Catalan pianist Vincente Tete Montoliu (b. March 28, 1933 in Barcelona) “swings like no other pianist in Europe”, once remarked Ben Webster.
Jazz Journal confirmed Ben’s opinion in reviewing this album, “...he could blow most contemporary pianists into the ground technically...”.
And Radio Free Jazz of USA (the predecessor of JazzTimes) concluded,
“...This is the best piano record in many years and one that will certainly rank with the best of any era.”
“El Grand Señior from Catalonia” was the way Dexter Gordon used to introduce Tete Montoliu to the audience at Club Montmartre in the 60s. Vincente Montoliu Massana, better known as Tete Montoliu (1933-1997) was born blind and learned to play piano at age 7 by Braille method. He studied music at the Conservatori Superior de Música de Barcelona (1946-1953). His remarkable international career took off in 1956 when Lionel Hampton invited him for his big band and since then Tete played all over the world with host of jazz luminaries.
“Listen to the superb interaction between a man and his piano in the utmost sublimity... Montoliu shares the same pulse, sincerity, talent with his illustrious predecessors Art Tatum and Earl Hines...” (Pierre Steve, The Lion on SCS 1216)
“Like the previously released album from the same session – “That’s All” (SCS1199) this Spanish pianist shows his grandiose and virtuoso side…” (Erik Wiedemann – Information on SCS 1216)
American trumpeter Red Rodney (1927-1994) came into the spotlight with his legendary firecracker pace and pitch late 40s and was hired by Charlie Parker to replace Miles Davis in his quintet (1949-1951). In spite of his turbulent life during the 60s and 70s Rodney made a comeback to the world scene in the 80s.
For the interesting details, do read Chris Sheridan’s liner notes included in this release.
This 1988 studio recording took place in Copenhagen, Denmark where he lived a couple of years.
“...this excellent and restrained session will bring more accolades to this little giant of jazz, Red Rodney.” (Jazznews)
“Here is one of the most listenable Red Rodney records to come along in years .... It is Rodney’s superbly lyrical work that makes this an essential record.” (Jazz Journal)
