In this master adaptation, Duke puts his famous jazzy touch on classics by Tchaikovsky (Nutcracker Suite), Grieg (Peer Gynt Suites) and John Steinbeck's engaging novel, Sweet Thursday, with his original composition of Zweet Zurzday. Also includes Toot Toot Tootie Toot (Dance of the Red-Pipes); Sugar-Rum Cherry (Dance of the Sugar-Plum Fairy); in the Hall of the Mountain King; Arabesque Cookie (Arabian Dance); Morning Mood; Anitra's Dance, and much more!
Duke Ellington was of course known as a bandleader and one of the greatest of all American composers, but as a pianist, he was equally as great and influential, yet often overlooked. Here for the first time on CD and digital release, we present Ellington at his refined best, in the mid 1960s. This recording was made at Columbia University in New York City, and for the most part it's pure solo piano by Duke. He gives us several of his jewels, such as Fleurette Africaine (Little African Flower), Melancholia, as well as a previously unrecorded solo version Bird of Paradise, which dates back to 1935. Of course as usual, there is the standard medley of Ellington "hits" where he is joined by bassist Ernie Shepard, and drummer Sam Woodyard for a trio setting. This 1964 Solo Piano concert reaffirms what a wonderful experience it is to hear "The Piano Player" live, doing his thing.
Following it's international debut at Yale University in 1977, Mercer Ellington and the Duke Ellington Orchestra along with the Polish National Philharmonic, presented Duke Ellington's final extended piece, "Les Trois Rois Noirs" (The Three Black Kings) at the Polish Jazz Festival "Jazz Jamboree". This recording was released as a collectors item only in 1981, but has never seen light of day since. Here in 2017, we finally are able to present this truly incredible work, orchestrated by Luther Henderson, under the direct instruction of The Maestro himself, on his hospital bed in 1974 in New York City, where unfortunately Ellington would soon pass away from Cancer. Thanks to Henderson and Ellington's son Mercer, we now have these "concerto grosso" arrangements for Jazz Big Band and Symphony Orchestra. The piece itself is incredibly powerful and spiritual, based on Elington's vision of HIS Three Black Kings: The Black King of the Magi, King Solomon, and a man he admired and met personally, Dr. Martin Luther King., Jr. Some strong members of the later Ellington band remained in the band here, such as Barrie Lee Hall, Rocky White, Harold Minerve, and other posthumous Ellingtonians such as James Bolden, J.J. Wiggins, and David Young. It should be mentioned that this recording also includes a truly definitive version of Ellington's only Piano Concerto, "New World A-Coming", featuring guest soloist Adam Makowicz, the Polish Jazz Star who does an expressive and thorough interpretation, definitely up to par with Ellington himself. Finally, we get to hear the full blown orchestration of the Alvin Ailey Ballet piece The River, composed by Ellington in it's entirely, again with the assistance of Luther Henderson, orchestration, based on Ellington's own Big Band "demo" versions he recorded himself for Ailey's choreographic use. This rare rendition is a super-charged soulfully exciting journey through a man's life, perhaps autobiographical for Duke, taking us from the genesis of birth to old age and back again. However it is the complete and purely Ellingtonian official version of Three Black Kings that will kick your heart and soul into high gear, as you finally will get to hear Ellington's final vision the way he indeed wanted it heard
1969 marked Duke Ellington's 70th year, and in honor of the occasion, Jazz Impresario George Wein sent Ellington and his band out on a European tour, a 70th birthday tour, so to speak. In a brief concert series entitled "Newport to Paris", for the first time on record we have the chance to hear Duke and the band performing live in Paris, and the Salle Pleyel in November, 1969. On this night we hear Duke and his orchestra in rare form, presenting a few of such newly written compositions, featuring luminaries like Cootie Williams, Johnny Hodges, Lawrence Brown, Russell Procope, Paul Gonsalves, Cat Anderson and more.
This collection compiles, for the first time on a single disc issue, all the master takes of the instrumental recordings in which Duke Ellington participated for Mercer Records between 1950 and 1951. Made under the names of other band members - for contractual reasons, these sides feature the likes of Johnny Hodges, Oscar Pettiford, Max Roach, Billy Strayhorn, Louie Bellson, Juan Tizol and Willie Smith. These sides remain among the most unusual and fascinating in Duke's extensive catalogue. Unfortunately, the masters for these recordings were destroyed in a fire in the 1950's. For this issue they have been transferred and restored from the best possible surviving sources and remastered to the best quality possible.
ELLINGTON, DUKE / NEW ORLEANS SUITE (QUADIO) Blu-ray audio edition. Quadraphonic sound, or 4. 0 surround sound, utilizes four audio channels connected to four speakers positioned at the corners of a listening space. The multi-tracked audio is mixed dimensional, immersing the listener in an expansive soundscape. Duke Ellington was commissioned to create the NEW ORLEANS SUITE for the 1970 New Orleans Jazz Festival, marking his final recording with saxophonist Johnny Hodges. The record is regarded as one of Ellington's greatest works, incorporating Creole influences. He won the 1970 GRAMMY® Award for Best Jazz Performance by a Big Band and received a nomination for Best Instrumental Composition.
Duke Pearson -"Wahoo! (Blue Note Classic Vinyl Series)" (180g Heavy) Duke Pearson's great 1964 album Wahoo! Was a perfect encapsulation of his talents as a pianist, composer and bandleader. Writing for a sextet featuring Donald Byrd (trumpet), James Spaulding (alto sax), Joe Henderson (tenor sax), Bob Cranshaw (bass) and Mickey Roker (drums), Pearson presents evocative originals including "Amanda," "Bedouin" and "ESP." This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Capitol Music Group; Blue Note; Jazz; Catalog.
