Dexter In Radioland vol. 5 This fifth volume finds Dexter with his best rhythm section. “...This collection of recordings from the Montmartre Club in Copenhagen in the Sixties...captures Gordon in full bloom....when Gordon hits his stride, as he does on the blues choruses of “Soul Sister”, there is every reason to join in the cheering of the audience. Remember him this way.” (Clive Davis, The Arts)

Here’s the second volume of the celebrated Bud Powell recording from Gyllen Cirkeln (Vol. 1 - SCCD 36001). There are three more volumes to come. All tracks have never been issued before. “...there is no other recording which allows you to enjoy Powell so thoroughly as this series. Precious releases.” (Eiichi Fujii, Swing Journal) “ ....Absolutely indispensable.” (Pierre Schavey, JAZZ)

American trumpeter Red Rodney (1927-1994) came into the spotlight with his legendary firecracker pace and pitch late 40s and was hired by Charlie Parker to replace Miles Davis in his quintet (1949-1951). In spite of his turbulent life during the 60s and 70s Rodney made a comeback to the world scene in the 80s. For the interesting details, do read Chris Sheridan’s liner notes included in this release. This 1988 studio recording took place in Copenhagen, Denmark where he lived a couple of years. “...this excellent and restrained session will bring more accolades to this little giant of jazz, Red Rodney.” (Jazznews) “Here is one of the most listenable Red Rodney records to come along in years .... It is Rodney’s superbly lyrical work that makes this an essential record.” (Jazz Journal)

Dexter In Radioland vol. 3 “Those were the nights in the summer of 64, sitting home in your pad turning the dial on the radio, and suddenly the mighty Dexter Gordon is on the air. You are in Radioland with one of the godfathers of bebop...”(Ib Skovgaard - from the linernotes.) “....an impressive document of the time.” (Barry McRae, Jazz Journal International November 1990)

Dexter In Radioland vol. 1 Dexter In Radioland is a mini series within the 36000 “classic” series and there are 7 volumes capturing Dexter in the very best period of his career. Copenhagen was his adoptive home in the 60s and the recordings here took place in the famous jazz club Montmartre with packed with enthusiastic audiences night after night. “...it is difficult to forget the staggering impact made by Dexter Gordon during his early sorties before European audiences....These splendid recordings celebrate Dexter’s first year in Europe and confirm that what we heard then was every bit as good as it seemed....There is a bonus...Atli Bjørn’s highly economical and individual style deserved a wider audience...” (Jazz Journal) “...there is every reason to join in the cheering of the audience. Remember him this way.” (The Times)

This is the first release of SteepleChase 36000 series which distinguishes itself from the 31000 series as it concentrates on releasing the old recordings we acquired to document the great moments of jazz history. The recording sources are varied: radio shows, live concerts, private recordings, etc. Although most of the releases from this series can be described as historical recordings, we made it a point to obtain legal clearance from the artists or their estates for each and every release and to improve the sound quality when technically possible. This poignant recording (private - by the club owner) from Stockholms’s famous Gyllene Cirkeln (Golden Circle) jazz club finds Bud in an increasingly rare period of clarity and stability. “...A unique voice...irreplicable..” (Compact)

“The uncompromisingly original” Jackie McLean was the driving force of the early 60s’ Hard Bop and “Free” jazz. Within a year of this live session Jackie cut himself off the recording scene until he reappeared in SteepleChase’s first release “Live At Montmartre” SCCD 31001. “...All modern collections should include a smattering of McLean..” (Jazz Journal) “Jackie McLean, a true, acrobatic talent of alto sax...” (Jazz Hot)

Dexter In Radioland vol. 4 “...This music here, recorded for Danish radio, all comes from 1964, when Dexter was at what we see with hindsight to have been both the zenith of his career and probably the happiest time of his life....” (Steve Voce, JAZZ FM)

“This excellent series of records which starts with a Montmartre Jazzhus live date from 1962 documents the way in which Gordon was playing when he arrived in Europe....his big tone failing to disguise his natural lyricism and his ability to brand a ballad his own. ....The support he received throughout this series was good and one can almost race the main group’s progress as the series unfolds...” (Barry McRae, Jazz Journal)

.... Buttercup (Bud’s wife) described their stay in Stockholm as “a grand experience - we were very happy there”. Much of this comes across in recordings which really do come close to Bud’s finest achievements of a 2decade earlier. .... from the linernotes by Chris Sheridan

“Some might criticise that Dexter put out too many albums but this recording I cannot do without...” (Jyllandsposten) “...a thoroughly satisfying late-night-set.” (Michael Tucker, Jazz Journal International) Previously issued on SCCD 31224 & SCCD 31226

“ ...if you appreciate Bley’s quintessential lyricism and Lundgaard’s singing lines, this one and the other (Live Again SCCD 31230) are noteworthy albums...” (A.G., Compact, September 1989) “...The Rapport between Bley and Lundgaard is perfect...” (Birger Jørgensen, Aarhuus Stiftstidende) Previously issued on SCCD 31223 & SCCD 31230

This volume concludes the celebrated series of Bud Powell recording from Gyllen Cirkeln (earlier releases SCH 36001, SCH 36002, SCH 36009 & SCH 36014). There is Bud’s rare vocal on This Is No Laughin’ Matter. “The sum of Bud’s recordings at the Golden Circle is, then a study of a musician in travail, yet one who, despite the flaws, is able to project a strongly emotional body of music to the listeners...” (Chris Sheridan, from the linernotes)

“Buck Hill is one of the most notable ‘regional’ jazzmen in America…” (The Penguin Guide to Jazz) “…the saxophonist is continuously improving…his contribution is ever convincingly superb..” (Jazz Magazine) Previously issued on SCCD 31160 & SCCD 31173

“Clifford Jordan and The Magic Triangle toured in Europe in March-April 1975. I heard the group live and remember I was very impressed…With the quartet’s potential possibilities I cannot wait to see the release of the next volume…” (J.O – Orkester Journal 1978) “On Stage vol. 1 and its sequel embody the same group feelings and superb solo presentations by Jordan and Walton. They are the characteristic examples of this highly elaborated Be-bop music.” (Jørgen Siegumfeldt – Information 1978)