Christina Pluhar states: "Monteverdi's most admirable trait is the enormous diversity of compositional techniques that he masters and interweaves with supreme skill. Our aim in this recording is to bring out the varieta of his secular compositions. The modernity that runs like a constant thread through his pieces and makes his music seem timeless even in the twenty-first century is selfevident if one considers, for example, his use of ostinato basses. Jazz musicians are supposed to have 'invented' the walking bass in the 1940s, but already in Monteverdi we find ostinato basses which diverge from the standard ostinatos of the seventeenth century, that are unique of their kind and sound extremely modern." The BBC Magazine reviews the performance as "technical perfection". The easy informality with each other and the music, with which these pieces are performed, makes for a captivating listen. One of the most exciting Baroque performances to hit the record shelves this year. A Must Listen."

This edition features heavyweight vinyl showcasing the original 1969 BYG Records album, restored & remastered from the original master tapes. It comes in a deluxe gatefold sleeve with a matte laminate finish, along with an insert featuring liner notes by John Masouri. The first of The Art Ensemble of Chicago's renowned trio of albums for BYG's Actuel series now returns in a deluxe, audiophile edition This album is the Art Ensemble's most celebrated release, capturing the American avant-garde jazz collective at their most sensational, provocative, and startlingly original in a historic June 1969 session at Studio Saravah in Paris. Recorded in the aftermath of widespread anti-government protests and student riots, this album showcases what happens when four highly intuitive and accomplished musicians-driven by Black Nationalism and dreams of liberation, and armed with an array of diverse instruments-let their inspiration run free. The tracks on A Jackson in Your House challenge us to view music in a different light-not just as a source of entertainment, but as enlightenment, wonderment born of togetherness, courage, beauty, and surprise, all mixed with terrifying honesty.

Sonny Stitt was well-known for the ability to play saxophone fast, with authority over the most difficult of chord progressions. Sonny recorded his first session as leader in 1946 for Savoy with Kenny Dorham, Bud Powell and Kenny Clarke. In 1950, he made the first of many recordings with Gene Ammons, an association that would last through three decades and produce what is probably his best known records, including "Boss Tenors" from 1961. "It's Magic," from 1969, is a wonderful reminder that Sonny Stitt could burn bebop (check out the marvelous rendition of "Four") and make the hair on the back of your neck stand up when he played a moving ballad (as on "Body And Soul"). with Don Patterson, organ and Billie James, drums.

Vinyl LP pressing. "Twelve days after Louis Armstrong died, his old friend Earl Hines recorded a solo tribute to the great trumpeter/vocalist. This album, one of three that Hines recorded in a two-day period, features eight songs associated with Satch including "Struttin' with Some Barbeque," "A Kiss to Build a Dream On," "Someday You'll Be Sorry" and two versions of Armstrong's theme "When It's Sleepy Time Down South." This set should be of particular interest to Earl Hines collectors for the pianist rarely performed most of these songs, and he gives fresh heartfelt renditions to the standards" (ORG Music / AMG). Available on vinyl for the first time in decades, the historic recordings were remastered for the format at Infrasonic Mastering and pressed at Pallas Group in Germany.

The title refers to the first Chicago jazz clarinetist Volly DeFaut, a former member of the famous New Orleans Rhythm Kings, who also recorded with Jelly Roll Morton, Muggsy Spanier and the Gene Goldkette Orchestra. Russian-born jazz pianist Art Hodes is the leader for these 1972 recordings which also feature Truck Parham, bass; Barrett Deems, drums; and on two songs Nappy Trottier, trumpet and George Brunis, trombone. Volly DeFaut passed away in 1973 making these his very last recordings. (Previously deleted:12/1/04. Original release date:7/22/93)

Art Hodes' career as a pianist (and journalist) started in the 1920s & continued into the 1990s - eight decades! He recorded for Decca, Mercury, as well as what he liked to call "the modest labels." These blues-drenched solo piano performances celebrate the music of jazz' greats, many of who Art knew well, including Louis Armstrong. Part of Delmark's Euphonic series, this album was recorded in 1976 & 1978. 13 of the 15 songs are previously unissued performances.

This album's sound & style is similar to the route Mitchell chose on his "Hey Donald" album, mainly because he uses the same quartet, minus Malachi Favors, who was replaced by Reggie Workman; the remaining players are Jodie Christian & Albert Heath.

The Spiritual, a free jazz album recorded by The Art Ensemble of Chicago in 1974, finds the group of stellar musicians at their creative peak. With various types of percussion, though the absence of a traditional drummer, the ensemble is able to create vivid, freeing compositions without the confines of conventional structure. The quartet, consisting of Joseph Jarman, Roscoe Mitchell, Lester Bowie, and Malachi Favors, explore the depths of Avant-Garde Jazz through a means that has yet to be touched on in a comparable capacity. Previously released on red color vinyl exclusively for Record Store Day, The Spiritual will now be widely available on coke bottle clear color vinyl.

Art Ensemble of Chicago "The Sixth Decade - From Paris to Paris" Roscoe Mitchell, Famoudou Don Moye, Roco Co´rdova, Erina Newkirk, Moor Mother, Nicole Mitchell, Hugh Ragin, Simon Sieger, Jean Cook, Eddy Kwon, Tomeka Reid, Brett Carson, Junius Paul, Silvia Bolognesi, Jaribu Shahid, Dudu` Kouate´, Enoch Williamson, Babu Atiba, Doussou Toure´, Steed Cowart

This edition features heavyweight orange vinyl showcasing the original 1969 BYG Records album, restored & remastered from the original master tapes. It comes in a deluxe gatefold sleeve with a matte laminate finish, along with an insert featuring liner notes by John Masouri. The first of The Art Ensemble of Chicago's renowned trio of albums for BYG's Actuel series now returns in a deluxe, audiophile edition This album is the Art Ensemble's most celebrated release, capturing the American avant-garde jazz collective at their most sensational, provocative, and startlingly original in a historic June 1969 session at Studio Saravah in Paris. Recorded in the aftermath of widespread anti-government protests and student riots, this album showcases what happens when four highly intuitive and accomplished musicians-driven by Black Nationalism and dreams of liberation, and armed with an array of diverse instruments-let their inspiration run free. The tracks on A Jackson in Your House challenge us to view music in a different light-not just as a source of entertainment, but as enlightenment, wonderment born of togetherness, courage, beauty, and surprise, all mixed with terrifying honesty.

Originally released on Sackville recordings in 1974 as "The Roscoe Mitchell Solo Saxophone Concerts", this historical reissue has been remastered and contains the same material as the original, which is primarily solo concerts from Montreal, Michigan and Pori, Finland recorded in 1973-1974. It captures Roscoe Mitchell in a very important period in his development as a musician as he started exploring his own solo voice again after a very productive period with the Art Ensemble of Chicago. It beautifully displays his virtuosity and range on the different horns in the saxophone family, and many of the melodies he explores in these recordings were expanded on in his later works. It is truly a peek into how some of his elaborate compositions may have begun.

Art Ensemble of Chicago "The Sixth Decade - From Paris to Paris" Roscoe Mitchell, Famoudou Don Moye, Roco Co´rdova, Erina Newkirk, Moor Mother, Nicole Mitchell, Hugh Ragin, Simon Sieger, Jean Cook, Eddy Kwon, Tomeka Reid, Brett Carson, Junius Paul, Silvia Bolognesi, Jaribu Shahid, Dudu` Kouate´, Enoch Williamson, Babu Atiba, Doussou Toure´, Steed Cowart

Pianist Art Hodes' career lasted eight decades, starting in the late 20s and continuing into the 90s. Friar's Inn, near Van Buren and Wabash, was where the legendary New Orleans Rhythm Kings played Chicago in the early 20s. Their series of classic recordings for Gennett ushered in the early Chicago decade of jazz recordings. Hodes had long wanted to do a recording in honor of that early group and brought George Brunis and Volly DeFaut, both members of NORK in the 20s, to the studio for this 1972 session. On CD for the first time, this release features Barney Bigard and Barrett Deems.

The second installment of Art Hodes' recordings for the Euphonic label this contains another hour of inspired piano solos from the legend who's been described as a blues drenched jazz pianist. Hodes (1904-93) was active in the '20s so this is music played by a guy who was there when Bessie Smith was alive and recording. On this 1976 session he pays tribute to the great blues vocalist Bessie Smith. Contains the 12 songs from the original LP plus unissued tracks including St. Louis Blues After You've Gone Cakewalkin' Babies from Home & Pallet on the Floor.