Following the critical acclaim of The Talisman (SCCD 31955), alto saxophonist Dave Pietro returns with The Butterfly Effect, his second release on SteepleChase—a label that has become a vital platform for his richly inventive voice. A veteran of ensembles led by Maria Schneider, Toshiko Akiyoshi, and Gil Evans, Pietro continues to command attention as a composer and bandleader whose work is both intellectually rigorous and emotionally resonant. Returning collaborators include pianist Gary Versace, whose kaleidoscopic soloing adds depth and color, and bassist Jay Anderson, whose expressive lines anchor the group with elegance. Trumpeter Scott Wendholt and drummer Adam Cruz round out the lineup, each contributing dynamic performances that elevate Pietro’s compositions. His writing is marked by intricate counterpoint, unexpected harmonic shifts, and a deep sensitivity to ensemble interplay. Pietro’s music balances complexity with clarity. The Butterfly Effect is more than a follow-up—it’s a statement of artistic evolution. Where The Talisman introduced Pietro’s voice to a broader audience, this new release deepens the narrative, offering a compelling blend of lyrical beauty, structural sophistication, and improvisational fire. “Pietro has great chops and a profound imagination, and possesses a warm, accessible, lyrical sound...” ( Lee Lowenfish - New York Jazz Newsletter)

Fremeaux & Associes, label patrimonial de reference du jazz, a edite aux formats livre et livre audio avec les Presses Universitaires de France un cours de reference sur l'histoire du jazz de Laurent Cugny, professeur emerite a la Faculte des Lettres de Sorbonne Universite (Institut de recherche en musicologie), pianiste et ancien directeur de l'ONJ (Orchestre National de Jazz). Cette anthologie 3 CD selectionnee par l'auteur retrace, en parallele a son ouvrage, la voie parcourue par cette musique qui, des maisons closes de La Nouvelle Orleans, jusqu'aux scenes les plus prestigieuses de la planete, a su devenir la plus savante des musiques populaires de notre dernier siecle. Patrick FReMEAUX Fremeaux & Associes, the leading jazz heritage label, has published in book and audiobook format a reference course on the history of jazz by Laurent Cugny, professor emeritus at Sorbonne University's Faculty of Letters (Institute for Research in Musicology), pianist and former director of the ONJ (Orchestre National de Jazz). This 3-CD anthology selected by the author retraces, in parallel with his book, the path taken by this music which, from the brothels of New Orleans to the most prestigious stages on the planet, has become one of the most popular music of our last century. Patrick FReMEAUX CD1 - DES DeBUTS, AU COOL JAZZ : DEEP RIVER MARIAN ANDERSON - IF YOU SEE MY SAVIOUR THOMAS A. DORSEY - KIND HEARTED WOMAN BLUES ROBERT JOHNSON - MAPLE LEAF RAG SCOTT JOPLIN - TIGER RAG ORIGINAL DIXIELAND JAZZ BAND - CANAL STREET BLUES KING OLIVER - BLACK BOTTOM STOMP JELLY ROLL MORTON - HOTTER THAN THAT LOUIS ARMSTRONG - JAZZ ME BLUES BIX BEIDERBECKE - NEW KING PORTER STOMP FLETCHER HENDERSON - BODY AND SOUL COLEMAN HAWKINS - THESE FOOLISH THINGS LESTER YOUNG - JUMPIN' AT THE WOODSIDE COUNT BASIE - ECHOES OF HARLEM DUKE ELLINGTON - CLARINET A LA KING BENNY GOODMAN - HOT HOUSE DIZZY GILLESPIE - KOKO CHARLIE PARKER - TEMPUS FUGUE-IT BUD POWELL - BOPLICITY MILES DAVIS - THOU SWELL STAN GETZ - I FALL IN LOVE TOO EASILY CHET BAKER - BERNIE'S TUNE GERRY MULLIGAN - TAKE FIVE DAVE BRUBECK. CD2 - DU HARD BOP AU FREE JAZZ (+ JAZZ VOCAL) : OLEO MILES DAVIS/SONNY ROLLINS - MOANIN' ART BLAKEY & THE JAZZ MESSENGERS - JOY SPRING CLIFFORD BROWN / MAX ROACH - SELF-PORTRAIT IN THREE COLORS CHARLES MINGUS - SUMMERTIME GIL EVANS/MILES DAVIS - SO WHAT MILES DAVIS - GIANT STEPS JOHN COLTRANE - INVISIBLE ORNETTE COLEMAN - CRAZY BLUES MAMIE SMITH - BACK WATER BLUES BESSIE SMITH - STRANGE FRUIT BILLIE HOLIDAY - HOW HIGH THE MOON ELLA FITZGERALD - EMBRACEABLE YOU SARAH VAUGHAN - SWEET LORRAINE NAT KING COLE - MY BABY JUST CARES FOR ME NINA SIMONE. CD3 - LE JAZZ EN FRANCE : LONESOME LOVE SICK BLUES JOSePHINE BAKER - PARIS BIGUINE STELLIO - DINAH DJANGO REINHARDT - CHRISTIANA MICHEL WARLOP - SWEET AND BEBOP BORIS VIAN - FLeCHE D'OR DJANGO REINHARDT - STOMPIN' AT THE SAVOY HENRI SALVADOR - ROUND ABOUT MIDNIGHT SACHA DISTEL - ESQUISSE II ANDRe HODEIR - LES OIGNONS SIDNEY BECHET - IN A MIST MICHEL LEGRAND - VERY FATIGUe MARTIAL SOLAL - RAT RACE LES DOUBLE SIX - CUTE MILT BUCKNER / JO JONES - TROC TROC - CRAZY RHYTHM STePHANE GRAPPELLI / CLAUDE BOLLING - 22 MEZOUK ALAIN JEAN-MARIE - MOTHERLESS CHILD GOLDEN GATE QUARTET - TEA FOR TWO DIDIER LOCKWOOD - MINOR SWING NEW QUINTET DU HOT CLUB DE FRANCE - DRUM THING 1 DANIEL HUMAIR - NEW STORIES HERVe SELLIN - SALAMERO LAURENT CUGNY. SeLECTION : LAURENT CUGNY

Darius Milhaud a 25 ans lorsqu'il debarque a Rio de Janeiro en fevrier 1917, en plein carnaval. Puis il voyagera, fin 1919, en Martinique et aux USA. Sejours nourris de decouvertes sonores qui feront qu'il deviendra un precurseur de l'intrication des musiques du monde et de l'ecriture erudite europeenne des les premieres decades du XXe siecle. Philippe LESAGE In February 1917, Darius Milhaud went to Rio de Janeiro. He was 25, and he disembarked when the Carnival was in full swing. He stayed until the end of 1919, then travelled to Martinique and the USA. During his three stays he discovered remarkable sounds that would make him a precursor, in the first two decades of the 20th century, of the intricate relationship between world music and the scholarly classical music of Europe. Philippe LESAGE CD1 : LE BOEUF SUR LE TOIT : MINNEAPOLIS SYMPHONY ORCHESTRA, DIR MITROPOULOS - ATe EU : OITO BATUTAS - ATe A VOLTA : OITO BATUTAS - APANHEI-TE CAVAQUINHO : ERNESTO NAZARETH - SCARAMOUCHE : MARCELLE MEYER & DARIUS MILHAUD - BREJEIRO : BANDA DO CORPO DOS BOMBEIROS DE RIO DE JANEIRO - GRAÚNA : OITO BATUTAS - ESCOVADO : ERNESTO NAZARETH - SAUDADES DO BRASIL : DARIUS MILHAUD - SAUDADES DO BRASIL : JACQUES FeVRIER - SAUDADES DO BRASIL : LE TRIGENTUOR LYONNAIS - DANSES DE JACAREMIRIM : LOUIS KAUFMAN & ARTUR BALSAM. CD2 : LA CReATION DU MONDE : ORCHESTRE DU THeaTRE DES CHAMPS-ELYSeES, DIR DARIUS MILHAUD - CARNAVAL a LA NOUVELLE-ORLeANS : ARTHUR GOLD & ROBERT FIZDALE - SOUNDS OF AFRICA : EUBIE BLAKE - I WOULD LIKE TO KNOW WHY : WIENER & DOUCET - KING PORTER STOMP : JELLY ROLL MORTON - 3 RAG-CAPRICES : VIENNA SYMPHONY ORCHESTRA, DIR HENRI SWOBODA - SOUVENIR DU BOEUF SUR LE TOIT : WIENER & DOUCET - HANDFUL OF KEYS : FATS WALLER - LE BAL MARTINIQUAIS : ROBERT & GABY CASADESUS - EN L'AI MONE LA : STELLIO - CINeMA FANTAISIE : RENe BENEDETTI ET JEAN WIENER. DIRECTION ARTISTIQUE : PHILIPPE LESAGE ET TECA CALAZANS

Apres ses debuts remarques dans le jazz, Alexandre Sacha Distel, neveu du celebre chef d'orchestre Ray Ventura, s'oriente vers la chanson. Son charme et sa voix seduisent rapidement le public. en 1958, son tube Scoubidou le propulse au sommet des charts. de 1959 a 1962, Distel enchaine les succes. Il remporte le Grand Prix de l'Academie Charles-Cros en 1959, chante avec Maurice Chevalier, compose pour le grand ecran et devient une icône de la chanson francaise, alliant talent musical et elegance naturelle. Patrick FReMEAUX After a stunning debut as a jazz guitarist, Alexandre "Sacha" Distel, the nephew of famous French bandleader Ray Ventura, turned to the world of songs, where his voice and good looks quickly attracted a large audience. In 1958 he had an enormous hit with the song "Scoubidou" that catapulted him to the top of the charts. In 1959 he won the "Grand Prix de l'Academie Charles-Cros", and for the next three years he enjoyed one hit after another. He would sing with Maurice Chevalier and compose songs for films before becoming an icon in popular music with a unique combination of musical talent and natural elegance. Patrick FReMEAUX CD1 (1957-1959) : Sacha Distel CHANTE : TOUT BAS (SPEAK LOW) - CHEVEUX DANS LE VENT - QUAND J'Y PENSE - LA FIN D'UN ROMAN D'AMOUR - MA CHeRIE SI JOLIE (TAMMY) - MALADIE D'AMOUR - INSENSIBLEMENT - FASCINATION - ROSE D'OR - LE TOUR DU MONDE (AROUND THE WORLD) - QUAND TU VIENS CHEZ MOI... MON COEUR - QUELQUE CHOSE EN TOI - L'eTANG - TIENS ! TIENS ! TIENS ! - UN AMOUR COMME LE NÔTRE - QUE RESTE-T-IL DE NOS AMOURS ? - PARLEZ-MOI D'AMOUR - SI PETITE O MON AMOUR - GARDE cA POUR TOI (CATCH A FALLING STAR) - LE MUR - La, PReS DE LA FENeTRE (IN THE WEE SMALL HOURS) - DORS MON AMOUR - BRIGITTE - a JAMAIS - BONJOUR CHeRIE. BANDE ORIGINALE DU FILM GIGI : C'EST LA BARBE (AVEC MAURICE CHEVALIER) - TOUT cA N'EST PAS POUR MOI - CEUX QUI INVENTeRENT LE CHAMPAGNE (AVEC MARIE FRANCE GIGI ET JANE MARKEN) - GIGI. CD2 (1959-1961) : Sacha Distel EN PERSONNE : SCOUBIDOU - POMMES ET POIRES - OH ! QUELLE NUIT (LONESOME ME) - QUAND ON S'EST CONNU - CE SERAIT DOMMAGE... (IMPATIENT LOVER) - OUI, OUI, OUI, OUI (GRAND PRIX DE LA CHANSON R.T.F. 1959) - DIS ! O DIS ! (EVERYBODY LOVES A LOVER) - ET QUE cA DURE - JE N'AVAIS PAS COMPRIS. COQ D'OR DE LA CHANSON 1959 : SOPHIE. Sacha Distel N°2 : MON BEAU CHAPEAU - La, PReS DE LA FENeTRE (IN THE WEE SMALL HOURS) - LES CeLIBATAIRES - OUAH ! OUAH ! OUAH ! OUAH ! - PERSONNALITeS - ELLE A LE... ELLE A LA... ELLE A LES... - DITES a L'ORCHESTRE (LA... LA... LA...) - MONSIEUR L'BARON - TOUT cA DEVAIT ARRIVER (EVERYTHING HAPPENS TO ME) - DRÔLE DE ReVE (THE PREACHER) - ALLEZ ! VA ! (MY HEART IS AN OPEN BOOK). Sacha Distel N°3 : 20 MADAM' MADAM' - CALIN CALINETTE - LES CARIOCAS, ELLES SONT SI BELLES LES CARIOCAS - OUI, DEVANT DIEU (LA NOVIA) - LE BOOGIE DU BeBe (BABY SITTIN' BOOGIE) - ON DIT, ON DIT, ON DIT - cA C'EST DU POULET - a CAUSE DE TOI (I DON't KNOW WHY) - BYE BYE BABY (BYE BYE BLACKBIRD) - TROIS FOIS LA FRANCE. CD3 (1961-1962) : OUI ET NON - C'EST TOUT, C'EST TOUT (THAT'S ALL) - CATERINA - C'eTAIT PLUS FORT QUE TOUT (I CAN't STOP LOVING YOU) - J'AI UN RENDEZ-VOUS (I WANNA THANK YOU) - SANS TOI - QUE C'EST BON (WELCOME HOME TO MY HEART) - CHANSON SUR UNE SEULE NOTE (SAMBA DE UMA NOTA SO) - GUITARE ET COPAINS (A STEEL GUITAR AND A GLASS OF WINE) - DIS-MOI BARMAN - LES FILLES... MOI J'AIME cA - BON VENT MA JOLIE - PAILLASSE - RIEN DANS LA NUIT. SACHA BOSSA NOVA : ESO BESO - DESAFINADO - VIENS DANSER LA BOSSA NOVA (TING TOUNG) - LOIN DE TOI (RECADO). EVERYBODY LOVES THE LOVER : LET ME LOVE YOU - WHY DON't WE DO THIS MORE OFTEN - MY HEART STOOD STILL - ONCE IN EVERY LIFETIME - I'm IN THE MOOD FOR LOVE - SPEAK TO ME OF LOVE - THE LOVER - IT'S BEEN A LONG, LONG TIME - EVERYBODY LOVES A LOVER - YOU DO SOMETHING TO ME - I CAN't GIVE YOU ANYTHING BUT LOVE - ALMOST LIKE BEING IN LOVE. DIRECTION ARTISTIQUE : OLIVIER JULIEN

A long-awaited release that features the late guitar master at his most lyrical and inventive was recorded in January 2017 but held back until now. This session led by vibraphonist Tony Miceli is a poignant tribute to Vic Juris’s boundless musicality and deep connection to the jazz tradition. Inspired by the spirit of Django Reinhardt and the Hot Club legacy, the quartet reimagines classic French repertoire with fresh arrangements and modern interplay. The interpretations of “Nuages” and “La Vie En Rose” are especially moving, revealing a depth of emotion that resonates even more powerfully in light of his passing. Miceli, who spearheaded the project, recalls Juris’s uncanny ability to absorb and reproduce any tune—“like an iPod with soul.” This recording, lovingly restored by SteepleChase producer Nils Winther, transforms what was once a shelved session into a sonic gem. It stands as both a celebration of Vic Juris’s artistry and a testament to the enduring power of collaboration. Incidentally Miceli’s witty and heartfelt liner notes reads as an ode to Vic the stellar artist.

SteepleChase Records proudly presents the debut album of drummer Matt Garrity, a long-standing figure in the New York jazz scene whose artistry has matured over three decades of collaboration with legends such as Joe Lovano, Vincent Herring, and Joel Forrester. Suits And Scotches captures the essence of Garrity’s musical journey, featuring original compositions and fresh interpretations of jazz standards performed by his seasoned quartet which delivers a cohesive and swinging set that reflects both tradition and innovation. Garrity’s path diverged from the 1990s “Young Lions” wave, yet his commitment to the craft never wavered. After relocating to Woodstock, NY, (originally from Ithaca, NY) he founded Barnstock, a vibrant performance space that has become a Hudson Valley jazz hub. Encouraged by bassist Ambrosio and connected to SteepleChase producer Nils Winther, Garrity finally steps forward as a leader and composer. “Drummer Matt Garrity, always fluidly shifting from staccato fill patterns to soft accompaniments in just the way the composition seems to need.” -All Music Guide

Storyville Records proudly announces the release of Never Say Yes - 1986, a previously unreleased live-in-studio recording by the Doug Raney Quartet, captured in Studio 3 at the Danish Broadcasting Corporation on January 9, 1986. The album features Doug Raney on guitar, Ben Besiakov on piano, Jesper Lundgaard on bass, and Finnish drummer Jukkis Uotila. Set for release on October 24, 2025, Never Say Yes - 1986 offers seven tracks of inspired modern jazz, full of interplay, elegance, and technical brilliance. Doug Raney, the son of jazz guitar legend Jimmy Raney, carved out a distinctive path of his own, particularly within the vibrant Scandinavian jazz scene, where he lived and worked for decades. This recording, unearthed from the archives of the Danish Broadcasting Corporation, captures Doug in strikingly fine form following a return to health, backed by some of the most intuitive players on the Scandinavian scene. "He had an incredibly refined technique on the guitar, I'd almost call it organically innate, " writes bassist Jesper Lundgaard in the liner notes. "His playing felt like an extension of his personality, effortless, and yet grounded in a deep understanding of jazz's inner architecture, which is so difficult to truly master. Doug had a special ability to voice chords, and in my opinion, there was a beauty in his soloing that only very few possess." The session was the culmination of a brief Danish tour and showcases Raney's wide-ranging repertoire, from the burning drive of John Coltrane's Giant Steps to the aching beauty of I'm Old Fashioned and a soulful take on Nat Adderley's title track. Raney's melodic instinct, rhythmic command, and harmonic depth shine throughout, with dynamic support from Besiakov, Lundgaard, and Uotila. Despite his remarkable talent, Doug Raney remains a somewhat overlooked figure in modern jazz. With this release, Storyville Records shines a new light on a singular voice whose artistry remain as vital and moving as ever.

Brazilian songstress Rosàlia de Souza joins forces with pianist Peter Rosendal (Denmark), bassist Craig Earle (Canada), and drummer Jonas Johansen (Denmark) to form Rosàlia de Souza Quarteto 55º, presenting their self-titled debut album of twelve tracks, set for release on November 14, 2025, on Storyville Records. This vibrant ensemble blends Brazilian, North American, and Scandinavian musical traditions into a fresh, irresistible sound. After three years of sold-out concerts, the album promises a musical experience that radiates energy, sophistication, and joy. The album balances original compositions with Brazilian classics, brought vividly to life with guest appearances. Hans Ulrik's saxophone enriches the opening Samba Do Amor Que Não Existe, the classic O Negócio É Amar, and the reflective Dormilhão, while Flemming Agerskov contributes flugelhorn on Maria and trumpet on Sugar Reef. Tracks such as Choro Sambado and Dorme, Dorme Meu Menino showcase the quartet's fluid interplay and Rosàlia's agile phrasing, highlighting a unique blend of bossa nova elegance and jazz spontaneity. Named after Copenhagen's latitude, 55º reflects the group's geographical and cultural meeting point, where diverse traditions converge. Born in Rio de Janeiro in 1966, Rosàlia de Souza is recognized worldwide as one of the most compelling interpreters of samba, bossa nova, and Brazilian music traditions. With thirteen albums to her name, she has collaborated with icons such as Marcos Valle and Roberto Menescal, bringing the essence and refinement of 1960s Rio into the present. Her performances are infused with silk-smooth vocals, precise control, and a modern sensibility, bridging deep-rooted Brazilian tradition with explorations into jazz. The trio supporting Rosàlia adds distinctive character and depth. Peter Rosendal blends folk, world, and jazz influences, enriched by his extensive experience living and recording in Brazil. Craig Earle anchors the group with a warm, agile, and virtuosic bass sound. Jonas Johansen, whose career spans more than four decades and over 200 albums, brings orchestral precision and a truly global perspective to the music. After years of international performances, Rosàlia de Souza Quarteto 55º is ready to bring their unique sound to the global stage, inviting audiences everywhere to experience Brazilian jazz reimagined through cross-cultural collaboration.

This box set brings together four CDs capturing Avishai Cohen's formative years, recorded between 1998 and 2001-a pivotal era shaped by his collaboration with Chick Corea. Adama (1998) introduces a bold fusion of contemporary jazz and Middle Eastern traditions. Devotion (1999) reveals a more introspective and spiritual voice, enhanced by strings and vocals. With Colors (2000), Cohen embraces a synesthetic approach where harmonies and rhythms evoke vivid imagery. Unity (2001), finally, fully reflects his vision of a global, socially conscious jazz led by the International Vamp Band.

Rosa Passos is considered one of the most important and loved Brazilian singers. Many music fans view her as the queen of modern bossa nova and samba, and she's equally loved in South America, Japan, USA and Europe. Whether she's playing with Kenny Barron or Yo Yo Ma she easily sells out Carnegie Hall in New York. She also enjoys touring with her quartet at jazz festivals and jazz clubs around Europe. Rosa Passos is part of the golden generation of Brazilian musicians that includes Joao Bosco, Joyce Moreno, Gilberto Gil, Gal Costa, Maria Bethania, Milton Nascimento, Ivan Lins and many other great artists. Rosa Passos is especially loved for her elegance and soft touch. Her musicality is an inspiration to singers all over the world. Her music speaks to everyone, you don't need to know about jazz or music to understand and enjoy - there is something universal to her vocal and approach that instantly makes the listener go along on the journey Rosa sets out for. It's always beautiful and if you close your eyes you can feel the Brasilian soul and see the beaches for your inner eyes. On July 7th, 2001 Rosa Passos played two sets at the famous Copenhagen Jazzhouse, one of the best jazz clubs in Europe for more than 25 years. The concerts took place as part of a bigger summer tour of Europe, with Rosa Passos playing all the important jazz festivals. In 2001 she was still unknown to the audience in Copenhagen, but Steen Rasmussen, a Danish pianist who was there, remembers: "Her playing was flawless and sophisticated - and it swung like crazy. It was already the best music I'd ever heard. Then she began to sing - and I was almost in a trance. That voice, that phrasing, that swing, that empathy, that way she accompanied herself - and that low volume. I could tell everyone present felt the same. Rosa Passos had changed all our lives forever" The experience speaks to the impact Rosa Passos has on people when they have the honor of experiencing her talent first-hand. She's intimate and powerful at the same time, and the tunes she plays, a mixture of her own compositions and Bossa Nova-classics, support her means of expression in the best way possible. This recording from Jazzhouse presents her and her band at her best. The sound is crisp, and the presence allows for the pure expression to shine through, and makes you wish that you had been there to experience this very special night in Copenhagen. "Imagine you are rocking a baby to sleep. For me, that's Bossa Nova" - Rosa Passos

With a shared history spanning decades and a sound rooted in both the jazz tradition and the Nordic spirit, the Danish jazz trio Sophisticated Ladies - pianist Marie Louise Schmidt, bassist Helle Marstrand, and drummer Benita Haastrup - unveil their new album, That Healin' Feelin', due out on October 10 on Storyville Records. Formed in 1987 under the mentorship of American trombonist and vocalist Richard Boone (Count Basie Orchestra, Danish Radio Big Band), the trio have built a repertoire that seamlessly blends the roots of jazz with the nuances of Nordic expression. The album consists of 10 tracks with freshly interpreted standards, original compositions, and beloved pieces from the early days of the ensemble. The album opens with Les McCann's soulful title track, a nod to the group's formative years. It continues with Mary Lou Williams' J.B.'s Waltz and A Grand Night for Swinging, two foundational works from the group's early repertoire. Other highlights include takes on Duke Ellington's Going Up, Thelonious Monk's Bemsha Swing, and Abdullah Ibrahim's Blue Bolero, a trio of towering jazz voices who have left a lasting imprint on the group's sound. The record is enriched by original compositions: Svaner i Maj (Swans in May) by Marstrand, Gar pa Sol (Walk on Sun) by Haastrup, and Uden Ord (Without Words) by Schmidt. These pieces are deeply rooted in Danish song traditions and reflect the trio's Nordic musical language. Closing with the timeless What a Wonderful World, the album pays loving homage to Richard Boone, who for more than a decade toured and performed with Sophisticated Ladies. In his words, always spoken at the end of a concert: "What a Wonderful World, and then we go home, children." That Healin' Feelin' is a heartfelt continuation of a musical dialogue that began nearly 40 years ago, and a testament to the vitality and versatility of three musicians still listening deeply to each other and the world around them.

Twenty years after their acclaimed trilogy, Eric Rasmussen and his long-standing quartet return with School of Tristano 4—a revelatory deep dive into the compositions and aesthetics of Lennie Tristano, Lee Konitz, and Warne Marsh, paired with striking originals. Drawing from decades of study, stage experience, and personal connection, Rasmussen’s quartet reinvents this rich, often-underrepresented repertoire with stunning clarity, warmth, and spontaneity. While the album brims with telepathic interplay and ensemble finesse, Rasmussen’s alto saxophone sings with a personal voice, never imitative, always rooted in the language of deep jazz tradition but reaching forward. Guitarist Nate Radley, bassist Dave Ambrosio, and drummer Mark Ferber bring unmatched sensitivity, groove, and lyrical depth. School of Tristano 4 offers both serious jazz heads and adventurous listeners a fresh insight into classic modernist repertoire—an album that resonates with the spirit of Tristano while speaking entirely in the quartet’s own voice.

Avant de devenir le maestro des bandes originales cultes comme Mission: Impossible ou Bullitt, Lalo Schifrin etait un virtuose du piano et un grand innovateur du jazz et de la bossa nova. Avec un sens de l'arrangement dejà exceptionnel, il arrange et compose pour Dizzy Gillespie ou Quincy Jones. Ce coffret 3 CD, realise par Olivier Julien reunit les premiers enregistrements publies sous son nom et nous plonge dans les debuts eclatants d'un jeune pianiste de jazz argentin lumineux, en passe de devenir l'un des plus grands compositeurs d'Hollywood. Patrick FReMEAUX Before he became the maestro of iconic film scores like Mission: Impossible or Bullitt, Lalo Schifrin was already a piano virtuoso and a major innovator in jazz and bossa nova. With an already exceptional knack for arrangement, he arranged and composed for Dizzy Gillespie and Quincy Jones. Curated by Olivier Julien, this 3-CD box set brings together the first recordings released under Schifrin's name, offering a captivating glimpse into the brilliant early days of a young, luminous Argentine jazz pianist on the cusp of becoming one of Hollywood's greatest composers. Patrick FReMEAUX CD1 : RENDEZ-VOUS DANSANT À COPACABANA AVEC LALO SCHIFRIN, SON PIANO ET SES RYTHMES - MOULIN ROUGE - LES OIGNONS - FASCINATION - CABELLO ROJO - MON HOMME - MAMBOP - PIGALLE - SeReNADE MeDITERRANeENNE. SPECTRUM - RED SAILS IN THE SUNSET - AZURE - THE MOON WAS YELLOW - RUBY - BLACK BEAUTY - WHEN THE WIND WAS GREEN - BROWN PRELUDE - WHITE ORCHIDS - BLUE IS THE NIGHT - SCARLET RIBBONS (FOR HER HAIR) - PURPLE PASTEL. CD2 : PIANO ESPAÑOL - FRENESI - THE BREEZE AND I - CAPRICHO ESPAÑOL - MY SHAWL - CARAVAN - MALAGUENA - CHA CHA CHA FLAMENCO - WARSAW CONCERTO - HULABLUES - JUNGLE FANTASY - ALL THE THINGS YOU ARE - EL CUMBANCHERO. LALO = BRILLIANCE (THE PIANO OF LALO SCHIFRIN) - THE SNAKE'S DANCE - AN EVENING IN SAO PAULO - DESAFINADO - KUSH - RHYTHM-A-NING - MOUNT OLIVE - CUBANO BE - SPHAYROS. CD3 : BOSSA NOVA, NEW BRASILIAN JAZZ - BOATO - CHORA TUA TRISTEZA - POEMA DO ADEUS - APITO NO SAMBA - CHEGA DE SAUDADE - BOSSA EM NOVA YORK - O AMOR E A ROSA - O MENINO DESCE O MORRO - MENINA FEIA - OUcA - SAMBA DE UMA NOTA SO - PATINHO FEIO (UGLY DUCKLING). PIANO, STRINGS AND BOSSA NOVA - THE WAVE - INSENSATEZ - YOU AND ME (VOCE E EU) - LALO'S BOSSA NOVA (SAMBA PARA DOS) - SILVIA - MURMURIO (MURMUR) - MARIA - RAPAZ DE BEM - SAMBA NO PERROQUET (PARROT SAMBA) - RIO AFTER DARK - TIME FOR LOVE - I'm LOOKING OVER A FOUR-LEAF CLOVER. BONUS CD3 : QUINCY JONES ET LALO SCHIFRIN - SOUL BOSSA NOVA - LALO BOSSA NOVA. DIRECTION ARTISTIQUE : OLIVIER JULIEN

For over four decades, Danish guitarist and composer Pierre Dørge has pushed the boundaries of jazz with a highly personal voice—combining Nordic lyricism with global rhythms, and crafting what critics call “pan-cultural jazz.” On Songs for Mbizo, Dørge returns in a stripped-down quartet setting that showcases his singular tone and spiritual depth, this time in tribute to South African bassist Johnny “Mbizo” Dyani, whose legacy courses through Dørge’s music like a vibrant thread. Following celebrated small-group releases such as Ballad Round the Left Corner and Blui, this new live recording features Kirk Knuffke (cornet), Thommy Andersson (electric bass), and Martin Andersen (drums)—a dynamic international lineup that breathes fresh intensity into Dyani’s compositions.

Saxophonist-composer Chris Byars, praised as a modern master of ensemble writing and conceptual storytelling, delivers new album The Dark Forest—his fifteenth release on SteepleChase and perhaps his most introspective to date. Byars’ signature Original Jazz Sextet achieves remarkable harmonic and emotional depth through intricate voicings and counterpoint. Critics have celebrated Byars as a visionary of new bop vocabulary. His previous albums like Boptics and Rhythm and Blues of the 20s drew accolades for their smart, infectious writing and engaging solo showcases. “… he knows his musicians so well, Byars is masterful in his writing, blending the reeds and trombone in intricate ensembles while letting the soloists all shine throughout.” (Ken Dryden – New York City Jazz Record on SCCD 31929)

Stratus is the stunning new quartet album from violinist Zach Brock and pianist Phil Markowitz, joined by Finnish jazz standouts Jaska Lukkarinen and Ville Herrala. Recorded in the peaceful setting of Sipoo, Finland, the album blends lyrical improvisation, intricate composition, and intuitive interplay into a cohesive, deeply expressive whole. From lush ballads to dynamic rhythmic journeys, Stratus showcases the quartet's chamber-like sensitivity and jazz-rooted spontaneity. Brock and Markowitz, building on their earlier collaboration Perpetuity, offer a seamless musical conversation elevated by a rhythm section that listens and leads in equal measure. A rich, genre-blurring project, Stratus is both intimate and expansive an exploration of sound grounded in trust, nuance, and shared vision.

AMARe is a musical tribute to the sea, to love, and to the ever-shifting tides of inspiration between Brazil and Europe. The title blends a mare (the tide) and amar e (to love is), capturing the album's essence: movement, emotion, and surrender. Vocalist Celine Rudolph, pianist Henrique Gomide, and guitarist João Luis Nogueira come together in an intuitive dialogue where Brazilian rhythms and jazz improvisation meet in perfect flow. The trio moves seamlessly between original compositions and fresh interpretations of classics by João Donato, Gilberto Gil, Toninho Horta, and Candeia. Each track resonates with freedom and connection whether in the poetic depth of Itacimirim, the rhythmic interplay of Toca da Arara, or the quiet beauty of Preciso Me Encontrar. AMARe is not a reconstruction but an organically grown musical language where tradition and modernity converge. With guest appearances by Toninho Horta and Teco Cardoso, this is a contemporary ode to Brazilian music authentic, exploratory, and timeless.

With over 30 leader/co-leader albums on SteepleChase, Andy LaVerne stands as one of jazz’s most quietly fearless innovators. His new project, Crystal Night, expands the dynamic chemistry of his acclaimed trio—bassist Mike Richmond and drummer Jason Tiemann—by adding vibraphone’s rising star Sasha Berliner, whose artistry evokes the spirit of Bobby Hutcherson and Gary Burton while charting her own path. This quartet offering features ten newly written LaVerne compositions, each meticulously designed to explore subtle harmonic colors, metric shifts, and emotional depth. From the title track’s crystalline lyricism to the explosive energy of “Power Play” and the gently introspective “Second Thoughts,” Crystal Night is a study in texture, trust, and ensemble clarity. “If you haven’t known Andy LaVene ever, This ine is a perfect introduction. It’s lyrical, musicaly intensive and most eloquent.” (Ole Mayyiemen – Jazz Special on SCCD 31818 Genesis)

With Peace Orchestra, saxophonist Yuri Honing presents a new musical chapter where boundaries blur and sounds connect. This unique ensemble brings together a rich palette of influences, rooted in the spiritual jazz of the 1960s and '70s, yet infused with modern electronics and an open, contemporary sound. Inspired by legends such as Pharoah Sanders (The Creator Has a Masterplan), Charles Lloyd, and Sun Ra, the album is a tribute to musical freedom. The Peace Orchestra defies stylistic labels - it is a breathing, evolving entity where tradition, innovation, and improvisation continuously embrace each other. Together, Yuri Honing - tenor saxophone, Remy van Kesteren - harp & electronics, Ella Zirina - guitar, Tony Overwater - double bass & bass guitar, and Yoràn Vroom - drums, create a sonic universe that feels contemplative, powerful, and wide open. Live recordings such as For a Script, Kaïn & Abel, and a surprising reinterpretation of Imagine showcase their dynamic energy and collective freedom.

Award-winning trumpeter/composer/arranger Jason Palmer, a fixture of the Boston jazz scene and frequent SteepleChase recording artist, presents his boldest artistic statement to date with this intimate duo recording. Shorter Songs marks Palmer’s first commercially released duo album and pays homage to jazz legend Wayne Shorter through a series of original contrafacts based on Shorter’s compositions. Joined by acclaimed pianist Kevin Harris—his longtime musical ally—Palmer explores the emotional and harmonic depth of Shorter’s writing while bringing his own contemporary sensibilities into play. “Palmer has proven to be one of the most compelling artists of his generation.” (Ken Dryden – NYC Jazz Record)