Modern
Era
Music of the twentieth century, from roughly 1900 to 1945. Composers broke with the harmonic language they inherited, some abandoning a fixed key altogether, others turning to folk material, jazz or older forms for a way forward. A restless, argumentative period, and one of the most varied in the repertoire.
912 products
In Concert
SteepleChase
CD
$22.99
Jan 01, 1986
Kenny Drew recorded in a variety of settings for SteepleChase. Among his trio recordings, The Penguin Guide to JAZZ rates this recording as “the best one”.
“ ...this is a trio not only of great virtuosity, but of greatly gifted melodic sense....” (Chris Sheridan)
Glad I Found You
SteepleChase
CD
$22.99
Jan 01, 1986
This is Horace Parlan’s second quintet date (the first one “Frank-ly Speaking” SCCD 31076 recorded in New York) and this time recording took place in Copenhagen with fellow expatriate Thad Jones on flugelhorn and visiting tenorman Eddie Harris on the front line. This session incidentally marks Thad Jones’ come-back as an instrumentalist after a break enforced on by an accident.
“...it’s another fine addition to Parlan’s discography.” (Jazz Journal)
Something Different
SteepleChase
Vinyl
$45.99
May 12, 2018
“… ‘Something Different’…finds Gordon at the top of his form…While melodic continuity has always been one of Gordon’s trademarks, the seamless passion of his playing here makes ‘Something Different’ one of the tenor giant’s essential albums.” (Larry Kart, Chicago Tribune)
“… The great tenor saxophonist is in grand form in a quartet in which he is complemented and challenged by the young Belgian guitarist Philip Catherine and by Gordon’s favourite drummer, Billy Higgins …” (Doug Ramsey, Chronicles Of Culture) 180g Audiophile Vinyl
Catalonian Nights, Vol. 1
SteepleChase
Vinyl
$45.99
Jan 01, 1989
Dexter Gordon used to introduce his favorite pianist Tete Montoliu (1933 – 1997) on stage as “El grand senior from Catalonia!”
The first volume of the celebrated series of live recordings from Zelesta, the famed club in Barcelona, was highly acclaimed by the critics and audience alike.
“The album captures Tete at the peak of his powers, in inspirational company and among a warmly sympathetic audience…. Thanks to tracks like these we can continue to celebrate his diamond bright lines of compelling logic and vivid beauty.” (Mark Gardner)
"… his extraordinary virtuosity permits him to keep the breathtaking speed while playing beautiful melody line with great confidence of improvisations. Here in 1980 trio he explodes with a bang!" (Pierre Schavey, The Lion)