in the history and psyche of the New York Philharmonic, but its message of renewal and rebirth is universal. We offer it as a tribute to those lost ten years ago.”
Gustav Mahler: Symphony No. 2 in C minor, “Resurrection”
Dorothea Röschmann, soprano Michelle DeYoung, mezzo-soprano New York Choral Artists New York Philharmonic Orchestra Alan Gilbert, conductor
Recorded live at Avery Fisher Hall at Lincoln Center, New York City, 10 September 2011.
Bonus: - Interview with Alan Gilbert and Zarin Mehta
Picture format: NTSC 16:9 Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Subtitles: German, English, French Running time: 96 mins (concert) + 14 mins (bonus) No. of DVDs: 1 (DVD 9)
HANDEL Coronation Anthems. Organ Concerto, op. 4/4. Salve Regina1. Semele1 : Endless Pleasure, Endless Love; My Racking Thoughts; O Ecstasy of Happiness! … Myself I Shall Adore. Solomon: Arrival of the Queen of Sheba • Harry Christophers, cond; The Sixteen Ch and O (period instruments); 1Carolyn Sampson (sop) • CORO 16083 (DVD: 120:00) Live, London 8/12/2009
This BBC Proms concert, titled A Handel Celebration, commemorates the 250th anniversary of Handel’s death and the 30th anniversary of the founding of The Sixteen, which got its name from the fact that the original chorus had 16 members. The forces used here are a bit larger than those Harry Christophers usually employs. The mixed-voice chorus numbers 30, and the orchestra is listed at 42 members, although it does not appear that they are all onstage at the same time.
The Sixteen has been one of the best period-instrument groups since its founding, and one can see and hear here that both chorus and orchestra remain at the top of their form. Christophers leads performances that are respectful of Handel’s scores, with well-chosen tempos. The orchestra plays with precision (with the occasional slightly sour note to be expected of a live performance), and the chorus projects the words of the four Coronation Anthems vividly. Carolyn Sampson is outstanding in the Salve Regina and the three excerpts from Semele. In the Semele selections, she more than sings the notes; she uses her body and face to create the character she is portraying.
I have stated before that I do not see much use for a DVD preserving a concert because of the limited variety of visual images available in such a setting. Sampson’s portrayal of Semele does, however, provide some justification for seeing as well as hearing her performance, especially in the case of “Myself I Shall Adore.” Christophers hands Sampson a mirror before she begins the aria, and she uses it in giving an engaging performance that draws laughter from the audience, followed by a well-deserved ovation.
The version of the organ concerto featured here is the original version. Although Handel’s organ concertos were written to be performed between the acts of his oratorios, in the first performances in London of Athalia, the concerto was written to be performed before the final (“Hallelujah”) chorus and integrated into it. That is the version we get here, with the chorus.
The DVD has a short interview with Christophers during the intermission of the concert and a slightly longer one as a bonus feature. For some unknown reason, one of the anthems and the Salve Regina are removed from their places in the concert and put into the bonus features section. The anthem My Heart Is Indicting originally concluded the first half of the concert, and Christophers refers to it in his intermission interview, a reference that is puzzling unless one knows that he had just performed the anthem. The Salve Regina was originally the second item in the second part of the concert. Their placement as bonus tracks is nonsensical. The only other bonus feature is written biographies of the principals.
Christophers has recorded most of this material on CD, all available on Coro. His Coronation Anthems is one of my two preferred versions. The organ concerto and the sinfonia from Solomon can be found as additional tracks on that CD. The Salve Regina and selections from Semele are not otherwise available from these forces.
For those who enjoy concert performances, this DVD is an easy recommendation. For the rest of us, the previously unrecorded selections, especially Sampson’s items from Semele, make this a tempting purchase.
A Musical Journey - A Musical Visit To Andalusia, Sitges, Seville And Granada
Naxos AudioVisual
DVD
$13.99Sep 25, 2012
SPAIN
The Places The tour starts in the countryside near Sancti Petri, and shows other aspects of the fertile landscape of Andalusia, leading to the historic hillside town of Medina-Sidonia, seat of the Guzman family whose Duke led the Spanish Armada in 1588. The resort of Sitges in Catalonia is followed by the great Cathedral of Seville, reputedly the largest Gothic church in the world, and towns that reflect the Moorish past of this region of Spain.
The Music The French composer Maurice Ravel inherited from his mother, of Basque origin, a strong interest in Spain. Spanish elements influence much of his music including the Rapsodie espagnole, completed in 1908, Ravel’s first major orchestral work and a demonstration of his originality and of his gifts as an orchestrator. The music moves from the stillness of night to two characteristic Spanish dances and a final Spanish fiesta. Isaac Albéniz enjoyed a double career, winning an international reputation as a virtuoso pianist and doing much to establish Spanish music in a form acceptable at home and abroad. He divided the later years of his life, a period of deteriorating health, between Paris, Barcelona and Nice, years which saw the composition of his Iberia.
Picture format: NTSC 4:3 Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Running time: 55 mins No. of DVDs: 1
Scenes of Finland and its capital Helsinki, the interlinked islands of Savonlinna, site of an ancient castle and Kerimäki, with its wooden church, suggest a vision of a remarkable country, moulded by its geographical features and its varied and long history.
The Music
Finland found its musical identity largely through the work of Jean Sibelius. The son of a doctor, Sibelius belonged to a class of which the culture and language was Swedish. He learned Finnish and acquired his knowledge of Finnish literature and legend at school, developed his understanding of music in Germany, principally in Berlin, and established himself as one of the most considerable of the late Romantic symphonists, exploring new possibilities in a vein that might have seemed overworked. Here and in his tone-poems, based largely on Finnish legend, he created a national music that has defied imitation in the very breadth of his conception of the symphonic form.
The tour starts in Uzbekistan, of which there are later glimpses. There is a visit to the historic Russian town of Suzdal and scenes from St Petersburg as well as from Ukraine. It would be impossible to avoid the Russian winter, which appears in various guises, providing entertainment for some and for others a seemingly enchanted snow-bound landscape.
The Music:
The music for the tour is taken from Russian composers who were, by and large, thoroughly imbued with the spirit of their country. This is reflected in Lyadov's arrangement of a series folk-songs and his translation of Russian legend into music. Other composers represented are Ippolitov-Ivanov, Kabalevsky and Anton Rubinstein, with two well known excerpts from unfinished operas by Mussorgsky.
The Places Peter the Great founded St Petersburg in 1703 on Swedish territory, a provocation to Sweden, then the most powerful state in the region. Over a few years, he created a new city with an outlet to the Baltic, a city to challenge Moscow and force Russia to face Western Europe. Victory over the Swedes at Poltava in 1709 secured the city’s future. The tour takes in Odessa, in the Ukraine, an important naval base for Russia on the Black Sea, and concludes with a visit to Uzbekistan.
The Music Mussorgsky was originally an army officer, ending his life in intermittent government service, as addiction to alcohol took its toll. At his death in 1881, at the age of 42, he left much unfinished. His Pictures at an Exhibition was written in 1874 as a set of piano pieces, a translation into music of paintings, designs, models and drawings by his friend Victor Hartmann, who had died the year before, heard here in the colourful orchestration by Ravel. Borodin had a successful career as an analytical chemist, a professor at the Medico-Surgical Academy. His activities as a scientist limited the attention he could give to music, so that a number of his compositions remained incomplete at his relatively early death at the age of 53 in 1887.
Picture format: NTSC 4:3 Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1 Region code: 0 (worldwide) Running time: 60 mins No. of DVDs: 1
