Dexter In Radioland vol. 6 With his favourite rhythm section, Dexter leads the proceedings of this sixth volume of live transmission from the 60’s European jazz Mecca Montmartre . “This excellent series of records which starts with Montmartre Jazzhus live date from 1962 documents the way in which Gordon was playing when he arrived in Europe ... They prove that he was playing very well at the time...” (Barry McRae, Jazz Journal International)

“...an intriguing recording, because it catches one of the idiom’s most important trumpeters, not merely at the height of his mature powers, but at an interesting point of transition between two of the very best editions of his small bands...” (Chris Sheridan) “.....The heavily blues based styles of Mance and Wright complemented the soulful side of Gillespie who was without question at the peak of his powers at this time....As with all of Nils Winther’s work, the sound is beautifully balanced, and the digital transfers are excellent.” (Cadence)

More and more music lovers are discovering Antonio Rosetti, Mozart's contemporary from Wallerstein in Bavaria. After a number of horn concertos and a few delightful symphonies, these are the two first piano concertos to be released; one of them - also a rarity - was composed by Rosetti together with his pupil Nanette von Schaden. A Stuttgart Chamber Orchestra with delight in playing, a soloist (Nerine Barrett) who hits Rosetti's timbre most perfectly, and a conductor who clearly cares about this music are the features of this recording. A must for every music collection. (customer review) " the sound of the TACET recording is of demonstration quality... The notes, by Sterling E. Murray, president of the International Rosetti society, are very thorough. The performances are first-class. As expected, the Stuttgart Chamber Orchestra is well polished. Johannes Moesus is a young German conductor of considerable quality. He is also president of the International Rosetti society. I have not previously encountered pianist Nerine Barrett. A Jamaican, she has studied and performed widely according the notes. Certainly her performances here indicate we should be hearing more from her (...) Anyone interested in Rosetti is well advised to obtain both recordings." (Fanfare)

(2-CD set) “Grappelli told me that Django and Joseph were gypsies. Django had wounded his left hand when he was very young and could only use three fingers, but when he played it was if he had ten on one hand!” Bill COLEMAN. Includes a 40 page booklet with both French and English notes.