Naxos Spring Sale 2026
864 products
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SaleZádor: Music for or arranged for Orchestra / Smolij, Budapest Symphony MÁV
Naxos · Aug 2024CD$19.99$13.99 -
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Oquin, Parker & Rouse: Organ Concertos / Jacobs, Guerrero, Nashville Symphony
Naxos · Aug 2024CD$19.99 -
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SaleBeethoven: Complete Works for Cello & Piano, Vol. 1 / Schwabe, Rimmer
Naxos · Sep 2024CD$19.99$13.99 -
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Bruckner: Symphonies Nos. "0"–9 / Poschner, Linz Bruckner Orchestra, ORF VRSO
Naxos · Sep 2024CD$99.99 -
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SaleWhat I Saw in the Water - 21st Century Works for Guitar Duo / ChromaDuo
Naxos · Oct 2024CD$19.99$13.99 -
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Franchetti: Symphony - Wolf-Ferrari: Sinfonia da camera
Haydn: Late Symphonies, Vol. 3 - Nos. 99-101
Zádor: Music for or arranged for Orchestra / Smolij, Budapest Symphony MÁV
Taneyev: Violin Sonata & Piano Quintet / Spectrum Concerts Berlin
Sergey Taneyev's supreme mastery of European classical technique placed him outside the more nationalist trends of the day. The Violin Sonata in A minor is neo-Classical in its reserved and often song-like moods and expressions, and contrasts dramatically with the grand scale of the Piano Quintet in G minor.
REVIEW:
In the Violin Sonata, the players add some piquant touches to the occasionally dissonant harmonies and bring a degree of charm to the composer’s rustic-sounding rhythms and melodies. The Piano Quintet receives a fantastic performance, really capturing the gripping tension and turmoil the music whips up.
— Fanfare
Samaras: Tigra; Epinikeia; Chitarrata
Wolff: Complete Songs, Vol. 2 / Aldrian, Simon
Oquin, Parker & Rouse: Organ Concertos / Jacobs, Guerrero, Nashville Symphony
Click here to listen to the Naxos podcast interview with Paul Jacobs about this release.
This release features organ concertos by some of America's finest contemporary composers: Horatio Parker's 'imposing and brilliant' piece is heard alongside Christopher Rouse's concerto of contrasting light and dark sonorities, which is dedicated to album soloist Paul Jacobs, and Wayne Oquin's Resilience reflects the human capacity for tenacity and perseverance. The program ends with Ives' Variations on 'America' for solo organ.
Wenchen Qin: Orchestral Works / Rabl, ORF Vienna Radio Symphony
East Meets West - Krouse & Pearl: Solo Guitar Works
Banks: 18 Pieces for Orchestra - 7 • 6 • 5
Beethoven: Complete Works for Cello & Piano, Vol. 1 / Schwabe, Rimmer
Bruckner: Symphonies Nos. "0"–9 / Poschner, Linz Bruckner Orchestra, ORF VRSO
Anton Bruckner 200 (1824-2024)
Released to coincide with Bruckner's 200th birthday in 2024, this 18-CD set brings together the entire recorded cycle of Bruckner's symphonies in the Capriccio label's The Complete Versions Edition. Markus Poschner's acclaimed recordings of Bruckner's symphonies feature all of the versions identified as having significant revisions and changes in the authoritative Neue Anton Bruckner Gesamtausgabe (New Anton Bruckner Complete Edition), making this the most comprehensive Bruckner Symphonies cycle available today.
Film Music Classics - Steiner: Son Of Kong, Etc
STEINER (recons. Morgan) The Son of Kong. The Most Dangerous Game • William Stromberg, cond; Moscow SO • NAXOS 8.570183 (77:19)
The informative program notes for this album present a vigorous case for these scores being as good as King Kong , and therefore ranking with Steiner’s best music. There is no doubt about the resemblance to King Kong. The Most Dangerous Game and The Son of Kong immediately preceded and followed that landmark picture and score. The music is typical of Steiner’s RKO years, but it certainly does not rank with his best scores. To be truthful, there are numerous Steiner scores worthier of being recorded, even to the extent that it is almost a shame that so much effort was devoted to the recording of this music. That said, The Son of Kong and The Most Dangerous Game will still be a feast for Steiner zealots.
This is another Naxos reissue from the “Marco Polo Golden Age Film Classics” series with identical sound but less snazzy program notes. For The Son of Kong , Steiner utilized much of the thematic material from King Kong in a fairly subtle way, but most of the score consists of new music in the same style. If you like King Kong , there is no reason why you won’t enjoy The Son of Kong. The Most Dangerous Game is stylistically similar with just as much rambunctious brass, but it doesn’t have the hook of being the offspring of a bona fide film classic. In both scores, there are plenty of stock Steiner suspense cues and braying brass that don’t quite reach the sense-numbing level of King Kong. The Son of Kong contains some luscious bluesy music that anticipates some of the thematic material for the 1950s Gone with the Wind wannabe that also starred Clark Gable, Band of Angels (which contains a remarkably good Steiner score for a really bad film).
For budgetary reasons, The Son of Kong employed a 28-piece orchestra including the grand total of six violins! In comparison, King Kong used 46 musicians on the original soundtrack, many of them playing multiple instruments. As in many other releases in this extremely valuable series, the importance of the work of John Morgan cannot be overstated. He fully reconstructed and orchestrated the music from Steiner’s original sketches. The result is a perfect reproduction of the well-known, full orchestral Steiner sound that is treasured by so many film music fans. Conducting the music is clearly a labor of love for William Stromberg, and the Moscow Symphony Orchestra is magnificent. It never fails to amaze me how this team manages to come so close to reproducing the authentic music of the Golden Age emanating from the legendary studio orchestras of Warner Brothers, 20th Century Fox, and to a lesser extent, MGM and RKO. The sound is big, fat, juicy, and refulgent. It perfectly suits Steiner’s style with an up-front aural perspective. There is plenty of inner detail, including the many instrumental doublings. Despite the volume of the brass instruments, they always remain focused in the back of the orchestra with a soundstage that doesn’t collapse at the massive climaxes. There is no chance that these scores will ever be better recorded or played. If you are a Steiner fan, nothing more needs to be said. If not, the relentless onslaught of decibels may wear you out despite the high quality of every aspect of the production.
FANFARE: Arthur Lintgen
Schubert: Dances for Piano / Cheli
What I Saw in the Water - 21st Century Works for Guitar Duo / ChromaDuo
Paisiello: La finta amante / Parisse, Estrin Orchestra
Donizetti: Chiara e Serafina / Quatrini, Orchestra Gli Originali
Schmidt: Complete Symphonies / Sinaisky, Malmö Symphony
Respighi: Tre Liriche / Vittorio, Chamber Orchestra of New York
At the invitation of Respighi’s great nieces, conductor Salvatore Di Vittorio has restored and edited the Berceuse and Lamento d’Arianna. His completion of the orchestration for the Tre Liriche is heard here in a premiere recording. Di Vittorio conducts the Chamber Orchestra of New York with the mezzo-soprano Alessandra Visentin as soloist.
REVIEW:
Alessandra Visentin’s contralto voice acts as a perfect bridge between the 18th and 20th centuries and therefore becomes an ideal voice for this project. The orchestral colors bloom wide and iridescent. Salvatore Di Vittorio more than capably holds the reins, reconciling the voice with the opalescence of the instruments.
— Il Trillo Parlante (Fabio Tranchida)