Almost forty years after his first recording on Chandos, this unique limited-edition release gathers some of the best and most-awarded recordings on the label by one of the most prolific conductors of all time: Neeme Järvi. It highlights a 200+ discography that explores an astonishingly wide repertoire, with selections from the legendary complete series of Prokofiev’s symphonies and Tchaikovsky’s ballets to the groundbreaking discoveries of composers such as Atterberg or Suchon. It features nearly a dozen of the numerous orchestras with which he has collaborated, including the RSNO, Chicago Symphony, Orchestre de la Suisse Romande, and Royal Concertgebouw Orchestra, all here celebrated at their best. Offered at a very special price and retaining the original covers, this product also includes very special notes by James Jolly, Editor in Chief of Gramophone, as well as exclusive photos and interviews with figures central to Järvi’s extraordinary musical life.

Past praise of previously released material included in this set:

Prokofiev: Symphony No 6, Waltzes Suite / Järvi, SNO

As in all of his Prokofiev symphony recordings–this was the first, by the way–Järvi really digs into the music. The engineering is as big and bold as the performances. This recording deserves classic status.

– ClassicsToday

Smetana: Má Vlast / Järvi, Detroit Symphony

Järvi and the Detroit Symphony Orchestra deliver an expansive reading of the complete work, and their feeling for the music's vivid imagery and richly Romantic expression is spot on.

– All Music Guide

This reissue is a moving experience in itself, and not only for returning to the catalogue a superlative recording of Brahms's masterpiece, not the best known at the time of its release in 1991, but also for the exceptional soloists, majestically accompanied by Hickox and his LSO and Chorus. Gramophone praised the ''fine soloists'', especially the ''resonance and ease'' of the bass-baritone, David Wilson-Johnson. The review also acclaimed the ''sheer generosity of style and sound'' as well as the choir and orchestra, ''excellent and well-balanced, both in themselves and with each other''. Overall, the ''Hickox gives a remarkably satisfying performance''. Despite its large-scale conception, Brahms's Requiem remains the product of a very private world, the personal communication of the philosophy of one man, ''such a great soul - and yet he doesn't believe in anything'', as Dvorak once remarked.

Glyndebourne’s production of A Midsummer Night’s Dream is pure magic. Brilliantly adapted from Shakespeare’s play, the opera follows the adventures of four lovers and a group of naïve rustics who, in a wood on a moonstruck midsummer night, fall foul of Oberon and Tytania, the quarrelling king and queen of the fairies. In Peter Hall’s remarkable staging, the very wood comes alive as logs and trees move and rustle, creating ambiguous silhouettes in the dark mysterious woodland, lit only by designer John Bury’s wonderful rising sun and moon.

Recorded 1983.