Classic 1974 from The Godfather of Fusion. This is the 1st studio album from The Eleventh House which was a jazz fusion group of the 1970s, led by the guitarist Larry Coryell. The album is Known as Coryell's "Finest Achievement". This deluxe package will include an OBI strip, gatefold album jacket, printed inner sleeve, original record labels and specialty color vinyl. Clear, Blue/Purple/Clear Swirl Color Vinyl

This album was recorded live on June 18, 1971, during the Jazz Festival at Montreux. This is one of the best Jazz Fusion live album... With Larry Coryell (guitar), Chuck Rainey (bass) & the famous Pretty Purdie (drums). A MUST HAVE ALBUM... in Marbled Pink & White vinyl LP.

I have always thought orchestra. I play that way, even when playing the piano. - Sun Ra Considering the monumental depth of Sun Ra's recorded oeuvre, there are surprisingly few solo piano albums. Monorails and Satellites Volumes 1 and 2 were the first commercial LPs of the artist's solo keyboard excursions. Recorded in 1966 and released on his Saturn imprint in 1968, Volume 1 featured seven idiosyncratic originals and one standard ("Easy Street") delivered in Sunny's singular manner. Volume 2 was released the following year, and contains five compositions, all originals. A third volume was prepped but shelved, and this deluxe edition marks it's premiere release. As with all Cosmic Myth releases these volumes are superbly mastered, and are available as a deluxe 2xCD or 3xLP tri-gatefold cover with copious liners notes by renown American jazz pianist Vijay Iyer, and additional overviews by jazz historian Ben Young and producer Irwin Chusid.

Two CDs. Sun Ra At The Showcase: Live In Chicago contains previously unissued live recordings of the legendary intergalactic composer/pianist Sun Ra captured live at Joe Segal's Jazz Showcase in Chicago, IL. Between 1976 and 1977. This is an official release on producer Zev Feldman's Jazz Detective record label, in partnership with Elemental Music, and in cooperation with the Sun Ra Trust. Researched and compiled by longtime Sun Ra archivist Michael D. Anderson, and transferred from the original tape reels. Liner notes by James Corbett, and interviews and statements from photographer Hal Rammel, Michael Weiss, Marhall Allen, Thurston Moore, Jack DeJohnette, David Murray, Dave Burrell, Matthew Shipp, Amina Claudine Myers, and Reggie Workman.

Limited two CD set includes an extensive booklet with rare photos, liner notes and an archival interview with Sonny Stitt. Boppin' In Baltimore: Live at the Left Bank is a previously unreleased recording of saxophone master Sonny Stitt captured live at the famous ballroom in Baltimore on November 11, 1973. Recorded by Left Bank founder Vernon Welsh, it features an all-star rhythm section of pianist Kenny Barron, bassist Sam Jones and drummer Louis Hayes.

Released on the Impulse! Records label in early 1966, the songs are a mix of new compositions and re-workings of tunes John Lee Hooker had previously recorded, and includes a cover of Barrett Strong's 1959 Motown hit "Money (That's What I Want)." With Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar, the result is some of the best John Lee Hooker material with a band that you're likely to come across

The classic 1967 Chess album Muddy, Brass & The Blues, adds horns and prominent organ to Muddy Waters' basic band format. Waters' earlier work had been built around his returning to sounds and influences from his past. Here, the label tried to give him a new sound. Stripped of his guitar, Waters proves what a great R&B singer he was. Featuring Otis Spann on piano, and Sammy Lawhorn and Pee Wee Madison on guitar. This is the first official American LP re-issue in more than 30 years.

From Julie London, the smoky-voiced vocalist, a CD containing 24 tracks from her singles that have never appeared on any of her many LPs. One of the most distinctive pop singers of the 1950s, (between 1955 and 1957, Billboard proclaimed London the most popular female vocalist around) Julie London enjoyed a varied career that included releasing thirty-two albums and appearing on television and film. Her hit single of "Cry Me a River" remains the benchmark rendition of this much-covered song. In this tribute to London's varied singing career, Sepia Records presents twenty-four tracks from her single releases from the 1950s and early 1960s, including her earliest known recordings from 1955 - recordings that have almost disappeared between the cracks but show the expressive and technical range of this unique artist.

\'Released in the early \'90s, Concert for the Comet Kohoutek captures a typically inspired night by Sun Ra & the Intergalactic Space Research Arkestra. Recorded in late 1973, on this date the Arkestra is guided by a musical theme composed around the idea of the Comet Kohoutek, which was passing close to Earth at the time. Typically, the release vaults between cosmic vocal songs that speak of Truth and other such brashly capitalized affairs (such as \'Astro Black\'), almost straight-ahead big-band jazz arrangements (\'Variations of Kohoutek Themes\'), and frighteningly evil free explorations (\'Journey Through the Outer Darkness\').\'-Jesse Jarnow, AMG Digitally remastered by Joe Phillips with brief liner notes by ESP label founder Bernard Stollman.\' Recorded live at Town Hall, NYC, on December 22, 1973.

Jazz pianist Junior Mance made his first recording at age 19 in 1947 with Gene Ammons. Two years later he recorded with Lester Young and the following year with Sonny Stitt and Gene Ammons. In '53 Mance was the house pianist at Chicago's Beehive where he accompanied many greats including Charlie Parker and Coleman Hawkins. Mance made his first album as leader in '59 for Verve and hasn't stopped since. He now has over 50 albums as leader, the latest on his own JunGlo label from 2012 when he was 83 years young. Jubilation is from a 1994 solo piano concert in Toronto. 66 minutes includes "Autumn Leaves", "Georgia On My Mind", St. Louis Blues", "Birks Works", "Lover Man" and 10 more. (Previously deleted:6/1/09. Original release date: 11/15/96)

Pianist Junior Mance, bassist Don Thompson & drummer Archie Alleyne recorded live in 1997 at the Montreal Bistro & Jazz Club in Toronto, Canada - the set features improvised interpretations which are not part of his regular repertoire.

This never before released session from 1972 (produced by John Bentley) features the Deep South guitarist Big Joe Williams in a solo setting with only his mighty voice & his 9-string guitar, performing songs like "Highway 99," "Cadillac Blues," "Church Bells Ringin'," "Pea Vine Whistle" & others.

Recorded on July 9th, 1986, this 12 track album features the solo piano of Art Hodes and features the songs Glad to Be Here - Squeeze Me - 42nd Street - the Pearls - Summertime - How Long Blues - Beale Street Blues - Grandpa's Spells - St. James Infirmary - Sweet Georgia Brown - Tennessee Waltz.