Vinyl LP pressing. "Twelve days after Louis Armstrong died, his old friend Earl Hines recorded a solo tribute to the great trumpeter/vocalist. This album, one of three that Hines recorded in a two-day period, features eight songs associated with Satch including "Struttin' with Some Barbeque," "A Kiss to Build a Dream On," "Someday You'll Be Sorry" and two versions of Armstrong's theme "When It's Sleepy Time Down South." This set should be of particular interest to Earl Hines collectors for the pianist rarely performed most of these songs, and he gives fresh heartfelt renditions to the standards" (ORG Music / AMG). Available on vinyl for the first time in decades, the historic recordings were remastered for the format at Infrasonic Mastering and pressed at Pallas Group in Germany.
Us is a compilation of rare material from Sun Ra and his Arkestra, drawing from tapes recorded between 1963 and 1970, taken from both live and studio performances. The space-age jazz shaman conjures up a variety of styles and moods along the way. The album has been remastered, and pressed on audiophile-grade vinyl at Pallas in Germany.
Also known as Jazz by Sun Ra, this 1956 LP was the first widely distributed album by this experimental-jazz trailblazer. It took many critics years to fully apprehend the harmonic and rhythmic inventions of Brainville; Transitions; Possession; a Call for All Demons; Street Named Hell, and more!
This album's sound & style is similar to the route Mitchell chose on his "Hey Donald" album, mainly because he uses the same quartet, minus Malachi Favors, who was replaced by Reggie Workman; the remaining players are Jodie Christian & Albert Heath.
Originally released on Sackville recordings in 1974 as "The Roscoe Mitchell Solo Saxophone Concerts", this historical reissue has been remastered and contains the same material as the original, which is primarily solo concerts from Montreal, Michigan and Pori, Finland recorded in 1973-1974. It captures Roscoe Mitchell in a very important period in his development as a musician as he started exploring his own solo voice again after a very productive period with the Art Ensemble of Chicago. It beautifully displays his virtuosity and range on the different horns in the saxophone family, and many of the melodies he explores in these recordings were expanded on in his later works. It is truly a peek into how some of his elaborate compositions may have begun.
Rob Mazurek's latest venture into the universe of sound is the all mighty Pulsar Quartet featuring the magic and power of Angelica Sanchez - piano; the melodic shapes of Matthew Lux - bass; the polyrhythmic galaxies of John Herndon - drums and the solar arcs of Rob Mazurek on cornet. All members of the critically acclaimed Exploding Star Orchestra, the quartet sprays, throws, erupts and caresses 7 new Mazurek compositions that expand upon the idea of melodic freedom within the realm of shifting chromatics, pop-like harmonies, pulling anthems and contrasting pedal points.
Earl Hines moved to Chicago in 1926 at the age of 21 and began his association with Louis Armstrong, with whom he recorded. Hines is recognized as a major innovator in the development of jazz piano, and he was also a major band leader performing at, and broadcasting from, the Grand Terrace Ballroom in Chicago from 1928-43. He moved to the S.F. Bay Area in 1956 & lived there until he passed in 1983. This live sextet performance was recorded May 13, 1970 in San Francisco.
Jazz cornet player Rob Mazurek has created a sound world that is uniquely his own, sculpting a total sound environment, by fully utilizing the beautiful instrumentation of the Exploding Star Orchestra and sounds from a variety of sources, including: rain from the Brazilian Amazon, insects at the turn of an eclipse, the hammering overdrive of bicycles in Copenhagen, stacked muted cornets run through various filters, drones built from electric eels and piano feedback, hi-frequency sinuous lines from tone generators, pitched bass guitars, and other prepared instruments. With Nicole Mitchell, Jason Adasiewicz, Greg Ward, Josh Abrams, Mike Reed. Also on LP; CD has one extended track and one bonus track not on the LP.
Chicago tenor saxophone legend and proprietor of the longest standing and most adventurous avant garde jazz club in Chicago, Fred Anderson celebrated his 80th birthday this past March and Delmark was there to capture it. All three of Fred's earlier Delmark albums were live at the Velvet but the excitement level here is unmatched as the show was sold out weeks in advance. Fred is joined by Kidd Jordan - tenor saxophone, Jeff Parker - guitar, Harrison Bankhead - bass, Chad Taylor - drums. Also available: On the Run (DMK 534), Back at the Velvet Lounge (DMK 549), Timeless (DMK 568, DVD 1568).
Jerry Bergonzi's quintessentially modern tenor sax style melds the linear, chromatic approach of such greats as Joe Henderson, Wayne Shorter and John Coltrane. Featuring pianist Bruce Barth and trumpeter Phil Grenadier, this is Bergonzi's first quintet recording for Savant Records and finds in him in fine form as a player and as a composer.
Described as being "soulful, swinging and yet utterly modern", New York based alto saxophonist Jim Snidero's music seems to encapsulate what is both unique and compelling about jazz. Snidero exercises his composing chops on INTERFACE as well, penning all the tunes on the set list and drawing an astonishing array of color from the sax-guitar-bass-drums quartet combination.
