Version without Narration - World Premiere Recording

Franz von Suppé became famous all over the world for the easy brilliance of his operetta melodies. He also achieved great success with theatrical stage music, including this version of Jules Verne’s adventure novel Around the World in 80 Days. Verne’s interest in science and new discoveries reflects the optimism of the late 19th century, and Suppé’s music is a perfect reflection of the light and dark in the narrative, evocatively tracking Phileas Fogg’s enterprising and at time dangerous voyage, and taking in the exotic orient and Gold Rush America along the way.

With specially made instruments and a range that can emulate that of a whole orchestra, the acclaimed Guitarra a Seis bring us a colorful program that includes works written specially for the ensemble. Opening with a real feast for the ears in Bach’s lively Brandenburg Concerto No. 3, we further encounter the magical moods of Ravel’s Ma mere l’Oye, a blend of Bulgarian folk and modern music from Atanas Ourkouzounov, Tobias Krebs’ jazz-infused Suite Panamericana, and Sergio Assad’s humorous Juan Sebastian’s Bar, which alludes to Bach and Beethoven but is Brazilian through and through.

Anthony Hedges was a popular and versatile composer with some 300 broadcasts to his name in Britain and abroad. He wrote prolifically in a variety of genres, often in response to commissions, from music for massed children’s choirs and youth orchestras to operas and chamber music. His scenic imagination and atmospheric tone pictures are full of warmth and color, such as can be found in the Four Breton Sketches and Scenes from the Humber, which captures the spirit of the city of Hull, where he spent many years teaching. The delightful Heigham Sound shows his vivacity and compositional élan.

Vitĕzslav Novák was one of the most important Czech composers of the late 19th and early 20th centuries. The Moravian-Slovak Suite is one of his most popular works, evoking an eventful and romance-filled day in a Slovakian village. Recorded here for the first time since its rediscovery by producer Jiří Štilec, the Two Wallachian Dances further invoke Novák’s passion for folk music. De profundis was written during the dark days of the Second World War. It includes an important part for organ which is unleashed with full force in one of the most triumphant conclusions in all of 20th-century music.

REVIEW:

Vitezlav Novak (1870-1949) described an eventful day in a Slovak village with his Moravian-Slovak Suite. It was recorded for this production for the first time since its rediscovery by producer Jiri Stilec.

Conductor Marek Stilec has his orchestra play in a tense yet sensitive manner to atmospherically reflect the character of the individual pieces (At Church, Among the Children, The Lovers, The Ball, Night).

This is followed by the Two Walachian Dances and, finally, the 22-minute De profundis, which was written during World War II and can be seen as a protest against Nazi terror. Novak dedicated the work after the war to all Czech victims of 1939 to 1945, commenting, "In Brno, where Czech citizens were shot and hanged by the Germans for fun, they went en masse to the executions, just as the Romans did in Nero’s time, when Christians were thrown to the wild beasts."

De profundis thrives on dark brooding sounds and, in contrast, abrupt effects "of almost apocalyptic expression," as the introduction states.

The important organ solo becomes especially impressive in the powerfully thunderous Grandioso and supports the orchestra in the triumphant coda.

-- Pizzicato (Remy Franck)

The three previously unpublished and unrecorded chamber works in this programme were all written after Castelnuovo-Tedesco’s enforced move to the United States from his native Italy. Evoking the emotional day on which the composer sailed into New York for the first time, the Third Violin Concerto was composed for Jascha Heifetz specifically as a duo for violin and piano. Established as a highly regarded teacher and composer of film music, Castelnuovo-Tedesco rediscovered the joy of chamber music making as part of the Hollywood musical community. He considered the Sonata for Violin and Cello, Op. 148 his finest in this genre, while the String Trio, Op. 147 recalls the shores of the Mediterranean.

The viola is only slightly larger than the violin but possesses a middle range that is irchly expressive and full of pathos. It has been played by some of the greatest composers, including JS Bach, Mozart, Beethoven, and Dvorak- and the rise of virtuoso players in the 19th century encouraged composers to write ever more expressive works for the instrument, not least sonatas and concertos, such as those in this collection. The explosion of pieces written for it in the 20th century has ensured that the viola can now take center stage in the world’s concert halls.

The most distinguished pianist of his generation, a brilliant pedagogue and a highly gifted composer, José Viana da Mota was a towering personality in the field of Portuguese music. Disapproving of ‘modernistic’ compositional trends he stopped composing around 1910 but not before he had written his Symphony ‘To the Homeland’, a brilliantly orchestrated paean to Portuguese prowess and discovery which makes use of Portuguese folk dances and songs. Based on the dramatic life and murder of the 14th-century noblewoman Inês de Castro, Viana da Mota’s Lisztian symphonic poem is an early work notable for its kaleidoscopic sections full of inspiring contrasts. This recording presents the complete orchestral works of Viana da Mota.

László Lajtha was one of the leading Hungarian composers of the first half of the twentieth century. Of his nine symphonies, Symphony No. 2, from 1938, is an intense, sombre and brooding work as if foreshadowing the horrors of the war to come. Volume 1 of this original Marco Polo series can be heard on 8.573643. A Marco Polo reissue. With his contemporaries Bartók, Kodály, and Dohnányi, László Lajtha was one the leading Hungarian composers in the first half of the twentieth-century, and his position as the country’s greatest symphonist is unrivalled. Of his nine symphoniesSymphony No.2, Op.27 dates from 1938 and is an intense, sombre, and brooding work as if foreshadowing the horrors of war to come. Asked to compose incidental music for the film of T.S. Eliot’s Murder in the Cathedral Lajtha responded with a magnificent score, which can also be enjoyed as an autonomous composition called Variations, Op.44.

Carl Czerny’s instructional exercises may be his lasting legacy but there remain numerous largely forgotten pieces that reveal important elements of his compositional range. The four Romantic Fantasies named after Sir Walter Scott’s famous Waverley novels are piano duets of epic breadth. In them Czerny ingeniously develops popular Scottish melodies, including the use of the ‘Scotch snap’, to generate a vivid programmatic quality that explores numerous genres. Scherzos, fugal passages, chorales and marches are all featured, and raise the music – full of beauty, virtuosity and unpredictability – to orchestral proportions.

REVIEW:

Though the majority of Czerny's more than 800 works were for solo piano, there were also works intended for use in public concerts, such as the four Romantic Fantasies for piano duet composed in 1832. Each is of sizeable proportions and based on a novel by Sir Walter Scott, Czerny having been an avid reader. They used the stories that were recounted in Waverley, Guy Mannering, Ivanhoe and Rob Roy, and in his thematic material he appropriately used Scottish and English traditional melodies. Technically they are highly demanding, particularly in the many mercurial passages for the right hand of the ‘Primo’ pianist, and proved a very testing time for Pei-I Wang in Waverley. The second Fantasy, in a mood of quiet suspense, leads to the military atmosphere that opens Ivanhoe, and finally he cast Rob Roy as a weighty finale. Mid-way through the disc the North American-based duo exchange places, Samuel Gingher becoming the ‘Primo’, the young duo here offering World Premiere Recordings made in 2019. A discovery that has given me considerable pleasure.

– David's Review Corner (David Denton)

This new release from BBC Radio 3 and the BBC Scottish Symphony Orchestra led by Grant Llewellyn features Violin Concertos by exclusively British composers, including Paul Patterson, Kenneth Leighton, and Gordon Jacob. The featured soloist in these works is violinist Clare Howick. Described by The Strad as “playing with beguiling warmth and affection” and by American Record Guide as “simply spectacular”, Clare Howick is at the forefront of a generation of inspiring violinists. As a champion of new music, Clare has premiered many new works, both on disc and in performance. She recently gave the world premiere performance at St John’s Smith Square of Violin Concerto No.2 ('Serenade') by Paul Patterson, a song-like, wistful and exuberantly sparkling work, which was specially written for her. This is the piece’s world premiere recording.