(2-CD set) “Grappelli told me that Django and Joseph were gypsies. Django had wounded his left hand when he was very young and could only use three fingers, but when he played it was if he had ten on one hand!” Bill COLEMAN. Includes a 40 page booklet with both French and English notes.
JOHN LEE HOOKER - BURNIN (60th ANNIVERSARY) - This expanded 60th anniversary edition of John Lee Hooker's electrifying blues classic, Burnin', offers both stereo and newly mixed mono versions of the album. Audio has been remastered from the original analog tapes. The tracklist features the King of the Boogie's signature hit, "Boom Boom," plus a previously unreleased alternate take of "Thelma," captured during Hooker's 1961 session. Includes new liner notes by the GRAMMY®-nominated music historian, Bill Dahl, offered in an 8-page poster booklet.
Coryell is the classic 1969 studio album that is known as the best Sounding Larry Coryell release. Rolling Stone - "Play this loud and your life might change forever". Out of print on vinyl until now. This deluxe package includes an OBI strip, Single album jacket, Printed inner sleeve, Original record labels and special Crystal Clear Rose Color Vinyl.
This album was recorded live on June 18, 1971, during the Jazz Festival at Montreux. This is one of the best Jazz Fusion live album... With Larry Coryell (guitar), Chuck Rainey (bass) & the famous Pretty Purdie (drums). A MUST HAVE ALBUM... in Marbled Pink & White vinyl LP.
One of the greatest blues albums of all time, West Side Soul was chosen by Living Blues magazine as one of it's top ten Desert Island Blues Discs. The new digipak case contains previously unissued photos and 1960s pluggers (promoting west side gigs) from the private collection of Bill Lindemann. The source material for the CD is now the original 1967 analog stereo mix by Stu Black who recorded many of Delmark's classic 1960s blues and jazz recordings. Featuring Mighty Joe Young, guitar; Stockholm Slim, piano; Earnest Johnson or Mac Thompson, bass; Odie Payne Jr. or Odie Payne III, drums. 12 tracks including "That's All I Need", "I Need You So Bad", "Feelin' Good", "All Your Love", "Sweet Home Chicago" and more.
Wes Montgomery - "The Complete Full House Recordings"Released to celebrate influential jazz guitarist Wes Montgomery's centennial, The Complete Full House Recordings brings together all the recordings from the Full House sessions with two previously unreleased performances. Featuring Johnny Griffin, Wynton Kelly, Paul Chambers and Jimmy Cobb, this collection has new liner notes by journalist Bill Milkowski and is mastered from the original analog tapes by Joe Tarantino. 3 LP set pressed on 180g vinyl with lacquers cut by Kevin Gray at Cohearent Audio.
Burning Hell was recorded in 1959 in Detroit, but the album wasn't released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP in partnership with Acoustic Sounds, the album features John Lee Hooker solo as he plays originals and classics. AllMusic states that, on this album, "Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era."
Modern Lore finds Julian Lage playfully flipping the script he followed on his acclaimed 2016 Mack Avenue debut, Arclight. That album - produced, like Modern Lore, by Lage's friend and collaborator, the singer-songwriter Jesse Harris - was his first trio set on electric guitar and found Lage inspired by the sounds and the attitude of the freewheeling, pre-bebop jazz era, when, as he puts it, "country music and jazz and swing were in this weird wild-west period." This time he incorporates the sensibility, if not the outright sound, of early rock and roll, a similarly hybrid form driven by rhythm, personality and a passion for the electric guitar.
Grant Green - "Visions (Blue Note Classic Vinyl Series)" [180gram Heavy Vinyl LP] Grant Green embraced R&B and jazz-funk on his 1971 album, Visions, featuring Billy Wooten, Emmanuel Riggins, Chuck Rainey, Idris Muhammad, Ray Armando and Harold Caldwell. The guitarist's distinctive tone and melodicism elevate songs by The Jackson 5, Chicago, The Carpenters, Mozart and Quincy Jones' "Maybe Tomorrow," which was later sampled by Kendrick Lamar. This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant's First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums. When he returned to Van Gelder Studio next in April of that year it was once again with a trio but this time one with a leaner sound featuring Green backed by bass (Ben Tucker) and drums (Dave Bailey). The spare setting and sturdy support created spacious realms for Green to expound at length, unspooling his inventive, bluesy lines on a 5-song set that included the no-nonsense originals "No. 1 Green Street," "Grant's Dimensions," and "Green With Envy." Green also showcased his singular tone on a stunning version of Thelonious Monk's "'Round About Midnight" and an alluring rendition of the standard "Alone Together."
Limited 180gm vinyl LP pressing housed in gatefold tip-on jacket. The trio of Grant Green, Larry Young and Elvin Jones had a unique alchemy from the first time they got together on 1964's Talkin' About. For 1965's I Want To Hold Your Hand, they added Hank Mobley to the mix for sophisticated renditions of well-known songs by the Beatles, Antonio Carlos Jobim, Cole Porter and more. Blue Note Tone Poet Series is produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.
Limited 180gm vinyl LP pressing housed in gatefold packaging. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit, featuring Johnny Acea on piano, Wendell Marshall on bass, Willie Bobo on drums, Carlos "Patato" Valdes on conga, and Garvin Masseaux on chekere. Blue Note Tone Poet Series features all-analog, remastered sound.
