Rossi, Lotti: Madrigals Alan Curtis, Number of Discs: 1 Alan Curtis's recording of Rossi's Madrigals and Lotti's Madrigals is the newest addition to the Veritas x2 series. Veritas x2 is a series from Virgin Classics devoted to landmark recordings of early Baroque music. Although Rossi was famed as an outstanding violinist and keyboard artist, his reputation also rests on his audacious madrigals, which was inspired by Carlo Gesualdo. Lotti's madrigals are considered a bridge between the established Baroque and emerging Classical styles. Alan Curtis leads the Il Complesso Barocco in this recording.
Tenor saxophonist Curtis Amy recorded his powerhouse live album, Tippin' On Through, for Pacific Jazz in 1962 at the Lighthouse in Hermosa Beach, California with a stacked sextet featuring Roy Brewster on trombone, Roy Ayers on vibraphone, John Houston on piano, Bob Whitlock on bass, and Lawrence Marable on drums. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on gatefold jacket.
The Danish Radio Big Band joined in with Curtis Stigers to celebrate the iconic legendary Frank Sinatra concerts that took place at The Sands Hotel in Las Vegas. This concert recording presents the most beloved evergreens from the American songbook classics of the 1950s and 1960s. 50 years ago, magic was made on the stage of the Sands Hotel and Casino in Las Vegas, when the timeless Frank Sinatra met the robust swing of the Count Basie Orchestra. Sinatra at the Sands has remained a beloved classic ever since, the perfect marriage of old-school pop and big band jazz. Singer, songwriter and saxophonist Curtis Stigers brings those worlds together in his own music since the last three decades, which makes him the perfect candidate to reinterpret Sinatra's cherished repertoire for modern ears. He captures the rare alchemy of hipness, elegance, playfulness and feeling that made Sinatra's renditions of these songs immortal while adding his own unique twist.
The Danish Radio Big Band joined in with Curtis Stigers to celebrate the iconic legendary Frank Sinatra concerts that took place at The Sands Hotel in Las Vegas. This concert recording presents the most beloved evergreens from the American songbook classics of the 1950s and 1960s. 50 years ago, magic was made on the stage of the Sands Hotel and Casino in Las Vegas, when the timeless Frank Sinatra met the robust swing of the Count Basie Orchestra. Sinatra at the Sands has remained a beloved classic ever since, the perfect marriage of old-school pop and big band jazz. Singer, songwriter and saxophonist Curtis Stigers brings those worlds together in his own music since the last three decades, which makes him the perfect candidate to reinterpret Sinatra's cherished repertoire for modern ears. He captures the rare alchemy of hipness, elegance, playfulness and feeling that made Sinatra's renditions of these songs immortal while adding his own unique twist.
On Curtis Stigers's 2022 release, this multi platinum artist takes a look back with new versions of his international hits "I Wonder Why," "Never Saw A Miracle," and "You're All That Matters To Me," as well as "This Life," the theme song to the TV show Sons Of Anarchy, and (What's So Funny 'Bout) Peace Love and Understanding" from The Bodyguard soundtrack. Stigers revisits these classics and more, in his signature laid back, jazzy, bluesy style. Exclusive to the gatefold double LP is the bonus track, Bob Dylan's "Don't Think Twice, It's All Right." Track-listing: 1. (What's So Funny 'Bout) Peace, Love And Understanding 2. You're All That Matters To Me 3. I Don't Wanna Talk About It Now 4. I Wonder Why 5. This Life 6. Keep Me From The Cold 7. Summertime 8. Don't Go Far 9. Tonight Will Be Fine 10. Swingin' Down At 10th And Main 11. Never Saw A Miracle 12. Don't Think Twice, It's All Right
On Curtis Stigers's 2022 release, this multi platinum artist takes a look back with new versions of his international hits "I Wonder Why," "Never Saw A Miracle," and "You're All That Matters To Me," as well as "This Life," the theme song to the TV show Sons Of Anarchy, and (What's So Funny 'Bout) Peace Love and Understanding" from The Bodyguard soundtrack. Stigers revisits these classics and more, in his signature laid back, jazzy, bluesy style. Track-listing: 1. (What's So Funny 'Bout) Peace, Love And Understanding 2. You're All That Matters To Me 3. I Don't Wanna Talk About It Now 4. I Wonder Why 5. This Life 6. Keep Me From The Cold 7. Summertime 8. Don't Go Far 9. Tonight Will Be Fine 10. Swingin' Down At 10th And Main 11. Never Saw A Miracle
John Pascoe, director, set & costume designer. Sara Erde, choreographer.
NTSC All Region Sound: LPCM 2.0; Dolby Digital 5.1 Color Aspect Ratio: 16:9 Duration: 136 mins. Subtitled in Italian, English, German & French
Singers of great renown were called upon for the first performance of Ercole sul Termodonte by Antonio Vivaldi in Rome, “in the hall of Signor Federico Capranica”, on 27th January 1723. An exclusively male singing cast, as was the custom on Roman stages, to tell the tale of the battle between Hercules, accompanied by the heroes Theseus, Telamon and Alceste, and the Amazons led by Antiope. The story, which is based on the ninth of the legendary labours of Hercules, and which concludes with the traditional happy ending here decreed by Diana, who proclaims the nuptial unions of Hippolyte, Antiope’s sister, (with Theseus, prince of Athens) and of Martesia, Antiope’s daughter (with Telamon, king of Ithaca), was arranged by the “regular canon of La Carità of Venice” Don Giacomo Francesco Bussani, on a libretto that had already been performed in 1678 at the San Salvatore theatre in Venice. The opera was successful, winning appreciation and at the same time astonishment , through its introduction of many passages written in a new “manner”, with an exciting, incisive rhythmic gait. This style so excited the Romans that from then on they demanded it almost exclusively in melodramas.
After the success of 1723, however, Ercole did not circulate widely and at a certain point the score was thought to have been lost. It has only recently been reassembled thanks to the precious rediscovery of some thirty arias and two duets in various archives, and has been reconstructed in its recitative passages. Arias and recitatives are indeed the traditional dramatic pillars supporting the dénouement of the story. The recitatives are generally “secco”, recreated along Vivaldian principles of expressivity and flexibility to accentuate the quality of the individual verses and respecting the general tone of the discourse. The orchestra, however, is present, punctually and in elaborate manner, not only in the more dramatic moments but also in the bucolic, descriptive arias, and stands in the service of the voice to accentuate onomatopoeic effects and to offer clearer depictions of the characters and the feelings that drive them. Now in his twenty-second opera score, Vivaldi brings into play all the technical means at his disposal to render the story comprehensible and to present the state of mind of the individual characters. The main desire of the “red priest” was to proceed smoothly, following the expressive substance of the verses, using shifting melodic invention to set the various scenic moments against a ceaseless search for lively collaboration between voices and instruments and a skilled use of harmonies and of a fanciful search for colors. The final “product”, based though it was on the structures of Neapolitan opera, thus emerges as something unique and personal.
The Anglo Mexican Foundation celebrates it's 75th anniversary with this programme of three of it's recent commissions - from Mexican composers Alejandro Basulto and Arturo Márquez - joining the first recording of Márquez's harp concerto Máscaras, in an album that interleaves nocturnal warmth with an infectious spirit of dancing energy. Alejandro Basulto is a Mexican award-winning composer and orchestral conductor. His music is characterized by a profound Latin-American identity, a vibrant integration of contemporary popular culture, a continuous exploration of diverse techniques and the use of new narrative approaches. Arturo Marquez was born deep in the Sonoran desert in the colonial town of Alamos, Mexico. He currently works at the National University of Mexico, Superior School of Music and the National Center of Research, Documentation and Information of Mexican Music.
Vaughan Williams: The Lark Ascending, Violin Concerto; Elgar / Waley-Cohen
Signum Classics
CD
$19.99Oct 14, 2014
British-violinist Tamsin Waley-Cohen – described by the late Ruggiero Ricci following a masterclass as the “most exceptionally gifted young violinist I have ever encountered” – adds to her prodigious reputation with a new disc of timeless works for strings by Ralph Vaughan Williams and Edward Elgar. Joined again by the Orchestra of the Swan under David Curtis, the centerpiece of the program is a performance of Vaughan Williams’ enchanting The Lark Ascending. Of her previous disc: “Waley-Cohen makes the utmost of [the D minor Concerto’s] innocent, songful lyricism...” The Observer
Shostakovich: Piano Concertos & Piano Sonatas / Donohoe, Curtis, Orchestra of the Swan
Signum Classics
CD
$19.99Oct 20, 2017
Celebrated international pianist Peter Donohoe continues his series of Shostakovich releases on Signum Classics, following his recent release of the 24 Preludes and Fugues, Op. 87 (SIGCD396). For this new recording he is accompanied for the concertos by the Orchestra of the Swan under their artistic director David Curtis. In the years since his unprecedented success as Silver Medal winner of the 1982 7th International Tchaikovsky Competition in Moscow, Peter Donohoe has built an extraordinary world-wide career, encompassing a huge repertoire and over forty years’ experience as a pianist, as well as continually exploring many other avenues in music-making. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility and commanding technique.
Recorded at Teatro Comunale, Ferrara, January 2008
Motezuma is Vivaldi’s only opera set in the New World. The manuscripts for this rarely performed and rarely heard opera were only rediscovered in 2002 and currently only one CD version exists recorded by Alan Curtis and Il Complesso Barocco.
Of the CD recording, BBC Music Magazine wrote: “The instrumentalists of Il Complesso Barocco are on excellent form as indeed is Vivaldi himself in a rewarding score”.
Alan Curtis, one of the leading experts of Baroque music, returns again with the same orchestra, renowned Baroque specialist Vito Priante and another expert cast for the World Premiere Recording on DVD.
Region Code: 0 (All) Sound format: 16:9 Picture format: LPCM 2.0 Running Time: 153 min. + extras Booklet notes: Ita / Eng / Fre / Ger Subtitles: Fre, Eng, Ger, Spa, Ita
Vinyl LP pressing. Acoustic Sounds celebrates Contemporary Records with this new reissue of Curtis Counce's 1957 album You Get More Bounce With Curtis Counce! Originally released in 1957 the album sees Counce (bass) alongside Jack Shelton (trumpet), Harold Land (tenor sax), Carl Perkins (piano) & Frank Butler (drums). Recorded by Roy DuNann this edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.
Ireland: Music for String Orchestra / Wallfisch, Curtis
Naxos
CD
$19.99Apr 08, 2016
John Ireland’s music is often a response to landscape and romantic sensitivities, and with its significant musical clues, broad, songlike melodies and turbulent finale, the Sonata in G Minor is one of his most expressive and passionate works. A Downland Suite is one of Ireland’s most attractive compositions, especially for its exquisite Elegy and popular Minuet made familiar through its use in radio and television. Ireland’s evocative piano works lend themselves well to string orchestra arrangement, including the poetic Soliloquy, and In a May Morning inspired by spring on Guernsey.
